Titles

Create Title

Showing 8,941-8,960 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
894183731729-E4C2-46F4-9363-CA9DBD41F5F0B401102Promenade (band version)concert band
894283750673-07A7-4362-901E-3342F119D5EBS1004CBKings and Angels DancingCommissioned by the Durham Middle School Wind Ensemble in Lewisville, Texas, in the Fall of 2019, for its first performance under their new Director, Ms. Ellie Murphy, Kings and Angels Dancing begins with a sense of awe and mystery accurately attributed to these two groups – Kings and Angels: Who are they? For what have they come?

However, once they bring out the drum, the triangle, and the cymbals, it is apparent that they are there to celebrate. There is even an extra step in their dance, for good measure!		Concert Band
894383765D51-3109-49FD-96B1-E3149D7B934720613594Four to GoFour to Go demonstrates in a fun way how many different sounds can be made easily on a snare drum. The form of the work is AABA with a Coda. The first A section consists of three standard 16-beat cadences in unison. The rhythms in the next A section are based on the original themes, but are broken up among the three players. The B section includes a wide variety of sounds including clicking sticks, taps on the rim, shell, music stand and even a foot stomp. The recapitulation by means of a D.C. includes some of the material in both of the A sections before moving to the short coda, which provides an energetic drive to the final measure.Four Snare Drums with Opt. Bass Drum and Cymbals
894483788D10-F627-4F34-BE6B-9D92D4BF8C3AS511030Paganini Moses Fantasy for Violin and Piano with Analytical StudiesThe Variations on a Theme from Rossini’s Moses is one of Niccolo Paganini's most famous and often performed virtuoso display compositions. Being the ultimate showman and almost circus performer, Paganini prided himself in compositions completely beyond the capabilities of the other violinists of his day. He would often play final pieces in his programs on a single string. One of his most famous concert pyrotechnics was to break the three upper strings in the concert and finish the concert with one piece performed on the G string of the violin. The Moses Fantasia, composed as a theme and variations from Rossini’s Moses in Egypt, is the best-known example of such a piece. In a curious historical note, no manuscript exists, as Paganini did not want any other virtuoso to steal this work. It was published posthumously and immediately became a sensation in the 19th century. We are proud to bring this version based on the earlier published version supplemented by the marvelous exercises written by Otakar Šev?ík in the 1920’s.Violin, Piano with Analytical Studies
8945837CA8E4-7520-4A75-9E96-2BD1A38EC152SS504Concerto in E Flat, K294This solo, edited by Albert Andraud, is a great recital selection for the advanced oboist looking for challenging new music. Movements: I. Adagio, II. Allegro, III. Romanze, IV. RondoOboe and Piano
894683802401-24CD-4765-A7A8-7856B7C2AD06A902290When You Wore a Tulip and I Wore a Big Red RosePercy Wenrich (1880-1952), composer of ragtime and popular music in the early 20th Century, was born in Joplin, Missouri. And while he studied in Chicago and later moved to Tin Pan Alley in New York to work as a composer, music retains a midwestern flavor. He wrote WHEN YOU WORE A TULIP AND I WORE A BIG RED ROSE for his wife, vaudeville performer Dolly Connolly, with lyrics by Jack Mahoney. This orchestration is by Timothy Broege. Instrumentation: 2(2dPicc).2.2.2: 3 Saxes(AAT)(opt.): 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set).2(2dPicc).2.2.2: 3 Saxes(AAT)(opt.): 4.3.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set)
894783806113-1A2B-4FFD-857B-9EEB68A6C0B7B358Six Folk Songs for Flute and GuitarFlute, Guitar
8948838B4F3E-7D21-40BA-B3BC-7A15CC975E18W708591The Five Fingers(not set)Piano Solo
8949839161CF-FB74-4B3B-B117-4056EB132A3CA578302Barbe-Bleue (Bluebeard; Blaubart): OvertureJacques Offenbach (1819-1880) wrote Barbe-bleue (Bluebeard, Eng.; Blaubart, Ger.) while travelling in 1865. An opéra bouffe in three acts, with a French libretto by Henri Meilhac and Ludovic Halévy based on Charles Perrault's 1697 story, it relates the tale of many wives thought dead, mistaken identities, attempted murder, love, and marriage. As Offenbach seldom wrote overtures, thinking them a waste of time as he sought to create theater, not a concert atmosphere, most of Offenbach's overtures were written by Fritz Hoffmann, which is the case for this operetta. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.perc(2): Str (9-8-7-6-5 in set).1+Picc.2.2.2: 4.2.3.0: Timp.perc(2): Str (9-8-7-6-5 in set)
89508391F904-B8F4-43AB-842D-A5137DD4CDAF10100255ApparitionsThe concept of APPARITIONS was inspired by Walt Whitman' brief poem of the same name. The composition deals with both appearances (or "apparitions") and true nature of an abstract idea. The three basic musical shapes which "appear" in APPARITIONS all share the pitch pattern of a falling fifth and a rising sixth. They are, in order of appearance: first, a sweeping wave of accumulating notes - a cold wind on a dark night - borrowed from the composer's first orchestra symphony; second, a musical quote from Schubert's song, THE ERLKING, in which a child pleads with his father to see an "apparition" which the father cannot see but which is terrifyingly real to the little boy; and third, a quote from a Luther/Bach chorale tune that outlines the falling fifth and rising sixth of the child's melody in Schubert's song. APPARITIONS may be performed by a symphonic band or wind ensemble. The wind ensemble will require two Bb clarinets per part and three flutes per part to comply with the divisi orchestration.Symphonic Band or Wind Ensemble
895183923AAB-70C0-4DF5-8E0F-5FBED0395954M237991Thirteen SongsThis collection of THIRTEEN (13) SONGS by composer Frank Bridge (1879-1941 include the following: 1. Adoration, H. 57; 2. Fair daffodils, H. 51; 3. Come to me in my dreams, H. 71; 4. Strew no more red roses, H. 109; 5. Where she lies asleep, H. 113; 6. Thy hand in mine, H. 124; 7. So early in the morning, O, H, 130; 8. Mantle of blue, H. 131; 9. Blow out, you bugles, H. 132; 10. The last invocation, H. 136; 11. Into her keeping, H. 143; 12. What shall I your true love tell?, H. 145; 13. 'Tis but a week, H. 146. Reprint edition.Voice and Piano
89528392F5C8-DD2A-4C1F-9996-9A0BE1DAF86AA889502Esmeralda, La: Pas de QuatreInspired by the ever-popular 1831 novel Notre-Dame de Paris (The Hunchback of Notre-Dame) by Victor Hugo, LA ESMERALDA is a three-act ballet that follows the story of Esmeralda, the beautiful Romani woman from the story. With choreography by Jules Perrot and music from Cesare Pugni (1802-1870), the ballet was first performed in March of 1844 by the Ballet of her Majesty’s Theatre. The ballet is commonly performed in its entirety to this day in Russia and Eastern Europe. A brisk, sturdy PAS DE QUATRE is danced by Esmeralda’s friends in this excerpt from the ballet, orchestrated by William McDermott. Instrumentation: 2(2nd opt).1.2.2(2nd opt): 4(3&4 opt).2.0.0: Timp.Perc(2): Hp: Str (4.4.3.3.3 in set).2(2nd opt).1.2.2(2nd opt): 4(3&4 opt).2.0.0: Timp.Perc(2): Hp: Str (4.4.3.3.3 in set)
89538397AF0D-D9D2-4F4A-B3E3-A9C72AA8ECC2W740191La Rondine(not set)Vocal Solo
89548398a361-9e39-11f0-a418-0022482c9682A107390Sarabande et Rigaudon, Op. 93: No. 1 (Sarabande)Camille Saint-Saëns (1835-1921) composed the 'concert pair' of orchestra dances, SARABANDE ET RIGAUDON, Op. 93 in 1892. The first movement, SARABANDE, is written for strings alone, and follows the dance-form that originated in sixteenth-century Spain. The lively second movement, RIGAUDON, is written for full orchestra, and the French folk-dance from the seventeenth century contrasts well with the first movement of the suite. Each movement is available separately from the publishers. Instrumentation for No. 1, SARABANDE: String Orchestra (8-8-5-5-5 in set). Reprint edition.String Orchestra (8-8-5-5-5 in set)
89558398F756-29B5-41F7-8B46-9FF95C7186B7B193Step By Step Accordion Method, Bk. 2Accordion
8956839BBCFD-7C02-4FB9-BFB3-C6AB1241F170S830Star ShipOf this work, composer Yukiko Nishimura writes, "In Japan there is an old tale which has been told since before time began. Two of the most beautiful stars in the night sky are Altair, representing Man and Vega, representing Woman. These two lovers can meet each other only one time each year, on the night of July 7th. Living on opposite sides of the Milky Way, they have to ride a ship to meet each other on that night. If it rains, they cannot see each other because the river of light in the sky is swollen. The name of the star ship that Altair and Vega ride is called 'Hoshi no Fune'. I wanted to express in music the pain of these separated lovers."Concert Band
8957839EC4F6-3E9E-410F-8162-8FC8E164B60FEBM0610019Occassions: 3 A.M. on Capitol Square (excerpt)From "Occasions".3 2 2 2 - 4 3 2 1; Perc (2). Cel. 2Hp. Str.(12.12.8.6.6); Slide projections (ad lib)
8958839ECC3B-E9D0-40FE-A804-C6EF6F8D8E9E20250010Bluebells Variations(not set)String Orchestra
895983B47D94-6958-4E85-BF65-1C707E80DE4650100055Lambs' March, TheOne of Sousa's lesser-known gems, this intriguing march deserves much more renown. It is refreshingly melodic and infectious. It is not as difficult as many of the March King's other works yet maintains that unique Sousa quality. This will be one of your greatest finds this year.Concert Band
896083B54486-5FD2-461C-9A65-737ED4193D7ER01619One for the BirdsComposer David Ott takes a musically captivating look at four types of birds in his highly creative series entitled, "One for the Birds." Movements: I. Relentless Woodpecker (driving and infectious), II. High-Gliding Gossamer (haunting, delicate), III. Song of the Nightingale (romantic serenade), IV. Penguins at Play (lighthearted, capricious)String Orchestra