Titles
Showing 8,681-8,700 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8681 | 7FAAE9CB-7822-4B5C-9D40-C77B4F72CB2C | LV136CB | Frog Hollow Country | (not set) | Concert Band | |
| 8682 | 7FAB4086-461E-4FE0-A4F7-D762A0731011 | SC142 | Happy Are We | Sab | ||
| 8683 | 7FAD9D9F-89CC-4708-AA5A-B058F65C6081 | 10300128 | Fundamentals of Violoncello Technique v. 3 | Volume 3 - Thumb Positions. These books have been designed to provide a modern and practical approach to the art of Cello playing. They contain pedagogical literature of JJF Dotzauer, Bernhard Romberg, Sebastian Lee, and Friedrich Kummer, as well as a generous amount of original material. Arranged in progressive sequence, they eliminate superfluous material, emphasize the need for the development of the hands, and move toward the goal of preparing the student for modern technical demands. | Violoncello | |
| 8684 | 7FB1555E-1676-47E1-B53F-4B2D8D49DF22 | M219691 | Four Characteristic Pieces, H. 126 | (not set) | Piano Solo | |
| 8685 | 7FB3BF0B-0F37-47A8-A1B7-6D972ED8488D | SC751 | Song Of Prayer | (not set) | Satb | |
| 8686 | 7FB3C20B-DA04-41E7-95BB-896544323440 | ST518CO | Allegretto Grazioso | An arrangement for woodwind quintet of the third movement from Brahm's 2nd Symphony. | Woodwind Quintet | |
| 8687 | 7FB582AF-5348-4DA0-947F-2DB2B17A3C8F | RCSS67 | Dorian Suite for Flute and Piano | Flute, Piano | ||
| 8688 | 7fb90768-9e39-11f0-a418-0022482c9682 | 60760006 | Pastorale Varie in Olden Style, Op. 30 | Gabriel Pierné (1863-1937) wrote Pastorale Varie in Olden Style, Op. 30 (Pastorale variée dans le style ancien) for piano originally in 1893. It is a collection of seven short movements in older dance styles. I. Andantino; II. Tema in canone; III. 1er Double. Scherzosamente; IV. 2me Double. Tourbillon; V. 3me Double. Tempo di Menuetto; VI. 4me Double. Alla siciliana; VII. 5me Double. Allegro maestoso. Reprint edition of the original piano version. A small wind ensemble version is also available from Edwin F. Kalmus (A6978). | Solo Piano | |
| 8689 | 7fbacc08-9e3c-11f0-a418-0022482c9682 | X150013 | Soliloquy for Alto Saxophone | Originally composed by Steven Gerber for solo bassoon, this work is based on the first four notes of Le Sacre du Printemps (The Rite of Spring). Transcriptions by Argentinian composer Marisol Gentile for clarinet, alto saxophone and baritone saxophone are also available from the publisher. | Solo Alto Saxophone | |
| 8690 | 7FBCC56B-E96D-4AAB-B232-3D9CACCB2BD8 | SS562 | The Swan | Trombone | ||
| 8691 | 7FC2B608-D97D-427A-B334-5DC16852FA42 | M353191 | Nine Songs (High Voice) | This collection of NINE SONGS by Cécile Chaminade (1857-1944) was composed between 1890-1906. The collection includes: Viatique, Chanson de neige, Mandoline, La fiancée du soldat, Si j’étais jardinier, Chanson slave, Petits cœurs, Infini and L'amour captif. | High Voice and Piano | |
| 8692 | 7FCE97C0-8558-4789-8935-7D64A2EAC90E | X502018 | Hoodoo Duo for Violin and Cello | A Hoodoo is a rock formation, often resembling a person, found in the Southwest U.S. This short duo reflects this striking landscape with jazz-infused lines and shifting meters. This version is dedicated to Ida Kavafian and Peter Wiley. A separate and musically distinct Hoodoo Duo for Viola and Double Bass is also available. | Violin, Cello | |
| 8693 | 7FD983E2-7461-4570-9186-A1BB3767A69F | J20001 | Open The Window Aunt Minnie, Here She Comes | A 1999 commission from soprano Carol Eikum of Northwest College, St. Paul, Minnesota, this song cycle is about baseball! Poetry from Elisavietta Ritchie, May Swenson, Isabel Joshlin Glaser, and the composer includes Sittin' on the Bench, Baseball Wrap-up, Substitute Blues, and Someday, Someday. The score includes suggested costume and stage directions, and is guaranteed to successfully fill that 'American composer' spot on a serious song recital. | Vocal Solo | |
| 8694 | 7FDD1A8D-F222-4860-A78E-90A4FA27C33D | R00396 | Mosaics No. 3 | Trombone Choir (5Ð40 or more) | ||
| 8695 | 7FE077A7-50CE-4F30-B2FE-0A411032760D | A014390 | Poor Wand'ring One | From The Pirates of Penzance, this bright waltz demonstrates the melodic genius of Sir Arthur Sullivan. It flows naturally and inevitably, with all the grace, charm, and wit of the 19th century. | Full Orchestra | |
| 8696 | 7FE50E1D-9A24-4FB1-83B6-6ED8A13FE418 | 50443002 | Proudly as the Eagle | Louis Spohr is a German composer who lived at the same time as Beethoven. He is remembered most for his compositions for the violin. However, “Proudly as the Eagle” is a vocal excerpt taken from one of his operas, and it adapts very well for instrumental ensembles. The piece is not difficult technically, but all four players must be able to play independent rhythms. Accurate intonation and balance of parts are also essential. The key is C major for clarinets, and the range is limited from G below the staff to G above the staff. | Bb Clarinet 1, 2, 3 and 4 | |
| 8697 | 7FEC5B05-AEAA-416D-835E-E0558011442E | S296MB | Flying Falcons | (not set) | Marching Band | |
| 8698 | 7FEF8829-D38F-43EE-91A6-D0192EC767A2 | M182291 | Collected Works, Vol. 3 | Spanish Renaissance composer and organist Antonio de Cabezón (1510-1566), blind from childhood, rose to prominence in Spain, employed by the royal family and becoming the first major Iberian keyboard composer. Writing predominantly for the organ, most of his music has been preserved through the efforts of his son, Hernando de Cabezón, who published a collection of his father's works. This present edition of his collected works for organ or other keyboard instruments is available in six volumes from the publisher, edited by Felipe Pedrell, with additional corrections by Higinio Anglés for this well-known collected edition. | Organ or Other Keyboards | |
| 8699 | 7FF16F75-3620-4697-9A1E-CECA2520041A | A913202 | Harvard Festival, A | 2d2+1.2+1.2(+1).2(+1): 4.3.3.1: Timp.Perc.(Org): Str | ||
| 8700 | 7ff260f8-9e39-11f0-a418-0022482c9682 | 60790001 | Valse Romantique for Harp, CD 79/L.71 | Claude Debussy (1862-1918) composed VALSE ROMANTIQUE (F minor; CD 79/L.71) in 1890 for solo piano, during a period when he was short piano works in traditional genres, seeking his own style. Unlike the impressionism for which he later became known, this waltz is written in a late romantic style. Not particularly difficult, it is ideal for teaching or for a recital. This transcription for solo harp was created in 1924 by Lily Laskine. Reprint edition. | Harp Solo |