Titles
Showing 681-700 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 681 | 093c1633-9e3b-11f0-a418-0022482c9682 | M177691 | Six Sonatas | First published in 1777, these SIX SONATAS written for flute and continuo are among the most widely performed works by J.S. Bach's fifth son, Johann Christoph Friedrich Bach (1732-1795). This reprint edition includes a keyboard/piano part realized by Otto Wittenbecher, although the original continuo line is included for reference or for use if that is preferred. Included: 1. Flute Sonata No. 1 in D Major (BR B15/ Wf VIII:3/1); 2. Flute Sonata No. 2 in G Major (BR B16/ Wf VIII:3/2); 3. Flute Sonata No. 3 in C Major (BR B17/ Wf VIII:3/3); 4. Flute Sonata No. 4 in A Major (BR B18/ Wf VIII:3/4); 5. Flute Sonata No. 5 in F Major (BR B19/ Wf VIII:3/5); 6. Flute Sonata No. 6 in B flat Major (BR B20/ Wf VIII:3/6). | Flute and Piano (Continuo also included) | |
| 682 | 0942193C-82AD-4772-BB0E-F02097170A9E | EBM0610250 | American Remix | American Remix (2011) by Edmund Cionek for Orchestra. Duration ca. 5' | 2222 4331 Timp 3perc Harp Strings | |
| 683 | 094230DE-EA49-4090-9BB1-7568A1B88CC5 | MP814013 | The Bustle in a House from "I Will Breathe a Mountain" | Medium Voice and Piano | ||
| 684 | 0945E0C8-0B6A-40A8-9468-FF0DE74D0970 | 50250017 | A Scary Scherzo | Everyone gets to share the fun in this bit of musical "trick or treating" from Jared Spears. Artfully crafted, cleverly melodic, and expertly constructed rhythmically, this whimsical original features individual parts that are quite independent for the difficulty level. Program at Halloween, or any time throughout the year. | String Orchestra | |
| 685 | 094601B1-95C8-4009-AC64-86E6BA423346 | MP130003 | Chalumeau | |||
| 686 | 0948CBE8-8FE7-4045-B062-4F6F6812BEA0 | A742902 | Tannhauser: Overture and Venusberg Music (final version) | TANNHÄUSER, an 1845 opera in three acts by Richard Wagner (1813-1883), combines two German legends: the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. Like many of Wagner's works, the story focuses on the conflict between sacred and profane love, as well as redemption through love. It was first performed on October 19, 1845, in the Königliches Hoftheater Dresden, and this 1845 edition is referred to as the "Dresden version." A heavily revised version was created for a March 13, 1861, performance at the Paris Opéra, though the jeering from a highly critical audience caused Wagner to withdraw this "Paris version" after only three performances. Further revisions to the Paris version were made in 1875 to create the "Vienna version," including a return to German rather than French, and it is this update of the Paris version that is most commonly used today. The overture, frequently performed by concert hall orchestras in its Dresden version, here flows directly into the music of the Venusburg, the sumptuous realm of the goddess who has lured the enraptured poet into her embrace. Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Timp. Perc(4): Hp: Str (9.8.7.6.5 in set). | 2+Picc.2.2.2: 4.3.3.1: Timp. Perc(4): Hp: Str (9.8.7.6.5 in set) | |
| 687 | 094EF872-42FB-468C-9A14-231C51F2B65C | 10100201 | Overture for Winds, Op. 24 | Written for eleven winds when Mendelssohn was fifteen years old, it has been set for contemporary wind band (the saxophone parts are optional, staying with a desire for historical accuracy to the extent feasible), this is a shining jewel of music. With care towards balance, articulation, and musicality, this is a solid repertoire piece for advanced groups. This edition also preserves the instrumentation of the 1826 autograph should the conductor choose to reduce the number of players to the original eleven winds. A terrific recording is available on Kosei KOCD 31993566. | Symphonic Band | |
| 688 | 094FDC1A-E59D-450B-BEEF-E6CF30FC3535 | A117890 | Four Seasons (The), No. 3: Concerto for Violin in F - Autumn (Le Quattro Stagioni: L'Autunno, RV293/F.I: 24) | THE FOUR SEASONS concerti, Antonio Vivaldi's most popular works, are exemplary both as early, detailed examples of what would come to be called "program music," but also because of the revolution in musical concepts necessary to make the music programmatic, with representations of singing birds (differentiated by species), buzzing flies, storms, flowing creeks, and shepherd and his barking dog, hunting parties, parties hunted, drunken dancers, frozen landscapes, and warm winter fires. Vivaldi even published the concerti with accompanying sonnets that made clear what in each season the music was meant to invoke. "Autumn" is the third concerto of the group. Instrumentation in set: Org or Hpchd: Str (8-8-5-5-5): Solo Vn. | Pno: Str (8-8-5-5-5 in set): Solo Vn | |
| 689 | 095631F8-03B7-4259-8669-4D4F0ED2519A | SC607 | Rise and Meet Her Majesty | (not set) | Ttb | |
| 690 | 095A04AA-A046-413A-97CB-F330C1131B17 | TU4 | Fear God and Give Glory to Him | Satb | ||
| 691 | 095C7B3D-B8AC-4324-97A0-8360D2860B5E | R01554 | Tango Misterioso for Piano and Strings | This piece keeps all players busy with the textural and rhythmic interplay between the strings and piano. Versions for full orchestra and piano trio are also available from the publisher. | Piano Solo: Strings | |
| 692 | 0960FAA9-C1CD-4402-94F7-1024D8E9BC25 | X110026 | Subwoofer | This exciting display of the full range of the flute also suggests choreography to the flutist that gives the performance a visual component. | Flute solo | |
| 693 | 0964AEC1-05C5-4B0A-A7A3-BA017AA35A8A | S589CB | Blanco Canyon Sketches | This piece for intermediate band begins with a slower, lyrical introduction by the clarinets before the rest of the band joins them. Suddenly the percussion section takes all of the attention with an 18-bar soli, quiet but driving before the winds return with a slower legato section again. The music closes with the whole band taking up what the percussion section introduced earlier, driving to a rousing finish. | Concert Band | |
| 694 | 0966CEBF-6877-402F-A792-151BF4D1A968 | ST286 | Berceuse | Flute | ||
| 695 | 09672475-6371-4ABA-94CD-5BEDF8BE92B9 | 50351006 | Competition Solos, Book 3 Trumpet, Tenor Sax or Euphonium TC | The practical collection of competition solos that are included in this book were selected from state competition lists throughout the United States. While each selection is included on the list of at least one state, check with your director, private instructor or state music association to confirm that your desired solo is an approved selection in your state. The piano book includes alternate accompaniments for instruments of different pitch and therefore can be used for any instrument in the book three series. Codes to download audio are included on each solo book. Titles included: Brass Bangles; Caprice; Dancing Silhouettes; Evening in the Country; Ocean Beach (Valse); Polka from Bartered Bride; Viennese Sonata No. 4 (Rondo). | Trumpet, Tenor Saxophone, Euphonium T.C. | |
| 696 | 0974003A-C5DA-4778-A9BA-6F5706E07B51 | MP410023 | Nine Bagatelles | |||
| 697 | 097603A6-30C1-40F4-88C6-D69A8745109C | 50200003 | Lest We Forget | Lest We Forget was composed in two parts, Lest We Forget and America the Beautiful, to pay homage to our founding fathers and their noble experiment in democracy: 'conceived in liberty.' The music is intended to reflect the mood of a quiet, reverent memory with its chorale-like nature. This particular setting was written on Veterans Day the November following our great tragedy (September 11, 2001). | Full Orchestra | |
| 698 | 097DAB80-ABE7-44B4-904F-11393CCB56EC | 10530437 | Harvest Waltz for Trombone and Piano | <div>A perfect choice for a beginner to take to contest or recital, this work is written for many different instruments. The piano accompaniment can be performed by a first- or second-year private study middle-school level piano student also, making this an ideal piece for one piano student to accompany many different instruments. As it is on state lists for numerous instruments, Harvest Waltz is also found in the Competition Solos, Book 1 created by Floyd Harris and Edmund Siennicki.</div> | Trombone Solo and Piano | |
| 699 | 09808ADD-0F41-41EF-9D26-745E63A3CF2E | A877902 | Chanson Triste [composer's transcription, C] | French composer Henri Duparc (1848-1933) is known largely for the thirteen songs included in this collection, eight for which he wrote orchestral accompaniment. Chanson Triste (Op. 2/4) was originally one of a collection of five mélodies written by Duparc, though three were later destroyed for not meeting the composer's standards. (The other surviving song from that collection was Soupir.) With a poem by Dr. Henri Cazalis (under the pseudonym Jean Lahor), Duparc creates a song full of melancholy, suitable to the text. The song was set with orchestral accompaniment by the composer in 1912. The original version for high voice in E-flat and a version in C for medium voice, (transposed by Pierre de Bréville) are both available from the publisher. Instrumentation: 2.0.0.0:4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo High Voice. The song with piano accompaniment can be found in the LudwigMasters publication Complete Songs (M133191). | 2.0.2.0: 4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Medium Voice | |
| 700 | 098127B6-7F9A-49F3-83EA-4A42B64855FF | ST860 | Sonata for Clarinet | Samuel Adler's Sonata for Clarinet and Piano is an advanced contemporary showpiece. It begins with an extended cadenza-like passage followed by several continuous sections of various tempi and styles. | Clarinet and Piano |