Titles
Showing 641-660 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 641 | 08A3224D-6DBC-42DC-B58A-987F75EC128F | SU157 | Three Preludes | Clarinet | ||
| 642 | 08A56D84-3A56-4D40-9BD9-D5E8B9E821AD | A821990 | Funiculi Funicula (in F) | Italian Pops Songs with Orchestra Transcriptions | 2+1, 2, 2, 2 - 4, 3, 3, 1, timp, perc, hp, str, solo T, (mx chor) | |
| 643 | 08ac82c5-9e3b-11f0-a418-0022482c9682 | M173791 | Biblical Songs, Op. 99 (high voice, critical edition) | BIBLICAL SONGS, Op. 99/B. 185, on texts from the Book of Psalms, were written in March of 1894, during Antonín Dvo?ák's (1841-1904) stay in the United States. The composer turned to the Bible against a personal background of grave and disturbing news: Hans von Bülow, the famous conductor, a close friend and ardent devotee of Dvo?ák, had died a month earlier in Cairo, ad Dvo?ák's 80-year-old father lay gravely ill in distant Bohemia - he died on March 26, two days after the last of the BIBLICAL SONGS was completed. Dvo?ák chose for these songs verses from the Czech version of the Book of Psalms, gradually changing from expressions of despair and supplication to jubilation. The songs were first published (with Czech, English, and German texts) in 1895, and some of the songs premiered on September 26, 1895 at Mladá Boleslav, O. Schellerova singing. Editions for high voice and low voice are available from the publisher. This critical edition has been completed by Otakar Šourek (text in Czech, English, and German). | High Voice and Piano | |
| 644 | 08AF3BF0-2DF0-4FAF-BBD6-B00225F4BD1D | R00485 | Loner | (not set) | 2+Picc.2.2.2+Cbsn: 4.2.3.1: Timp.Perc(1) Str | |
| 645 | 08B0DCAC-4217-4837-9E18-C660263ABA65 | B400602 | Blue Tango for Band - NOP see Alfred 00-82361 | Concert Band | ||
| 646 | 08BC5EA9-9D90-4FB6-892A-B8BCBDFD39E3 | X301007 | Rosewood Reflections | Commissioned by Brett William Dietz | Marimba Solo | |
| 647 | 08C1965D-841D-4213-9DC2-0B43C4484A21 | 10200066 | Shenandoah | SHENANDOAH is one of America's most popular folk songs. It is a capstan (or "short haul") chanty of American origin whose subject is said to be the Valley of the Shenandoah (between the Blue Ridge and Allegheny mountains) and the great Indian chieftain after whom both the valley and the river were named. American cavalrymen sang it, and it became a rowing song sung on midwestern rivers. This fine orchestral setting by Albert Davis of "Shenandoah" captures the rich folk quality inherent in this lovely melodic song. | Full Orchestra | |
| 648 | 08C3412D-630E-4F72-B93A-EAEFA0BB9B0F | ST809 | Two Chorale Preludes by Bach and Karg-Elert | Includes "Jesus Priceless Treasure (Jesu, Meine Freude)" by J.S. Bach and "O Holy Spirit (Wie schoen leuchtet der Morgenstern)" by Sigfrid Karg-Elert. | Flute Choir: 3 standard flutes, alto flute, and bass flute. | |
| 649 | 08C35C00-D9DA-4938-988A-D75312172572 | EBM0660023 | POP (See MP205002) Quintet for Brass | In three movements. Recorded by the American Brass Quintet. | Brass Quintet | |
| 650 | 08C7FF03-4BFD-4EAC-96ED-FCAEA5E02944 | SS540 | Quintra | This piece for the intermediate tenor saxophone player and piano is written predominantly in 5/4 and is a wonderful introduction to more complex meters. It is dedicated to the memory of Andre Raclot. | Tenor Sax and Piano | |
| 651 | 08C848AC-8734-449E-9B09-1FCE4DBBAB02 | ST160 | Prayer | This beautiul piece for four-mallets is in ABA form. It is a wonderful contest or recital piece for those looking to balance more technical works with something more lyrical with rolling chord patterns under the melody. | Marimba Unaccompanied | |
| 652 | 08C88114-F408-45ED-BB1E-E16675A381EE | RCB213CO | Six Brilliant Pieces | Flute, Piano | ||
| 653 | 08CF714E-4D1C-405F-BFB6-096B1AB3BEE5 | SU142 | Danza Italiana | Oboe | ||
| 654 | 08D133B7-5480-4BBC-8339-852664922E39 | R01199 | Fantasy of the Red-Eyed Creature | Based on a story created with third grade students from Fort Hunt Elementary School | Narrator 2+Piccolo.2.2(1d Bass Clarinet).2: 3.3.3.1: Timpani.Percussion(3).Piano: Strings | |
| 655 | 08D2A2A7-2429-4ACB-9192-9736317EA08C | M317491 | Romance, Op. 23 | This work was Amy Beach's first composition for violin and piano. Composed in 1893, the work was premiered in the same year by the composer (piano) and dedicatee, Maud Powell, the then famous American violinist. The writing showcases the lyrical talents of both players equally. Reprint edition. | Violin and Piano | |
| 656 | 08D7A4B2-03BE-486B-8EBC-916A3E8BA4A2 | S780CB | Toccata Fantastica Op. 106 | (not set) | Concert Band | |
| 657 | 08D82E6C-526D-424A-BC46-A69C71C19558 | R00322 | Down to a Sunless Sea | String Orchestra (minimum for divisi: 4 Cello, 3 Double Bass) | ||
| 658 | 08DBF69B-2E41-4215-A66E-F58D7A6D07A9 | R00048 | Symphony No. 3 | 3(1d Piccolo, Alto Flute).3(1d English Horn).3(1d Bass Clarinet).3(1d ContraBassoon): 4.3.3.1: Timpani.Percussion(2).Piano(d Celesta).Harp: Strings | ||
| 659 | 08DE9B3A-F635-43C0-A71F-AF0E3BA57927 | 10800113 | Landlord Fill the Flowing Bowl | (not set) | SATB | |
| 660 | 08F03E5C-EB04-47D0-8E42-AA9108F8E871 | SU184 | Homage to Erik | Trumpet |