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6010822c64d-9e3a-11f0-a418-0022482c9682A800290Maytime: Will You Remember? (Sweetheart)WILL YOU REMEMBER? (SWEETHEART) is a song by Sigmund Romberg (1887-1951) from the musical MAYTIME. Set to a libretto by Rida Johnson Young, it successfully ran on Broadway from 1917 to 1918, establishing Romberg as one of the foremost composers of operetta. The saga tells of two lovers, kept apart by class differences, whose descendants are eventually brought together in marriage. Ottilie and Richard, in the poignant duet, promise to love each other from life’s blossoming May to its dreary December, even though their paths may separate for good. Instrumentation: 1.1.2.1: 2ASax.TSax: 2.2.1.0: Timp.Perc(1-2): Str (9.8.7.6.5 in set) Pno Cond Sc in set. Reprint edition.1.1.2.1: 2ASax.TSax: 2.2.1.0: Timp.Perc(1-2): Str (9.8.7.6.5 in set) Pno Cond Sc in set
6020826EEF6-3310-4A6B-A7C9-685CF930CFBDR66Tannhauser Overture for Orchestra(not set)(not set)
60308277839-6A33-4EFE-8391-4212BBC0FC3DP000591Five Duets for Clarinet and TrumpetIn the mid-1980s Steven Rosenhaus donated his services as a composer to the New York Philharmonic then-unique fundraiser, the Radiothon. He offered to write a 3-to-5-minute work for any instrument, with or without accompaniment, in exchange for an appropriate donation to the NYP. The first such work was the Rondo for oboe (or flute) and piano. The second commission was in reality two, for a set of twin musicians who were about to graduate high school and major in music performance in college. The resulting Five Duets for clarinet and trumpet are performance etudes, short studies which focus on 20th-century musical styles as well as playing techniques. No specific works or composers are ever referenced, and no extended techniques are required.Clarinet and Trumpet
604082809A7-3B34-4532-B902-457C82E3AE3CO20JBHome BrewThis jazz work includes sections in both rock and soul styles.Jazz Band
605082D5CE7-4A6C-443B-8D5D-A8C784171886ST958Sonata in G: "Hamburger" W. 133This edition for flute and guitar was realized and edited by Gerald Klickstein.Flute, Guitar
606083192B8-DD92-4514-819B-E7A6A6D0F20550100174Meadowlad SunriseThe search for beautiful-but-playable music for young performers just got easier! This splendid work places a premium on tone production and phrasing. It will fit any program and would be stunning when performed by more experienced ensembles.Developing Band
6070835AD49-A491-4050-A4EB-9B7306545DE8EBM0610017Hephaestus: An Extended Overture for OrchestraHephaestus by Alvin Brehm (1925-2014), dedicated to John Barnett. Duration ca. 10'3.2.2.3 4.3.3.1: Timp.Perc: Str
6080837BF30-3514-4DA6-99B6-742B53EAE41BS248CBTwo HymnsTwo hymns - "Faith of Our Fathers" and "Nearer, My God, to Thee" - arranged for band by R.B. Griffith and Cecil Karrick.Concert Band
60908393218-8809-4B19-822F-18247FCB63E0ST851Romantique5M, 3P
6100842917D-A6B2-4A87-B524-7C880CCEE92CM910802Entrance of the Gladiators, Op. 68 (Triumphal March for Band)Concert Band
61108527450-0ADE-4EEA-AC66-103CFBC7E5E4A849490Non ti Scordar di Me (in A)Italian Pops Songs with Orchestra Transcriptions2+1, 2, 2+1, 2 - 4, 0, 3, 1, timp, perc, hp, str, [solo T]
612085277EB-2B25-4F03-BA94-2518BA67C938X410083Dream-Tombeau CrucifixusDream-Tombeau: Crucifixus (2003) for piano was written for and is dedicated to Gordon Rumson. I have admired Gordon’s playing, writing, and general musical understanding for some time and had wished to write an extended musical work for him. This piece was inspired specifically by his way of playing the piano and his musical insights. This work unfolds over a long duration—with a slow pace. The basic material for the work consists of a series of musical objects: 1) a 12-note set; 2) a sequence of chords in an extended tonality; 3) and a brief quotation from the motet Jubilate Deo by the Renaissance composer Orlando di Lasso.Solo Piano
61308537E1B-3A9B-4F32-9CF6-8E0C47A15418A130602Damnation de Faust, La, Op. 24: Hungarian (Rakoczy) MarchHector Berlioz (1803-1869) completed The Damnation of Faust, Op. 24 in 1846. A work for four solo voices, chorus, children’s chorus, and orchestra, Berlioz originally intended the work, based on Goethe's dramatic poem, to be an opera, though most of the work's fame has come through concert performances given the difficulty staging it. The premiere at the Opéra-Comique in Paris on December 6, 1846, was met with indifference, perhaps because it exists between being an opera and a cantata, but it now sees frequent performances in concert halls, and it is occasionally staged as an opera. A few wholly instrumental works are included, and among them is Berlioz's version of the Rákóczi March, usually called the Hungarian March (H 109). Berlioz had actually written the march separately for a concert on February 15, 1846, in Pest, Hungary, and the success was so great that he decided to incorporate it into his larger project as the conclusion to Part I, with a few small tweaks. It is this version commonly heard today. Instrumentation: 2+Picc.2.2.4: 4.2+Crnt(2).3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set).2+Picc.2.2.4: 4.2+Crnt(2).3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set)
61408577B2E-25C7-4D85-B302-286293DB8AC0M179991Three Old Viennese Dances(not set)Violin and Piano
615085e8e77-9e3a-11f0-a418-0022482c9682A801002Villi, Le (SC 60), No. 7: La TregendaLE VILLI (THE FAIRIES) is an opera in two acts by Giacomo Puccini (1858-1924). The libretto by Ferdinando Fontana is based on a short story of the same name by Jean-Baptiste Alphonse Karr. Going off to collect his inheritance, Roberto promises his bride-to-be, Anna, that he will return to her. When he fails to return, enchanted by a siren, she dies in his absence. Blaming Roberto for her death, her father invokes the Villi to wreak vengeance on him. The opera premiered at the Teatro Dal Verme in Milan on May 31, 1884. In the Act 2 interlude La Tregenda (The Witches’ Sabbath), the legend of the fairies, who induce the breaker of a woman’s heart to dance himself to death, is depicted. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2+2Cnt.3.1: Timp.Perc(2-4): Hp: Str (9.8.7.6.5 in set).2+Picc.2.2.2+CBsn: 4.2+2Cnt.3.1: Timp.Perc(2-4): Hp: Str (9.8.7.6.5 in set)
6160860A106-6907-4ADF-A503-7FECF4A966ABSC588RainThis setting of W.L. Stidger text is by Patti DeWitt. Both SAB and SATB versions are available from the publisher.Sab
6170861649D-F7B9-48F4-B01F-38CB5014A56DSS700Soliloquy For Snare Drum (out-of-print)Snare Drum Unaccompanied
6180862DC90-E3AE-442F-B157-2E1A2703610152731080Nutcracker MiniaturesThe Nutcracker is a two-act "fairy ballet" written by Peter Ilyitch Tchaikovsky (1840-1893). Based on E. T. A. Hoffmann's 1816 short story, "The Nutcracker and the Mouse King," the original 1892 production, choreographed by Marius Petipa and Lev Ivanov in Saint Petersburg, was not considered a success, although the 20-minute suite extracted by the composer was. Starting in the 1960s, the popularity of the full ballet has grown enormously, with frequent performances every Christmas season among the major ballet companies. Nutracker Miniatures, an arrangement of six dances from the ballet, is here arranged for cello duo by Marian Drake.Cello Duet
61908639d7b-9e3b-11f0-a418-0022482c9682M170791Two Pieces, Op. 53Pieces included: 1. Chant de Mai (May); 2. Menuet-Scherzo. Reprint edition.Organ Solo
62008662AC6-151B-4980-8CF4-91361BA5783252702028Serenata IINew edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire.String Trio