Titles
Showing 421-440 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 421 | 055BC4DD-3317-420F-B85D-429639FE677B | SC695 | Such Things Are | (not set) | Satb | |
| 422 | 0561b39a-9e3a-11f0-a418-0022482c9682 | A782190 | Five Spirituals: Nobody Knows the Trouble I've Seen | Morton Gould (1913-1996) began writing and arranging African-American spirituals for "string choir" in the 1940s, and these were the first of his orchestral works to enter the repertoire. Gould preferred the term "string choir" to describe these works as he planned to use the strings like a vocal choir in an orchestral context. Kalmus offers Five Spirituals, each available separately. Included are settings of: Go Down, Moses (A7820); Nobody Knows the Trouble I've Seen (A7821); Sometimes I Feel Like a Motherless Child (A7819); Swing Low, Sweet Chariot (A7822); and Deep River (A8787). Instrumentation: Hp.Clst: 6 Str (6.6.5-5-5-5). | Hp.Clst: 6 Str (6.6.5-5-5-5) | |
| 423 | 056560C7-25C5-4402-8ECF-00B6ED547D92 | 50344001 | Elementary Clarinet Method, v. 1 | This book is intended for use by both teacher and student. It is an all-inclusive clarinet method, offering technical guidance, studies, and recital pieces. The piano accompaniments are included for your convenience. Study of any instrument should always be under the supervision of a competent instructor of that instrument. I highly encourage students to play the recital pieces with a pianist. This will greatly improve solo and ensemble skills. | Clarinet method | |
| 424 | 05668620-D8CB-42FB-9685-F5B39529524F | R00944 | Fanfare From Serenade For Strings | Movement from Serenade for Strings | String Orchestra or Sextet | |
| 425 | 0568817A-BC07-4A40-B448-91C8CA3674EA | SU312 | Three to Go | (not set) | Snare Drum Trio | |
| 426 | 05698790-426E-434B-8E4A-2516DBBEC19A | M900402 | La Reine de la Mer | Concert Band | ||
| 427 | 0574F599-0037-43BA-B06A-0D6F67369C9F | BSMBB101 | Excursions for Trumpet and Brass Band | <div>A transcription by the composer of a work originally commissioned and recorded by The United States Air Force Band. Demanding trumpet solo. In the aptly named work, Mr. Broughton explores the diverse technical and expressive capabilities of the trumpet, with the angular melodies and driving rhythms that characterize the piece used by the solo trumpet to lead the band. This version for solo trumpet and brass band was arranged by the composer and recorded by The New York Staff Band of the Salvation Army featuring Philip Smith, Principal Trumpet, the New York Philharmonic. Includes transposed parts for bass clef instruments.</div> | Trumpet, Brass Band | |
| 428 | 057A4A21-F955-4452-AE63-A842276AEFE7 | X509008 | String Symphony No. 3 | Originally composed in 2003 for a commission by the Central Iowa Honors Orchestra, David Ott revised the work in 2020. Movements: I. Andante moderato, II. Lento, III. Allegro | String Orchestra | |
| 429 | 057F6AAA-59B3-47C8-9974-1E63622DC006 | SO120C | Waltz from Serenade for Strings | Taken from the second movement of the Serenade (and similar to the minuets of his idol, Mozart), Tchaikovsky's Valse also resembles many of his own ballet movements. Lauren Keiser's skilled adaptation is designed for teaching this important style and genre to young players. | String Orchestra | |
| 430 | 05820d4b-9e3a-11f0-a418-0022482c9682 | A782790 | Star Spangled Spectacular | STAR SPANGLED SPECTACULAR, subtitled "The Music of George M. Cohan" is a medley of two of Cohan's best known works arranged by Philip Gordon. Included: You're a Grand Old Flag; Yankee Doodle Dandy. Instrumentation: 1+1(Picc; opt.).1.2.1: 2Sax (AT): 2.2.1.1: Timp.Perc(3): Str (9.8.7.6.5 in set). Both a regular Violin 1 part and an Advanced Violin part are included to offer flexibilty. Both a full score and condensed piano conductor score are included in the set. | 1+1(Picc; opt.).1.2.1: 2Sax (AT): 2.2.1.1: Timp.Perc(3): Str (9*.8.7.6.5 in set). FS and Pno Cond. in set. *Includes Vn1 & advanced Vn1 | |
| 431 | 05833E0D-1907-467A-8F2B-E94F76BAB859 | X622501 | Duo for Clarinet and Cello | Commissioned by The Ronen Chamber Ensemble and premiered in 1988. Duration ca. 16'. | Clarinet, Cello | |
| 432 | 0584CE87-0252-416A-90F2-A3AEE4AD326E | M244591 | Easter Morn: Reverie for Violin and Piano | George Whitefield Chadwick (1854-1931) was an American composer. Along with John Knowles Paine, Horatio Parker, Amy Beach, Arthur Foote, and Edward MacDowell, he was among those composers in what is called the Second New England School of American composers of the late 19th century. Chadwick's works are influenced by the Realist movement in the arts, characterized by a down-to-earth depiction of people's lives. His works included several operas, three symphonies, five string quartets, tone poems, incidental music, songs and choral anthems. Along with a group of other composers collectively known as the Boston Six, Chadwick was one of those responsible for the first significant body of concert music by composers from the United States. Easter Morn: Reverie was written around 1914 for either solo violin or cello and piano. A version with orchestra accompaniment is also available in the Edwin F. Kalmus catalog. | Violin and Piano | |
| 433 | 059AC69F-8F95-4095-B9DC-9F2264873F87 | A600190 | Horse and Buggy | One of three Leroy Anderson works depicting horses (the other two being "Sleigh Ride" and "Home Stretch"), this American Pops classic in it's original scoring is part of the Anderson Classics Series by E.F. Kalmus. Instrumentation: 2+Picc.2.2.2: AATsax(opt): 4.3.3.1: Perc(2): Str (9-8-7-6-5 in set): CS (Pno-Cond) in set. | 2+Picc.2.2.2: AATsax(opt): 4.3.3.1: Perc(2): Str (9-8-7-6-5 in set): CS (Pno-Cond) in set | |
| 434 | 059B1A70-8334-4FAB-ADB7-1372687F8E6E | LV142CB | Little French Overture | This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. | Concert Band | |
| 435 | 059B7661-0EC9-4678-8538-117157E8F935 | S623CB | We the People | Commissioned by the Kansas Commission for the Celebration of the BiCentennial of the United States Constitution. | Concert Band | |
| 436 | 059DEB16-CB00-4F08-9254-3C6590CCB595 | EBM0640019 | Musica da Camera I | Robert Moevs (1920-2007) was a modernist composer and professor of composition at Rutgers University from 1964 to 1991. During his career, Moevs created a large body of orchestral, chamber, vocal, and instrumental music that earned him awards including a Rome Prize, a Guggenheim Fellowship, and the Stockhausen International Prize in Composition in 1978. Moevs composed at a time Kemper describes as “high modernism in academic art music in America—but there are also other influences in his music, like jazz, interesting rhythmic progressions, and intriguing things happening with timbre. | Flt/Picc, Cl (A/Eb/Bb), Hn, 3Pc, Hp, Vln, Vla, Vc | |
| 437 | 05A18FBA-05B1-4085-8644-EFDA9E54A637 | R00184 | Melting Voices | (not set) | 3(1d Piccolo).3(1d English Horn).3(1d E-flat Clarinet, 1d Bass Clarinet).3: 4.3.3.1: Percussion(2).Piano(d Celesta).Harp: Strings | |
| 438 | 05A5FDC8-0C98-4A4C-81B5-20E1549F0F10 | SS733 | Adagio and Presto | (not set) | Horn | |
| 439 | 05A7B1A7-AD0F-45B8-809B-098FD948933E | R00994 | Available Light | The Pittsburgh New Music Ensemble commissioned founder and composer David Stock's "Available Light" for its 20th Anniversary Season. The work is essentially a 3-movement chamber symphony for 13 players, which music writer Andrew Druckenbrod desribed as: "imbued with a compelling compositional line and writing that shows off the entire ensemble." | Flute, Oboe, B-flat Clarinet, Bassoon, Horn, Trumpet, Trombone, Percussion(1), Piano, Harp, 2 Violin, Viola, Cello, Double Bass | |
| 440 | 05A7EFD5-724B-4B76-8892-25303C57266F | B357 | Thomas Flute Method, Bk. 2 | Book Two of this method series will help to build upon those playing habits that have been learned in the first, or beginning method. "Fun" pieces and exercies have been careflly selected and edited that will increase embouchure strength and playing endurance. As you progress with this book, you will find that better breath and embouchure control will enable you to play longer and more musical phrases. Book Two introduces and uses more musical ornaments such as trills, mordents, and grupettos, thus adding more challenge and opportunity to your growing musical awareness. | Flute |