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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
3410446DC09-4D8B-4CB4-AEFE-5ABAC53B64DAEBM0630026Jephtha: Welcome As the Cheerful LightChoral part available seperately for sale from the publisher.SSA, optional Soprano soloist, 2Ob(opt Cl) Cont Str
342044871E3-23DF-4A0D-BADD-EAAE7E5C4B7852723004Rosina De Un Verde Palmar: Catalan Folk Melody for Viola Quartet(not set)Viola quartet with optional piano
343044D8051-6DA0-4C53-82E3-0638EEA13232X054032String Quartet No. 3, Op. 124 (Cuarteto de Cuerdas)This string quartet is dedicated to composer Ricardo Lorenz.String Quartet
344044F412B-4C6F-4650-9CE4-496E229469C1MR00470Discover the Wild for BandDISCOVER THE WILD is cast in the form of a three-part orchestral overture. The principle musical elements of the composition include a motive based upon the interval of the perfect fourth robustly stated in unison at the outset by four French horns. A lyrical theme follows, characterized by the interval of the perfect fifth. These musical elements are taken up in various melodic and harmonic combinations by the entire ensemble and form the basis for musical development throughout the remainder of the composition. Version for orchestra and band are available from the publisher.Concert Band
34504524F87-6D01-4EE1-8D62-EB1C1F80C8D1SC135Autumn SongTEXAS UNIVERSITY INTERSCHOLASTIC LEAUGUE SIGHTREADING FOR CLASS CCC (SSA)Ssa
3460457A537-04CA-45BA-A340-D5EEC9B3E427M139091Six Cuban DancesSeis Danzas Cubanas (Six Cuban Dances) is a piece for solo piano by Ignacio Cervantes (1847-1905). One of the pupils of Louis Moreau Gottschalk, he attended the Paris Conservatory and throughout his concert tours in the United States and Mexico, promoted the music of his native Cuba. Movements: 1. La tarde está amorosa (How charming the evening!); 2. Mis amores (My loves); 3. Ditirámbica (Homage to Bacchus); 4. Tintilla de Rota (The wine of Rota); 5. No llores mas! (Weep no longer!); 6. De mil amores (With all my heart). This reprint edition presented by LudwigMasters was edited and fingered by Austrian pianist Max Vogrich.Piano Solo
347045E3C6D-5AFB-428B-9D01-292A0E82304450100075The Happy FarmerNearly every young pianist has played this Schumann classic, now available in an equally playable arrangement for band by Andrew Balent. An opening piccolo solo is cued for flutes and can be played by a soloist or the entire section. This is great music for developing rhythmic accuracy in young players.Concert Band
34804696EB3-80D2-43ED-AEEC-FBA8923DD1BBR88POP- Premiere Rhapsody for Clarinet and OrchestraBb Clarinet Solo: 3.3.2.3: 4.2.0.0: Tr.Cym: 2 Hp: Str
349046A185B-FC14-4232-96E6-DCE0F07FF0D650452001Song and PolkaOriginally written for three trumpets, Song and Polka has become so popular that the composer has written versions of the piece for flutes, clarinets, and saxophones. All versions have been written in the same concert key so virtually your entire band can rehearse at the same time. Some independence in rhythms is required, with each player getting a brief solo passage. The trio opens with a very short and simple eight measures of legato playing, and quickly moves into a moderate polka tempo and style. The polka begins with all playing the same rhythms, but branches into some independent rhythms. This is an excellent choice for a first trio experience in contest.Eb Alto Saxophone 1 ,2 and 3 (sub. Bb Tenor Saxophone)
350046C8F80-F5F9-4540-8762-9125643483C8ST308Ritual and CelebrationThe character of the "Ritual" movement is dramatic and slow, which trasitions without pause to the quick and lively "Celebration". Commissioned by and dedicated to Ken Kistner.Baritone Sax and Piano
351046EDC73-74C5-43CC-9F6B-AA866DD2E581A199802Symphony No. 4 in C minor, D. 417 'Tragic'Franz Schubert’s (1797-1828) Symphony No. 4 in C minor, D 417 was completed in April of 1816, and the title ‘Tragic’ was added by the composer to his autograph manuscript, though the reason for the additional title is not known. Written when Schubert was only 19, just one year after the completion of his Symphony No. 3, the work did not premiere for over two decades, finally being performed on November 19, 1849 in Leipzig. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set)
352047012CB-3A77-4568-9BE6-18D56A7CB506EBM0610074Lyric Concerto for Flute and OrchestraPremiere: James Galway, flute, Saint Louis Symphony Orchestra, Leonard Slatkin conducting, October 27, 1993. Movements: I. Leprechaun, II. Waltz-Clog, III. Memory, IV. A Bespoke RondoFlute, 2(Pi).3(EH).3(BsCl).3(Cbn): 4.3.3.1: Timp.Perc: Hp: Str
353047956AD-CF40-4F1F-B626-B05D993E47E110412318Rondo from Rage Over a Lost PennyThis is a fun, clever trio for flutes! Based upon the popular short showpiece originally written for piano, "Rage Over a Lost Penny, Vented in a Caprice". This arrangement by Don Schaffer masterfully reshapes this exciting melody at an intermediate level.Flute Trio
354047B5CC0-E2F0-47DC-819F-832B38D1A8E0R00047Symphony No. 2
35504823A65-3CBD-4FB4-9BA6-915D98CB44D7A012290Boheme, La: Musetta's Waltz (concert version)Musetta's Waltz is a rather risqué song, sung by Musetta in Puccini's opera La Bohème to attract the attention of a former sweetheart. This newly available concert adaptation uses no singer, but places the melody into the lush orchestral textures. Arranged and edited by William Ryden. Instrumentation: 2+Picc.2.2+BCl.2: 4.3.3.0: Timp.Perc: Str (9-8-7-6-5 in set).2+Picc.2.2+BCl.2: 4.3.3.0: Timp.Perc: Str (9-8-7-6-5 in set)
35604840DEB-4429-4845-8BE0-8E95C068C869SO171CPrelude Op. 3, No. 2 for Strings and HarpString Orchestra
35704856270-A0C8-4689-AE73-17758C2D8DF1SU431Fantasy SonataThe 1st movement contains two main themes, one short stated at the opening while the 2nd is more lyrical. The 2nd movement is slow with a rising motif 1st introduced by the piano. The last movement has a play of different moods ranging from jauntiness to mock innocence. A short cadenza for the flute leads to race between the flute and piano to be the first to the double bar.Flute and Piano
358048565A2-D1BB-42BE-A4A3-2769DD054907S763CBMosaicsMOSAICS was commissioned in 1999 by the Board of Directors of the Mid-West Clinic, with a request for a work which would be challenging, but still playable, by performers at the high school level. The composer's initial ideas were to design a piece in which simple figures would build larger, more complex musical objects. As a result, this work is based on a small four-note figure which forms harmonic, melodic and motivic patterns throughout the piece. These small blocks of material, made from relatively simple rhythms, are used to create larger gestures and motion. In many cases, the patterns are broken between pairs of instruments, registers or choirs within the ensemble. On a formal level, the work presents itself as a fantasy with five interior sections surrounded by an introduction and a coda. Each section takes on a different mood and texture, displaying various perspectives of the mosaic ''tiles'' from which the work is constructed.Concert Band
3590486007C-CDA0-46B7-AEDA-CC4A2CE84DBDX772008Five Elizabethan Dances from "Romeo and Juliet"Five Elizabethan Dances is drawn from the music that sets the scene and provides the accompaniment for the Ballroom Scene from Don Freund's Romeo and Juliet: A Shakespearean Music Drama for singing actors and piano. The style of the dances is freely drawn from dances found in the Fitzwilliam Virginal Book (music from ca. 1562 to 1612), spiced up with changing meters and chromatic twists of melody and harmony reflecting a more recent musical language. Each of the dances represents a pivotal scene-within-a-scene.Excludes part doubling: 2+1.2+EH(opt).3+Eb Cl+BCl+CltoCl(opt).2+Cbsn(opt): AATB Saxes: 3.4.3.2 Euph.2 Tuba: Perc(5)
36004871DF0-BD5B-4718-B9B1-31349F8DA433R00264In the Elsewhere(not set)3(1d Piccolo, 1d Alto Flute).2+English Horn.2+Bass Clarinet.2+ContraBassoon.Alto Saxophone(d Soprano Saxophone): 4.3.3.1: Timpani.Percussion(4).Piano(d Celesta).Harp: Strings