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86617F5643E6-A6A1-4367-A547-7EBBED0715AFSO9BALLADE (OUT-OF-PRINT)
86627F570AE1-2A99-45E7-98D4-F48D30D163E8EBM0610075I Hear America SingingMovements: I Hear America Singing; For the Brood Beyond Us; Interlink'd, Food-Yielding Lands!; And For the Past; See, Steamers Steaming; Ode to DemocracyBaritone, SATB Chorus, 2222 4331 Timp Hp Bjo Str
86637F5F20CD-93A7-4B80-AA61-4F7AE6B43E0AA929891Concerto for Piano No. 3 in C Major, Op. 26CONCERTO FOR PIANO No. 3 in C major, Op. 26 was completed in 1921 using a theme and variations Sergei Prokofiev (1891-1953) had sketched in 1913. While he revisited the sketches in 1916–17, he fully devoted himself to this concerto during his 1921 summer holiday in Brittany, saying "I already had all the thematic material I needed except for the third theme of the finale and the subordinate theme of the first movement." CONCERTO FOR PIANO No. 3 premiered on December 16, 1921 with the Chicago Symphony Orchestra conducted by Frederick Stock and Prokofiev playing the solo. The work was not an immediate success until a 1922 performance in Paris conducted by Serge Koussevitzky, confirming this work in the 20th century canon. Instrumentation: Pno Solo: 2(2dPicc).2.2.2: 4.2.2+BTbn.0: Timp.Perc(1): Str (9.8.7.6.5 in set). Reprint edition.Solo Piano and Piano Accompaniment
86647F66B574-743D-4CF3-94F0-BEB2CCADD317ST423CODivertissement Op. 50Commissioned by my the composer's friends in the Kansas Brass Quintet. Movements: I. Intrada, II. Headache Scherzo (Or: The Blight of the Fumble Bee), III. Pastorale, IV. The Tin-ear RagBrass Quintet
86657F6773A3-8358-4DFB-AE94-334CB3F8DDBAX301017Three Vignettes for Solo MarimbaThree contrasting character piece for marimba written for percussionist Brett Dietz. References to sports are apparent in the movement titles: 1. Two-Minute Drill, 2. Slo-mo, 3. Man in Motion. Duration ca. 7'.Solo Marimba
86667F6BF5EB-A202-4F32-B521-3510A8E9B65CEBM0610627Graceful Ghost Rag for BandHis most popular work, William Bolcom describes his compositional approach to "Ghost" as being similar to Kreisler, with a little bit of Joe Venuti thrown in for good measure. The key to this work is found in its character, which evokes a melancholic sadness, a limpid gracefulness that is perhaps indicative of Bolcom’s enduring feelings for its inspiration, the memory of the composer’s father, Robert Samuel Bolcom. Adapted from his well-known piano composition, this moderate ragtime was arranged by the composer for symphony band. This work utilizes a transparent scoring style along with soloistic passages that contrast nicely with brief soli features for various sections of the ensemble. The lyric quality lends itself quite well to the rhythmic and syncopated style making it both uniquely elegant and rewarding.Concert Band
86677F6C19A5-EE71-4F86-80C6-76E2CA9DA62150250168Piddlin'Piddlin’ is a loose double Rondo in a slightly modal D minor, with contrasting episodes in between the two main themes. The basses start off theme 1 with an ostinato. Violin 1, celli and basses will shift, with carefully marked fingerings to aid less-experienced students. This would make a wonderful review for high school students, because of all the varying rhythmic values. Counting is a must, along with maintaining a steady beat!String Orchestra
86687F6C7B65-A49E-4312-BC3D-37918954E669W114791Adriana LecouvreurThe four-act opera ADRIANA LECOUVREUR was composed by Francesco Cilea (1866-1950) and premiered on November 6, 1902, at the Teatro Lirico in Milan, with Angelica Pandolfini in the title role and Enrico Caruso in the role of Maurizio. The libretto is by Arturo Colautti, and it is based on a play by Eugène Scribe and Ernest Legouvé, where some of the characters are based on actual historical figures, although the story itself is fictional. Despite a plot that includes multiple romantic entanglements, unrequited loves, misunderstandings, and murder-by poisoned-violets, the work is considered among the verismo operas, if it is less realistic than others classified as such. The title role has remained a favorite for sopranos with large voices since its premiere, and the opera holds a regular place in the repertoire. Reprint edition. Vocal score.Vocal soli (11 roles, SSMzMzTTTBarBarBB): Mix Chorus: Keyboard or Orchestra accompaniment
86697F6D33CF-2FE3-462B-8B12-92CA87C33035S618CBIn the Spring At the Time Kings Go Off to WarWinner of the 1986 American Bandmasters Association Ostwald Award, the composition is based on I Chronicles 20, v. 1-3 detailing King David's armies laying siege to the land of Amonites. Using a variety of musical idioms from diatonic to "sound mass", aleatoric to metric, vocal to synthetic, the composer hs woven a tonal picture of the pathos, triumph and tragedy of this Old Testament episode.Concert Band
86707F6E890B-2DAD-4826-8A87-7B5642C71F81ST378Fantasy and VariationsThe present edition is based on a combination of an early piano reduction and a set of orchestra parts from the Spohr archives in Marburg, Germany. A version of the piece with tenor sax and piano are also available, as well as a band arrangement of the orchetra score.Clarinet
86717F772573-146E-4868-91BC-685B98D6A40A10100250Lincolnshire Posy: POP see 50100300One of the absolute gems in the entire worldwide repertoire for wind bands, Lincolnshire Posy remains at the pinnacle for all bands who believe themselves ready to prove their artistic worth. Along with Percy Grainger's wonderful material, the added bonus of the explicit editing and notes from the definitive interpreter of the work, Dr. Frederick Fennell, makes this a must have for performance and for study. The score, available separately (as are all Ludwig Music scores), contains extensive notes and explicit markings. It is this work that has literally been responsible for inspiring thousands of aspiring musicians to become directors of bands, orchestras, and choruses, thus fostering a lifetime of love of and respect for music. Ludwig Music is extremely proud to play a major part, by making this edition available, in keeping this very important piece of music at the forefront of musicians and audiences around the world.Symphonic Band
86727f7bcb22-9e39-11f0-a418-0022482c968260730004Sospiri, Op. 70Edward Elgar (1857-1934) composed his adagio for string orchestra, SOSPIRI, Op. 70, just before the onset of World War I. Originally planned to compliment his SALUT D’AMOUR for violin and piano, he decided that its intense nature of expression made it well suited it to be a stand-alone work for string orchestra, and it is often performed in that setting still. This version for cello and piano was transcribed by Julius Klengel. The original violin solo version and Klengel's transcription for viola solo is also available from the publisher. Reprint edition.Cello and Piano
86737F862B31-889E-4160-80FC-044F4BEE3D98S531002Recollections and Revel
86747F8D8C64-0FE4-4596-A856-27B3D47BEACDX662501Klezmer Dreams for Flute, Clarinet and String QuartetThis rhapsodic fantasy in a single movement shifts from a lively kli zemer tempo through rubato passages with quasi-improvisational cadenzas and ends with an uptempo "Freilach". Commissioned by Noah Bendix-Balgley.Flute(dPicc), Clarinet, 2 Violin, Viola, Cello
86757F9370CB-14CD-45D3-9DD8-125099C569ECSS799Sonata No. 5 In A (out-of-print)Flute Duet
86767F966C68-BD3C-4C33-88A2-25A72D73FD73SO98CKumon (clouds)(not set)String Orchestra
86777F991729-F0FE-452A-B7C2-83668F1C400ESU225Sonatina AmericanaThis work is dedicated to Adrian Gnam. This work is for 2 oboes and 2 bassoons. Movements: I. Allegro, II. Adagio, III. Allegro.Woodwind Quartet: 2 oboes and 2 bassoons
86787F9B805C-E3B7-4C38-A11F-B955C0AB5CC8ST291Fantasia (1981)This up-tempo duo for two marimba players starts with identical rhythms before quickly moving on to independent parts with triple against duple feels and syncopated patterns.Marimba Duet
86797FA38120-F376-4B7B-8719-8513F5194C78R01057YizkorYizkor, the Hebrew name for memorial service, is an adaptation of the adagio movement from Stock's Fourth String Quartet, dedicated to the memory of composer and Antioch College colleague, John Richard Ronsheim. The Western Slope Music Festival premiered this orchestration, which was later recorded on Naxos by Gerard Schwarz and the Seattle Symphony.String Orchestra
86807FA7B1DA-E173-4436-A0DF-681421C20F7CST689COStreltsyThe word "streltsy" has both Hungarian and Russian origins. However, the meaning of both is similar, referring to infantry or guards armed with a bow. This work for clarinet quartet was written by Technical Sergeant Lawrence Ink for the U.S. Air force Chamber Players.Clarinet Quartet