Titles
Showing 8,561-8,580 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8561 | 7DEEF193-5971-4719-A6D0-187A2D613789 | RCSS435 | Mill, the: only in 24 Short Concert Pieces | Flute, Piano | ||
| 8562 | 7DF15BEA-B2AA-4136-AB93-AF894EE3E745 | M142791 | Six Concert Etudes, Op. 28, Bk. 1 (Nos. 1-3) | Written in 1916, these Six Concert Etudes (Hat Koncertet?d), Op. 28 were written by Hungarian composer, conductor, and pianist Ernst von Dohnányi (1877-1960). He premiered the work himself in Szeged on December 12, 1916. The collection is published in two volumes, with both available from the publisher. | Piano Solo | |
| 8563 | 7DF56F60-E113-43D9-A255-22A0559AD83A | F17 | Musidex Recording Composer Card | Forms | ||
| 8564 | 7DF8019F-FF1D-4C01-8EB4-A34141719F3B | A354702 | Judas Maccabaeus, HWV 63, Act II, Aria and Chorus: Sound an alarm! | Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of scripture. It tells the story of the Jewish people under the Seleucid Empire, which sought to destroy the Jewish religion, and the leader Judas Maccabaeus who inspired his people to victory. It premiered at Covent Garden in London on April 1, 1747, with Händel conducting. The aria and chorus Sound an alarm! takes place near the end of Act II, after Judas' people excitement over a victory quickly turns to dismay upon hearing that the Seleucid Empire intends to enact revenge. Sound an alarm! is Judas' call to fight again and destroy the pagan alters and reject the false religions. Instrumentation: 0.2.0.1: 0.3.0.0: Timp: Org: Str (2-2-2-1-1 in set): Solo Ten: Mix Chor. Vocal/Choral scores not included. | 0.2.0.1: 0.3.0.0: Timp: Org: Str (2-2-2-1-1 in set): Solo Ten: Mix Chor | |
| 8565 | 7DFAEBCC-AF6D-4929-B297-2E1A82D8F5E9 | X814001 | Cançöes Modernistas for High Voice and Piano | Two "Modernist Songs" with texts by Carlos Drummond de Andrade: "Tristeza no Ceu" (Sadness in Heaven) and "No Meio Do Caminho" (In the Middle of the Road.) Also available for Soprano with clarinet, bass clarinet and viola or with guitar and cello. | High Voice, Piano | |
| 8566 | 7E01CBB8-7DD1-4E38-82A7-7070FC4C9517 | R00116 | The Ballad of Bill Doolin for Alto Sax, Vibes and Woodwind Quintet | Traditional folk-ballad on the life of the desperado. | Alto Saxophone, Vibraphone, Woodwind Quintet | |
| 8567 | 7E02A334-84C1-40A3-8C68-6DF2C33AF2DC | ST150 | Canto Semplice | This piece for young flutists is a wonderful selection to showcase a players lyrical ability. | Flute and Piano | |
| 8568 | 7E03F093-BFE4-47E9-8384-B495DA31817A | ST341 | Sonata No. 5 | Originally written as Handel's Recorder Sonata in F major, HWV 369. Transcriptions for Tenor saxophone and Clarinet offered by the publisher. | Clarinet, Piano | |
| 8569 | 7E0D66C6-ACEC-473A-824E-A1FED6EDF888 | A134402 | Naenie, Op. 82 (Nanie) | (not set) | 2, 2, 2, 2 - 2, 0, 3, 0, timp, hp, str, mx chor | |
| 8570 | 7E11D0E1-1818-4CE2-A2CB-81B9FFD3856E | SC518 | The Crocodile | Satb | ||
| 8571 | 7E11DBF9-6BC9-441E-AAA7-46906AFAE3F3 | M212391 | Concerto In D minor for Violin | (not set) | Violin and Piano | |
| 8572 | 7E148C79-5B13-4B4A-BFFC-9039BCA0C58C | S26MB | El Gaucho | (not set) | Marching Band | |
| 8573 | 7E1DEF67-8B68-4E5A-B9EC-63CEF5513829 | EBM0610223 | Atlantic Riband | Available on Naxos CD 8.559723 | 2Pi2EH22Cbn 4331 Timp 3Pc Hp Str | |
| 8574 | 7E24534F-20F7-4A57-B24D-1D4935E458F9 | M908602 | Joyeux Noel | "Joyeux Noel" (the French expression of "Merry Christmas") was originally written for brass ensemble, available from the publisher as item number M3057. Its success in that form prompted the composer to recast the work for full concert band and wind orchestra. | Concert Band | |
| 8575 | 7E24585D-EAB4-4AD0-AA36-641B8D7EEAE7 | A154802 | Symphony No. 101 in D ‘Clock’ (Hob. I:101) | Franz Joseph Haydn's (1732-1809) Symphony No. 101 in D major, Hob. 1:101, is the ninth of his twelve London symphonies. It is known as 'The Clock' due to the "ticking" rhythm that pervades the second movement. Premiered in London at the Hanover Square Rooms on March 3rd, 1794, by a group of sixty musicians assembled by Haydn's friend and colleague Johann Peter Salomon, the work was enthusiastically received, and remains a popular and frequent part of concert programs today. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set). | 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set) | |
| 8576 | 7E2652D3-9900-43F5-8A02-E3A563061FD3 | 50603004 | Fugue in D Major | The Fugue in D Major will require precise rhythmic execution and constant subdivision of counting for a successful performance. Balance will always be a concern, particularly with orchestra bells and vibraphone. All lines are of equal importance and every player gets a serious workout in this brief but satisfying fugue. | Mallet Quartet: Orchestra Bells, Vibraphone, 2 Marimbas (performable on a single instrument) | |
| 8577 | 7E26F76C-AB57-4A00-AE84-78D9E69D8CFD | M412291 | One Man Show | Album of short intermediate piano pieces. Contents: 1. Alpine Mist, 2. Dialogue, 3. Winter Day, 4. Dizzy Dinosaur, 5. Dance of the Balkan Shepherd, 6. Mischief, 7. Village Tale, 8. Mexican Mountain Climb, 9. Gliding | Piano | |
| 8578 | 7E2CDAED-C5F3-4CE3-A8AE-6B512D1C323B | SS867 | Sonata for Tenor Saxophone | Part of the Contemporary Saxophone Series edited by Cecil Leeson. Alternating between technical and flowing, lyrical sections, this title makes forays into alternate modalities, though frequently returning to a more tonal center. | Tenor Sax and Piano | |
| 8579 | 7E2E5D8D-F2C6-4133-BF0B-BA0921D79958 | SC12 | March Of Freedom | Satb | ||
| 8580 | 7E32954E-9BCD-4328-8839-6B9808FA30F5 | SS677 | ACCENTASIA (OUT-OF-PRI |