Titles
Showing 381-400 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 381 | 04f3b0a4-9e3b-11f0-a418-0022482c9682 | M144091 | Little Pieces | The fifth child of J.S. Bach, Carl Philipp Emanuel Bach became one of the preeminent composers of the new Classical style. This collection of 24 short pieces for solo harpsichord or piano was edited by Otto Vrieslander. Included: 1. Zwo abwechselnde Menuetten; 2. Fantasia; 3. Zwo abwechselnde Menuetten; 4. Solfeggio; 5. Alla Polacca; 6. Zwo abwechselnde Menuetten; 7. Solfeggio; 8. Clavierstuck fur die rechte oder linke Hand allein; 9. Solfeggio; 10. Fantasia; 11. Alla Polacca; 12. Fantasia; 13. Alla Polacca; 14. Fantasia; 15. Solfeggio; 16. Alla Polacca; 17. Fantasia; 18. Arioso con Variazioni (Bisher ungedruckt); 19-24. VI Sonatine nuove. | Harpsichord (or Piano) Solo | |
| 382 | 04F670BC-68FE-401E-BAEC-43B95CD311DA | 50100171 | March of the Centipedes | The image of a band of centipedes marching down the street in band uniforms, struggling to keep all their legs in step is an excellent method by which to introduce your students to sixteenth notes. With a pair of alternate fingerings taught to the alto saxophones, most of the sixteenth note passages are repetitive and playable with the movement of only a single finger. Brilliant and tremendous fun! | Concert Band | |
| 383 | 04F78D31-7B66-4474-B266-8C528EC896AD | SU475 | A Western Fanfare (brass choir with percussion) | "Western Fanfare" for Brass Quintet is dedicated to the Music Academy of the West in Santa Barbara, California, which commissioned the work in honor ot their fiftieth anniversary celebrations. The fanfare is a bright, bold and uplifting work, reflecting the beauty and excitement of Santa Barbara's famous music festival. Although it begins and ends with sonorous low brass and high trumpet flourishes, the middle section of the work is a lilting waltz. It is also availablein the composer's version for brass quintet (SU474). | Brass Choir With Percussion | |
| 384 | 04F7E641-5A10-4ABD-9CC6-ED5AF5D7232B | SU355 | Your Basic Waltz | Although written for bass clarinet and piano, "Your Basic Waltz" is a tuneful choice for a 1st contest or recital solo for Bb tenor saxophone or treble clef euphonium as well. | Bass Clarinet and Piano | |
| 385 | 04FC09D3-7D82-4084-9970-BF5E740AAE96 | 60502001 | Sonata for Horn, Trumpet and Trombone, FP 33a | Francis Poulenc (1899-1963) composed the SONATA FOR HORN, TRUMPET AND TROMBONE (SONATE POUR COR, TROMPETTE ET TROMBONE) in 1922, and it was premiered on January 4, 1923, at the Théâtre des Champs-Élysées on concert dedicated to the music of Poulenc and Erik Satie. The trio was well received at the premiere and after, but it became popular after it was recorded by the Philip Jones Brass Ensemble. Trumpet parts in both C and B-flat are included. Reprint edition. | Brass Trio: Horn, Trumpet, and Trombone | |
| 386 | 04FD5333-43D3-44BE-9B5D-5C63E0B5BD45 | ST96 | Sonata | Oboe | ||
| 387 | 05028103-5BF4-44B1-8898-28C7CFD9EF57 | A266402 | Die Erste Walpurgisnacht, Op. 60 | In 1831, Felix Mendelssohn (1809-1847) completed a secular cantata based on the Goethe poem DIE ERSTE WALPURGISNACHT (THE FIRST WALPURGIS NIGHT). The poem relates the first celebration of May’s Eve, first practiced by the Bavarian Druids who masquerade as demons to frighten the Christians living nearby. The composer conducted the first public performance on January 10, 1833 at the Sing-Akademie in Berlin. In 1843, he published the final revised version as OPUS 60, here presented in this Kalmus edition. The German vocal score (W747491) and the English vocal score (W700091) can be ordered separately. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(1-2): Str (4.4.3.3.3 in set): Soli ATB. Mixed Chorus. Reprint edition. | 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(1-2): Str (4.4.3.3.3 in set): Soli ATB. Mixed Chorus | |
| 388 | 05028F56-B93D-4290-AFFB-E88EA09D4298 | A132102 | Roma: Orchestral Suite No. 3 | (not set) | 2, 2, 2, 2 - 4, 2, 3, 0, timp, hp, str | |
| 389 | 05066F8A-9B0B-4329-8460-769224330BA2 | MP791003 | Lift Every Voice and Sing for Chorus and Orchestra | The poem “Lift Every Voice and Sing” was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music by his brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as “national songs” or “social justice” in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6. This newly engraved edition of the Hale Smith orchestration will make the music accessible to more organizations. | SATB Chorus: 2(2dPicc).2.2.2.: 4.3.3.1: Timp.Perc(2): Str | |
| 390 | 0509DF17-2283-42F6-ABA7-68FC086B935F | SS350 | Adagio and Allegro, Op. 70 | This adagio and allegro, edited by Lorenzo Sansone, has versions available for horn, violin, viola and cello from the publisher. | Horn and Piano | |
| 391 | 050D353C-E5FB-4EF2-8153-4B8EF02099CE | A116102 | Concerto Grosso, Op. 6 No. 12 in B minor, HWV 330 | George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330), are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo, and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli's concerto da chiesa and concerto da camara than on Antonio Vivaldi's three-movement form adopted by J.S. Bach, these 1739 works were composed to be performed during the intermissions of Handel's oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. No. 12 in B minor, HWV 330, is predominantly newly composed, although the final fugue is derived from a fugue by Handel's music teacher, Friedrich Wilhelm Zachow. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. This urtext edition has been edited by Wilhelm Weismann. | Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc | |
| 392 | 05121F22-F60D-42F9-B77C-4C8B64C73C21 | R01046 | Capriccio For Small Orchestra | David Stock's six-minute Capriccio is one of the composer's early works written for a small orchestra comprised of single winds, horn, trumpet and strings. Revised 1978. | 1.1.1.1: 1.1.0.0: Str | |
| 393 | 0512810B-2600-4D3A-ABF8-38CB6CDD6BD8 | EBM0610676 | Gaea: Double Concerto for Left Hand Piano | This unique concerto can be performed in three different ways. Concerto I and Concerto II each have unique musical elements performed by a single piano and accompanied by chamber orchestras of entirely different instrumentation. However, both concertos can be combined, both the soloists and the orhcestras can be combined to create a double concerto with full orchestra. Movements: 1. The Sea, 2. The Earth, 3. Fuga Terrena II. Premieres: Leon Fleisher and Gary Graffman, Pianists, Baltimore Symphony Orchestra, David Zinman conducting, April 11, 1996; Leon Fleisher and Gary Graffman, Pianists, Saint Louis Symphony Orchestra, Leonard Slatkin conducting, May 3, 1996; Leon Fleisher and Gary Graffman, pianists, Pacific Symphony Orchestra, Carl St. Clair conducting, November 6, 1996 | Piano soli, orchestra (varies) Set A: 3(Pi)3(EH)3(Eb/BsCl)2Cbn 4331 Timp Pc Cel Str - Set B: 03(EH)02 4000 Pc Str (no Violas) - Set C: 3(Pi)03(EbCl/BsCl)Cbn 0331 Timp Pc Cel Violas | |
| 394 | 05170789-2C6D-4D1B-9B5A-F1E673955E00 | M214891 | Apparition De D'eglis | (not set) | Organ | |
| 395 | 051991B2-8C61-4B75-BCAE-129858402FF5 | SC257 | Wind, The | Satb | ||
| 396 | 051A7311-038B-4EDC-944C-1E527163F1C9 | EBM0670022 | Kris Kringle Rides Again: A Christmas Comedy for Children (band version) | Please inquire for details. | Cast of 14, Chorus with band: Fl. 3Cl. B.Cl. Alto Sax. Ten.Sax. Bar.Sax. Hn. 3Tpt, Tu. 2Perc. | |
| 397 | 051BAA15-31C7-428D-9498-1EC73F45CBF9 | 10550337 | Dancing Silhouettes for Tuba and Piano | Tuba and Piano | ||
| 398 | 051BD51C-3B3C-416F-AA1F-CF730B7FEB51 | 50760002 | From Grandmother's Garden | (not set) | Piano Solo | |
| 399 | 051D013D-FFE7-4E27-9AA2-3EB9955054BF | A343002 | Il Tabarro | 2+1, 2+1, 2+1, 2 - 4, 3, 3, 0, timp, perc, hp, cel, str (2.2.1.1.1) vocal soli (6 roles, SATTBB), chorus, banda | ||
| 400 | 051D08BF-A8B4-4DFA-86C8-F0B60A06EB12 | SC429 | Meet Me | Versions exist for SAB and SATB. | Sab |