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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
7810A8C2485-92EA-4FB4-8FD6-04FE9BCFDF73R00375Chimera(not set)2+Piccolo.3(1d English Horn).2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(4).Piano(d Celesta).Harp: Strings
7820A8C7C95-7A64-48FF-9270-D2CC8561E220M142191Two Studies Op. 38(not set)Piano Solo
7830a91ee5d-9e3b-11f0-a418-0022482c9682M185491Chorale Preludes by Old Masters, Vol. 2The present collection of forty five CHORAL PRELUDES OF OLD MASTERS (CHORALVORSPIELE ALTER MEISTER), presented in three volumes, may well serve as an introduction to those of Johann Sebastian Bach, since it demonstrates that the forms which Bach used actually emerged in the course of the seventeenth century. Although Bach's great genius outstrips his predecessors in the use of these forms, the organ music of the seventeenth century is well worth examination in its own right. In comparison with the works of the post-Bach period, which have enjoyed long popularity, it shows up to enormous advantage. This collection will have served its purpose if its stimulates the organist to explore the rich material afforded by that earlier period. Works in volume 2: 14. Erich: Allein zu dir, Herr Jesu Chris; 15. Hanff: Ach Gott, vom Himmel sieh darein; 16. Hanff: Auf meinem lieben Gott; 17. Hanff: Ein feste Burg ist unser Gott; 18. Hanff: Erbarm dich mein, o Herr Gott; 19. Hanff: Helft mir Gott's Güte preisen; 20. Hanff: Wär Gott nicht mit uns dises Zeit; 21. Kellner: Herzlich tut mich verlangen; 22. Kellner: Was Gott tut, das ist wohlgetan; 23. Anton Kniller (Kneller: Nun komm, der Heiden Heiland; 24. Krebs: Ach Gott erhör mein Seufzen, Krebs-WV 513; 25. Kuhnau: Ach Herr, mich armen sunder; 26. Kuhnau: Auf meinen lieben Gott; 27. Lübeck: Nun lasst uns Gott dem Herren; 28. Pachelbel: Allein zu dir, Herr Jesu Christ, P.13; 29. Pachelbel: Herr Jesu Christ, ich weiß gar wohl, P.189; 30. Pachelbel: Mag ich Unglück nicht widerstahn, P.241; 31. Pachelbel: Vom Himmel hoch, da komm' ich her, P.52.Organ Solo
7840A94F9B7-3C36-4C40-A3CE-10EE74E1FFAC50100172Black SailsFrom the pen of Aric Branchfield comes this exotic and exciting work that conveys the drama of the high seas in the days of pirate and buccaneers. It is just the work to capture the imaginations and emotions of young players eager to make music.Beginning Band
7850A9501D3-AF40-4235-B7E0-B505F06F749BX094008Romances Pastorales, Op. 10The Pastoral Romances for SATB choir were written during the composer's time at the University of Virginia while studying with Randall Thompson. The first and third romances are based on texts by the Spanish poet, Luis de Gongora, and the second romance contains original text by the composer. Movements: I. Los Flores del Romero II. De los montes vengo… III. En un pastoral albergue…SATB Chorus
7860AA6A6BC-8A19-445F-8C8F-1A9EEA83595AS111001Pipe Dreams
7870AA8DD7D-923F-447E-9A5F-A95E0DF2F69ES581CBTexas Our Texas (young Band)This arrangement by Tom Rhodes of the official state song is for young band.Concert Band
7880AA9138D-1825-415C-8342-42910F61F3D1A935790Requiem (Messa da Requiem; Totenmesse): SanctusGiuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It premiered on May 22, 1874, the first anniversary of Manzoni's death, at the San Marco church in Milan under the baton of the composer. The revised version was first performed the following year at Albert Hall in London. The oldest part of the work is a "Libera me" that Verdi wrote in 1868 as part of a collaborative Requiem project with other Italian composers following the death of Gioachino Rossini. After this project fell through, Verdi repurposed and revised the "Libera me" for the Manzoni Requiem. The "Sanctus" starts with a brassy fanfare to announce him "who comes in the name of the Lord." The music that follows for the double chorus is a complicated eight-part fugue. Instrumentation: 2+Picc.2.2.4: 4.4.3.1: Timp: Str (4-4-3-3-3 in set): Mix Chor.2+Picc.2.2.4: 4.4.3.1: Timp: Str (4-4-3-3-3 in set): Mix Chor
7890AAC7CA0-D91A-4883-9B68-4C3CA3DF74DF18804013All Through the NightAn arrangement for SSA choir of text by James Boulton to an old Welsh air.SSA a capella
7900AAF4398-DFA4-4DEB-851F-BD972D8AAA20RCSO3Dorian Suite for Flute and String QuartetFlute W/STRING ORCH
7910AB07C32-3F0F-4FD9-ACBC-BDE0CA46625FSC363Psalm 23(not set)Ssa
7920AB3A8D7-A238-4112-BE99-D16E41E8630BMP946402Epigrams for Treble Chorus and Mixed QuartetCommissioned by the Dorians Choir of the University of California in Santa Barbara. Premiered May 8, 1977 by Dorians Choir; Phobe Houk, flute, Carolyn Horn, piano, Barbara Imhoff, harp, Marta Ptaszyńska, percussion, Michael Ingham, conductor.SSAA Chorus, Fl, Hp, Pno, Pc
7930AB8065D-8F7B-4503-8CEC-A468F98252BEST731Lullaby for AlexandraAlso known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement.Alto Flute, Harp
7940ABB1E92-0E65-4B45-AF93-E1B91A6632F8X632507The Emerald Trio(not set)Flute, Harp, Cello
7950ABC6DBA-8D04-4907-834C-04019B0C0412SC404I Am a PoetSatb
7960ABDB936-545F-4D07-B1FC-307AB78A56B950100017Einstein's GardenA majestic concert opener! The title refers to a fascinating and famous coral garden known for a unique type of coral that grows into forests over six feet high. The rhythmic drive and climbing melodic lines seem to float through these grand landscapes, giving a glimpse of an underwater world that most never see.Concert Band
7970AC33E3A-87A9-4B66-A9AD-3513E4113389SC349Celebrate FreedomTb
7980AC4C7F0-A2B9-44BB-BD9B-74E346CC8A47R00446Atlanta Licks(not set)Flute(d Piccolo, Alto Flute), B-flat Clarinet(d Bass Clarinet), Violin, Viola, Cello, Piano
7990AC90F10-D2D4-4291-9AA5-EA62DDD3DA39M241891Suite Modale, Op. 43Belgian organist and composer Flor Peeters (1903-1986) composed his SUITE MODALE, Op. 43 in 1938, as a simpler, tuneful work similar to Boëllmann’s popular SUITE GOTHIQUE. An exciting piece of music for organists to display their prowess, the work is in the French style. Movements: 1. Koraal; 2. Scherzo; 3. Adagio; 4. Toccata. Reprint edition.Organ
8000ACA2396-4C45-43C8-B084-6F7A659F894420443174Caprice in CCAPRICE can be defined as whimsical, fanciful, and fickle. This is the intended mood of the quartet. It needs to be played with this happy-go-lucky feeling. The abundance of slurred eighth note passages makes it suit the style of playing that developing clarinet players need to experience.Clarinet Quartet