Titles
Showing 441-460 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 441 | 05A96F99-FC33-4821-A39D-18F544A4E151 | A525202 | Songs to Poems by Rueckert; No. 2: Ich atmet' einen linden Duft!, medium voice (D, original key) | Gustav Mahler (1860-1911) composed SONGS TO POEMS BY RUECKERT (SONGS AFTER RÜCKERT; RÜCKERT-LIEDER) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as SIEBEN LIEDER AUS LETZTER ZEIT (SEVEN SONGS OF LATTER DAYS) with two additional Mahler songs, then with only the five songs. They have simply come to be known as RÜCKERT-LIEDER and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. The second song, ICH ATMET’ EINEN LINDEN DUFT! (I BREATHED A DELICATE FRAGRANCE), here offered in the original key of D for medium voice, paints an evocative summertime scene. Instrumentation: 1.1.1.2: 3.0.0.0: Hp:Clst: Str (4.0.3.0.0 in set): Solo Medium Voice. Reprint edition. | 1.1.1.2: 3.0.0.0: Hp:Clst: Str (4.0.3.0.0 in set): Solo Medium Voice | |
| 442 | 05AEDA33-1864-4B16-B513-A32BC3BBD9EB | SU113 | Lotus Land | Cyril Scott (1879-1970) was a late Romantic period English composer, writer, and poet whose style was strongly influenced by impressionism and made use of adventurous (for the time) harmonic language and free rhythm. This piece, originally written for piano, has been arranged for flute and piano by Arthur Ephross, and is a wonderful selection for the student interested in exploring more expressive music. | Flute and Piano | |
| 443 | 05AF9271-45F9-45FD-A3AA-7C3D23E95910 | 60702001 | Serenade in C Major for String Trio, Op. 10 | Ernst von Dohnányi (1877-1960), composer, pianist and conductor, left his native Hungary after World War II. From 1949 until his death, he was Professor of Piano and Composition at Florida State University in Tallahassee. The SERENADE, Opus 10, for Violin, Viola and Violoncello follows the precedent of the classical serenade and cassation which begins and ends with a march. The work is witty, romantic and dramatic. Reprint edition of both the score and parts. A transcription for string orchestra (A414502) by bassist Lucas Drew is also available in the Edwin F. Kalmus catalog. | Violin, Viola, and Violoncello | |
| 444 | 05afc1f2-9e3b-11f0-a418-0022482c9682 | M148891 | Nine Songs | This collection of NINE SONGS by Claude Debussy (1862-1918) include the following: 1. Nuit d’étoiles, CD 2/ L.4 (Starry Summer Night); 2. Le son du cor s'afflige vers les bois, CD 85/ L.81; 3. L'échelonnement des haies moutonne à l'infini, CD 85/ L.81; 4. Dans le Jardin, CD 107/ L.78; 5. La belle au bois dormant, CD 81/ L.74; 6. La mer est plus belle que les cathedrals, CD 85/ L.81; 7. Les angelus, CD 88/ L.76; 8. Paysage sentimental, ICD 59; 9. Voici que le printemps, CD 56/ L.52 (Romance, FL 56). Reprint edition. | Voice and Piano | |
| 445 | 05B71D05-A3EA-497F-98FE-0CEDD8B16A05 | W107991 | Ode to St. Cecilia's Day | Chorus, Orchestra | ||
| 446 | 05BD5F11-0080-49CE-B2F1-7A6021D86E2A | R01011 | Deylaman | (not set) | 4(2d AFl, 1d Bass Flute, 2d Picc).3(1d EH).4(1d Eb Clar, 2d BCl).3(1d Cbsn): 4.3.3.1: Timp.Perc(6).Pno(d Clst).Harp.Persian Ney.Persian Oud: Str. (Ney may be replaced by a Flute; 6 string Lute may substitute for Oud) | |
| 447 | 05BE0050-9E6E-4714-A065-8E0989CDE0E7 | B543HW | Collected Chamber Music for Clarinet | Harold Wright is acknowledged as a legendary artist of the 20th century. As a clarinetist, he epitomized refinement, elegance, impeccable legato, masterful contro, and ravishing beauty of tone. As a musician, he exemplified profound musical integrity, patrician phrasing, and probing musical imagination. In this volume, we have endeavored to produce, in engraved form, Wright's markings as they appear in his personal clarinet parts. Careful consideration of the markings he made will provide invaluable insight to student, amateur, and professional clarinetists. Chamber works included: Mozart Trio, K.498; Mozart Quintet, K.581; Beethoven Septet, Op.20; Beethoven Trio, Op.11; Weber Grand Quintet, Op.34; Schubert Octet, Op.166; Schumann Marchenerzahlungen, Op.132; Brahms Trio, Op.114; Brahms Quintet, Op.115 | Clarinet | |
| 448 | 05c0927e-9e3b-11f0-a418-0022482c9682 | M149591 | Ariettes Oubliees, CD 63/ L. 60 | Claude Debussy (1862-1918) composed the six songs he would in 1903 title ARIETTES OUBLIÉES (FORGOTTEN SONGS), L. 60/ CD 63, between 1885 and 1887. Each song is a setting of the poetry of Paul Verlaine, a poet doing with words what Debussy trying to do with music. Two of the songs premiered on February 2, 1889, at the Société nationale de musique in Paris, Maurice Bagès singing with the composer at the piano. Songs: 1. C'est l'extase langoureuse; 2. Il pleure dans mon cœur; 3. L'ombre des arbres; 4. Chevaux de Bois; 5. Green (Aquarelle); 6. Spleen (Aquarelle). | High Voice and Piano | |
| 449 | 05C2A0B5-2517-4E09-AC6B-49724EC4EF63 | 52730013 | Five Christmas Fantasies for Cello and Piano | Arranged for solo cello and piano, these five traditional Christmas favorites will add beauty to any recital or Christmas service. Titles include: The Angel Gabriel from Heaven Came; Riu, Riu, Chiu; Suo Gan; Fum Fum Fum and Sweet Was the Song the Virgin Sung. | Cello and Piano | |
| 450 | 05C62C5D-8121-495F-B724-B114A683F1E9 | A863190 | You Must Believe in Spring (La Chanson de Maxence from the film Les Demoiselles de Rochefort) | The music of Michel Legrand possesses an inherent loveliness that is enhanced by the harmonic touch of Mike Lewis. Exquisitely beautiful, this is from the film "Les Demoiselles de Rochefort." It is an ideal change of pace and programming. Each measure is a pearl of inestimable beauty. A Mike Lewis arrangement for string orchestra is also available from the publisher. Instrumentation: 3.1+EH.2+BCl.2: 4.3.3.1: Perc(2): Str (9-8-7-6-5 in set). | 3.1+EH.2+BCl.2: 4.3.3.1: Perc(2): Str (9-8-7-6-5 in set) | |
| 451 | 05CD3456-DF89-4FF5-97C4-A6D3BB8AF700 | 50443005 | Minuet and Trio | The dance styles in the composition are reminiscent of the Baroque period, but the underlying harmonies have been updated. Accessible for developing musicians, this charming arrangement is scored for four Bb clarinets. | Bb Clarinet Quartet | |
| 452 | 05CEA595-BE85-4810-BC00-F46A3B5E6221 | A117602 | (POP - See A117690) The Four Seasons, No. 1: Concerto for Violin in E - Spring (Le Quattro Stagioni: La Primavera, RV269/F.I: 22) | Org or Hpchd: Str (8-8-5-5-5 in set): Solo Vn | ||
| 453 | 05CFC607-AB0F-4323-807D-546944CE163C | SU817 | Four Seasons for Piano | This original composition for solo piano includes four movements, with each movment representing one of the Four Seasons: I. Autumn, II. Winter, III. Spring, IV. Summer. | Piano Solo | |
| 454 | 05d0eaa6-9e3a-11f0-a418-0022482c9682 | A785002 | Thousand and One Nights Intermezzo (Tausend un Eine Nacht Intermezzo; Indigo un die Viertzig Raeuber) [arrangement] | THOUSAND AND ONE NIGHTS INTERMEZZO (TAUSEND UN EINE NACHT INTERMEZZO) is named after the opera INDIGO UN DIE VIERTZIG RAEUBER (INDIGO AND THE FORTY THIEVES) by Johann Strauss II. Premiered on February 10, 1871 at the Theater an der Wien in Vinna, his first performed operetta is based on the famous tale of Ali Baba from One Thousand and One Nights. Revising the work after its first performance, Strauss consequently developed a variety of shorter pieces using motives from the stage work. In 1906, after his death, film composer Max Steiner created a third version of the operetta which was performed under the title THE THOUSAND AND ONE NIGHTS. Not to be confused with the Thousand and One Nights Waltz, Op. 346, this intermezzo displays an exotic, melancholy lyricism. This Kalmus edition is arranged by Bruno Hartmann. Instrumentation: 2.2.2.2: 3Sax(AAT): 4.2.3.0: Timp.Perc(1 Opt.): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set. Reprint edition. | 2.2.2.2: 3Sax(AAT): 4.2.3.0: Timp.Perc(1 Opt.): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set | |
| 455 | 05D70F7A-9A9C-4D99-8912-6A819AA7BDDF | SU315 | Irish Tune from County Derry | (not set) | Brass Choir | |
| 456 | 05D79856-DDEE-497F-BEB9-573EDA635B8C | SC678 | Make a Joyful Noise | This piece is also arranged for TB voicing. | Ttb | |
| 457 | 05DE29DA-54B0-4714-B203-4BF7959266A2 | D511011 | Nocturne | Violin, Piano | ||
| 458 | 05DF7A6F-DF6E-458F-9F1B-FA97B2D6C331 | R01449 | Spirituals for String Orchestra | Also available for string quartet (original), clarinet and string quartet, and chamber nonet orchestrated by Argentinian composer Marisol Gentile. Movements: 1. Homage to Dvorak ("Goin' Home"), 2. Minimalist Tendencies ("Sometimes I Feel Like a Motherless Child"), 3. Melody Over a Drone I (" O Mary, Don't You Weep, Don't You Mourn"), 4. Amazing Grace Notes: Homage to John Harbison ("Nobody Knows the Trouble I've Seen"), 5. Two Pentatonic Fragments ("Go Tell It on the Mountain" and "Study War No More"), 6. Call and Response ("Go Down Moses"), 7. Minor and Major ("This Ol' Time Religion"), 8. Melody Over a Drone II ("Deep River"), 9. Canons and Chorus ("Glory to That Newborn King"), 10. Homage to Ravel (An Arrangement of "Balm in Gilead"). Recorded by St. Petersburg State Academic Symphony, Arabesque Z6803 (2007) | String Orchestra | |
| 459 | 05E06130-787A-4021-8388-F15FFC3B0FB8 | A141602 | Symphony No. 8 in G, Op. 88/B. 163 [Symphony No. 4 in G, Op. 88 - obsolete numbering] | 2d1, 2d1, 2, 2 - 4, 2, 3, 1, timp, str | ||
| 460 | 05E17961-44A4-44E0-923D-68CA3DADD3DA | SU121 | Fanfare 20 | Composed for the 20th annual convention of the National Flute Association, Los Angeles, California, August 1992. | Flute Choir: Picc, 2 1st Flutes, 2 2nd Flutes, 2 3rd Flutes, 2 4th Flutes, Alto Flute, and Bass Flute |