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85817E33491F-C93A-4AA2-A231-87F0E450ED11A713890Slavonic Dances, Op. 72/B. 147: No. 3 in F (Skocna)Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvo?ák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher’s introduction to Dvo?ák’s Moravian Duets by Johannes Brahms. Understanding the national characteristics and talent of the hitherto unkown Czech composer, Simrock suggested he create a series of “Slavonic Dances” in a style similar to that which had recently proved so successful in the base of Brahms’ Hungarian Dances. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvo?ák quickly completed the second series of eight (Opus 72) for piano duet, often also orchestrating them while still composing. These are considered among the most personal, nationally most characteristic, and most famous of Dvo?ák’s works. Czech composer, and violin virtuoso Bohuslav Leopold (1888-1956) arranged several of the Slavonic Dances for small theater orchestra, including this arrangement of Op. 72, No. 3, Skocná (also referred to as No. 11 when the first eight dances from Op. 46 are considered). Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set)(winds cross-cued for perf by smaller orchs).2.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set)(winds cross-cued for perf by smaller orchs)
85827E34B4A2-75F6-46F1-B97D-361E9A028BEDSS326Adagio CantabileHorn and Piano
85837E3E13DF-0487-4359-9B80-82FBDE2404FD60710003Poupee Valsante (Dancing Doll)Hungarian composer Ede (Eduard) Poldini (1869-1957) was largely known in his home country for his many operas. In the 1890s, Poldini composed a collection of seven pieces for piano under the title MARIONETTES, IEP 17, the most popular of which is the 2nd movement, LA POUPÉE VALSANTE (THE DANCING DOLL), with its fleet, graceful introductory melody. This transcription for violin by Fritz Kreisler is what made Poldini internationally famous.Violin and Piano
85847E415699-F58C-41A5-B278-027169DC7848A725502Villanelle for Horn and OrchestraIn French, the word "villanelle" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald Miller, this edition was revised in 2009 by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2(2dPicc).2.2.2: 2.2.0.0: Timp.Perc(2): Str (9-8-7-6-5): Solo Horn in Set [All new engraved materials].2(2dPicc).2.2.2: 2.2.0.0: Timp.Perc(2): Str (9-8-7-6-5): Solo Horn in Set [All new engraved materials]
85857E4667B4-148F-4C74-ADA8-FF61C049EFB4R00755MetamorphosisPiano Solo    3(1d Piccolo).3.3.2+ContraBassoon: 4.4.3.1: Timpani.Percussion(1): Strings
85867E480665-119F-42C4-84A8-7A57EAD080BCM909091Nabucco Overture
85877E481242-7916-43B5-B150-3E240143AE6DM157691The String Quartet, Vol. 1(not set)Two Violins, Viola and Violoncello
85887E499644-73CA-4040-874B-994DFF2601ECA207690Cagliostro in Wien: Auf der Jagd Polka, Op. 3731+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str
85897E4C684F-2F5D-4424-A0ED-E0E5F0CC99B3X642503Music for a Summer Afternoon for Flute, Violin, Viola and Cello"Music for a Summer Afternoon" by Robert Starer is a seven movement suite for flute, violin, viola and cello. Movement titles: I. Overture, II. Elegy, III. Fughetta, IV. Interlude, V. Dances, VI. Flutemagic, VII. FinaleFlute, Violin, Viola, Cello
85907E4DB0D9-0905-480D-B4FC-2AD7D48727AAA708702Chandos Anthem No. 4: O Sing unto the Lord, HWV 249b (Grote/Elvers)The Chandos Anthems, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the First Duke of Chandos in 1719. As the chapel was incomplete, Handel wrote these works with fairly intimate scoring, using the instruments he had available to him, which is why they generally do not include viola parts. As a result, the accompaniment for the usually small choirs take on the light texture of chamber music. The text for each of the Chandos Anthems are different psalms selected by Handel himself. Chandos Anthem No. 4: O Sing unto the Lord, HWV 249b was written between 1717 and 1718, and is a setting of the Prayer Book versions of Psalms 93 and 96. It borrows heavily from O Sing unto the Lord a New Song, HWV 249a. This edition from the Deutsche Händelgesellschaft has been edited by Gottfried Grote and Rudolf Elvers.0.1.0.1: 0.0.0.0: Org (in Score): Str (2-2-0-1-1 in set): Solo ST: Mix Chorus
85917E4E0582-D181-436D-A3A7-C12B1EDD4AEC52250240Meander(not set)String Orchestra
85927E53327C-E492-4B1F-8413-548D4EDEAFBCSC27Texas Christmas, A (out-of-print)Satb
85937E558D01-57F5-495D-A0D7-0C88FDB1ECFFD511071Concerto in D major, Three Cadenzas (all)Cadenzas by Leopold Auer.Violin
85947E567783-2CFF-4CB3-88E8-534786AEFB69X410015PsalmsAlbum contains 25 short meditations for piano on the book of Psalms.Solo Piano
85957E567B41-F2EA-48F4-B692-C10901B1C3CBS822CBA True Friend(not set)Concert Band
85967E568E07-1FC0-4AD8-99EC-4809E4A41381S871CBSongs Without WordsWith admiration and respect, the Wisconsin Chapter of the College Band Directors National Association dedicated SONGS WITHOUT WORDS to James Arrowood, professor emeritus at the University of Wisconsin-Stevens Point, for his years of leadership, inspiration and service to the art of band conducting and treaching. In keeping with this spirit, the composer adds the following: SONGS WITHOUT WORDS is a multi-movement work reflecting the strength of character, spirit, intellect and goodwill of my close friend and colleague, James Arrowood. It is indeed an honor to compose a work for such a fine artist, teacher and friend.Concert Band
85977E58220C-65DE-4C3D-83BE-D5BE01B8F25CS786CBOlympic Fireworks for Concert BandConcert Band
85987E5F00B8-9218-42A6-9F87-4EDD12441210SS43Sax SoliloquySax Soliloquy is a light and fast moving number, giving a lilting effect to the composition. It opens with a Maestoso for Band with a Recitative by the first saxophonist, thereafter entering into the lilting Allegro. After this movement there is a melodious Andante. Returning to the Allegro with some repetition of the first Allegro, the composition is concluded with a Vivace that affords a satisfying finale. This version is for Saxophone Quartet (AATB or AATT) and Piano. A version for Saxophone Quartet and Band is available for rental from the publisher.AATB or AATT Sax quartet and Piano
85997E6206DA-6F6D-4530-B104-EA1F72C3DB4452714001Orpheus in the Underworld: Rondeau des Metamorphoses and Can CanThematic material and difficulty is equally distributed throughout the parts in these arrangements for quintet, which are compatible between violin, viola, and cello versions.Violin Quintet
86007E643B4B-3ACD-4FCE-954B-712FF04F1AC2SC436I Will Praise My God and KingA setting for SA also available from the publisher.Ssa