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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
5010695E166-7502-412B-9FC4-4FB429EC719AR01114King of the CloudsCast of 4 Voices, Piano, 1 optional Percussion
5020695F95D-FC72-46B4-9AC5-DEFC0A942B20SU843Diversion for Saxophone Choir
503069964F4-8128-4761-9E8B-6843C073B083M236891Sonata No. 1 for Violin and Piano(not set)Violin and Piano
504069C0079-D899-4888-9ACE-E71E9A4B7C0AA612002Symphony No. 2 in E-flat, Op. 63Sir Edward Elgar's Symphony No. 2 in E-flat Major, Op. 63, was composed in 1911, with the premiere taking place at the London Musical Festival by the Queen's Hall Orchestra, Elgar conducting, on May 24 of that year. A deeply personal work, the symphony is also more varied and inventive than his first. But despite this, Elgar's second symphony was received politely, but not enthusiastically, at the premiere. Numerous external reasons for this have been proposed, including the change of his country's mood as the times shifted away from the confidence of the culture during the premiere of Elgar's Symphony No. 1 towards the tensions that eventually led to World War I. Perhaps the recent death of King Edward VII, to whom the symphony is dedicated, had also put the audience in a more somber mood. But due to the initially weak reception, Elgar's Symphony No. 2 was slow in finding its way to standard orchestral repertoire, not really finding it's place there until after World War I. Instrumentation: 3(3rd dPicc).2+EH.2+Eb+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3-4): Hp(2): Str (9-8-7-6-5 in set).3(3rd dPicc).2+EH.2+Eb+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3-4): Hp(2): Str (9-8-7-6-5 in set)
505069FBB59-9528-44CD-99D1-CC2E54897A2BV5Corn Silks and Cotton BlossomsPiano/vocal
50606A3A21E-E83A-4F46-A8DE-D99D542E8E54SS908Trio No. 2Clarinet Trio
50706AC1E60-DB10-45BF-8A05-27040F66A98BR00493August DiaryHarp, String Orchestra or Harp, 2 Violin, Viola, Cello, Double Bass
50806b6fe52-9e3a-11f0-a418-0022482c9682A790190Vocalise, Op. 34, No. 14 (C# minor) [composer's transcription]VOCALISE is the last of Sergei Rachmaninoff's (1873-1943) Fourteen Songs (or Fourteen Romances), Op. 34. Written without words, it was intended to be sung using only a single vowel of the performer's choice. With no words to carry forward a musical idea, Rachmaninoff had to use all of the subtlety, skill, and tools at his command. The long, lyrical melody that is at the heart of this work has given VOCALISE a long-lasting popularity. This orchestration by the composer was completed in 1915. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set): Solo Voice. Reprint edition.2.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set): Solo Voice
50906B92DDC-37CB-4184-9C17-79F4DCF94750X642705Twelve SnippetsSnippets are no longer than 10 seconds each with varying instrumentation; final snippet is a complete, 10-second long four movement sonata.Flute, B-flat Clarinet, Cello, Piano
51006CA5238-8F3E-4C65-971D-CD3DA79D9E36EBM0620010Concert OvertureConcert Overture by Anthony Donato (1909-1990). Please inquire for details.(not set)
51106CEEF56-F81B-43D3-A81D-CA9D0B3D8563ST231FantasyThis atonal fantasy is a beautiful recital piece for the advancing piccolo player, containing challenging technical sections with haunting melodic moments.Piccolo
51206CF2A25-21FD-445E-88A1-15D23F71D250A606202Brandenburg Concerto No. 6 in B-flat, BWV 1051 (critical edition)The BRANDENBURG CONCERTOS are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg-Schwedt. With the original French title "Six Concerts à plusieurs instruments" (Six Concertos for several instruments), some feature multiple solo instruments in different combinations. These works are considered among the best orchestral compositions of the Baroque period. The BRANDENBURG CONCERTO No. 6, BWV 1051, takes a unique approach to ending the collection of six works, as it includes no violins, giving the most prominent role to the two violas da braccio (standard violas so called to distinguish them from the violas da gamba). This critical edition, based on the original manuscript, was edited by German musicologist Heinrich Besseler. Instrumentation: 2Va da braccio.2Va da gamba.Vc.Cb: Hpchd (set as scored).2Va da braccio.2Va da gamba.Vc.Cb: Hpchd (set as scored)
51306D07F04-6870-424A-96DA-924AF40EDC16LV224CBTriolet(not set)Concert Band
51406D13D24-877A-4C13-BAF8-B38BB596AD47MR00461Scotland Yard Suite for OrchestraWritten by Hugo Rubens (1905-1971), this orchestration of the suite has been completed by George Sumner. Movements: 1. The Gates, 2. Cross Examination, 3. Inspector Lestrade, 4. Justice, 5. Freedom.(not set)
51506D8C8D3-0C73-41F7-8FF5-5B66D5DACEE920402588Trio in G(not set)Flute, Oboe and Basson
51606DF822D-3142-49E5-9B2E-F8AC5D13F514R124COMambo AfricanoThis mambo is written in 5/4. Instrumentation: Maracas, Claves, Bongos, Congas, and 2 Marimba players (both marimba parts can be played on one instrument.)2 Marimbas, 4 Percussion (Maracas, Claves, Bongos, Congas)
51706E04A40-089C-40F4-849D-0FE72EC33C05X503051Happy Days: Suite for Two Violins and ViolaWritten for the Brio Trio of Denver, CO in November of 2020, during the COVID-19 pandemic, this trio for two violins and viola is in four movments. I. "Happy Days" is a setting of the popular song that achieved fame in Franklin D. Roosevelt's first presidential campaign in 1932, II. "Loch Lomond Passacaglia" is based on the traditional Scottish song of 1841, III. "Lament" is freely composed, expressive, dramatic, and IV. "Fugal Hoedown" has bits of "Turkey in the Straw" among statements of a vigorous fugue subject.2 Violins and Viola
51806E520C4-414F-45E0-8434-341E544758A7X506004Leaves of Light(not set)String Orchestra
51906E6E372-8AC4-4549-AB4C-22074C487B0ABSMVM103Buckeye Pride: Ohio the Heart of It AllSung by literally thousands of children and adults throughout the State of Ohio; performed often by the All­ State Band at the Ohio State Fair. Especially useful in fourth grade classes in Ohio as a music component of the Ohio History Block.Medium Voice, Piano
52006E74F6B-9438-46E2-A29A-C290D651AC1A52701011Three Duos, Op. 1 for Violin and CelloCirri was an accomplished 18th-century cellist as well as a composer. These duets are quite equal in difficulty, including a variety of tempi and keys.String Duo (Violin, Cello)