Titles
Showing 581-600 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 581 | 07D68F93-4263-41BC-AA6D-4232B4C6FF9D | 10460190 | Amour Viens Aider for Tenor Sax and Piano | Amour Viens Aider ("Love, Thy Help") is one of the most performed arias in the operatic repertoire. It appears at the opening of the second act of the opera Samson and Delila, in a scene where Delila pleads to an ancient love deity to help her seduce and defeat the Hebrew warrior Samson. This arrangement by Paul Whear effectively translates the haunting aria to the solo brasswind medium, allowing instrumentalists to play and enjoy a fine Romantic miniature. | Tenor Saxophone and Piano | |
| 582 | 07DA8575-60DF-45F2-A24E-3184876DAC74 | ST944CO | Elegy and Exaltation | Commissioned by and dedicated to the Mirecourt Trio. Part of the Andrew Gurwitz Memorial String Series. | Piano Trio | |
| 583 | 07DAB4E3-94F7-40CD-A827-1279540AD770 | R00715 | Concerto for Soprano Saxophone and Wind Ensemble | Composed for Rick Van Matre and CCM Wind Symphony. Grade V | Soprano Saxophone Solo 2+Piccolo.3(1d English Horn).3(1d Bass Clarinet).3(1d ContraBassoon): 3.3(1d pTrumpet).3.1: Timpani.Percussion(3): 3 Double Bass | |
| 584 | 07DC1AED-10B6-42AA-A349-BEFB4CE4D6E7 | EBM0610077 | Rapsodia Negra | Formally premiered in Ernesto Lecuona’s Carnegie Hall debut (as a conductor) on October 10, 1943, with Carmelina Delfin as soloist, the work is a grand fantasy on themes from of the composer’s zarzuelas. Thomas Tirino’s arrangement brings percussion instruments to the score, whereas Lecuona had the percussion parts improvised (and thus they were previously missing from the orchestration). Tirino also adds a cadenza (fully notated in this score) near the end of the work where indicated in the manuscript. All elements are brought together into a newly edited and engraved offering in the rental catalog; piano solo (with 2nd piano accompaniment) is also for sale. Note that the piano part for this concert-piece differs from versions of Rapsodia Negra sold as standalone piano, or two-piano, solos past and present. However, all music incorporated in those versions are evident within this version. | Piano, 2.2.2.2: 2.2.3.0: Timp.Perc(3-4): Clst.Hp: Str | |
| 585 | 07e0d563-9e3b-11f0-a418-0022482c9682 | M168091 | Nocturne | This peaceful work by French flutist Georges Barrère (1876-1914) does include some difficult passages. Reprint edition. | Flute and Piano | |
| 586 | 07E22C0F-B7DA-4178-A515-2D83B97844FA | D814136 | L'attente | Voice, Piano | ||
| 587 | 07E8F448-091C-47EF-89F8-D07B8BB9D16C | V110 | Four Songs: Art Songs by American Women Composers v. 14 | With this series, Southern Music Company initiates the first published collection of art songs set to music exclusively by American women. The songs span the whole of the twentieth century, and the majority of them are by living composers, with the notable exceptions of Amy Beach, Mary Howe, and Florence Price. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. Songs in this volume: I. Strings in the Earth and Air (James Joyce), II. The Caller (Dorthy Diemer Hendry), III. One Perfect Rose (Dorothy Parker), IV. Comment (Dorothy Parker) | Voice, Piano | |
| 588 | 07F0C089-68D5-43EB-99B1-AC34FA27445D | S388CB | Two Symphonic Fanfares | (not set) | Concert Band | |
| 589 | 07F12FB8-E43A-4953-BCB9-2E43C4FD7E30 | W706491 | Well-Tempered Clavier, Volume II (BWV 870-893) | This two-volume edition of J.S. Bach's WELL-TEMPERED CLAVIER, regarded as one of the most important works in the history of classical music, has been edited by Hans Bischoff, with Bischoff's notes translated by Alexander Lipsky. With detailed footnotes on nearly every page of music regarding historical background and practical performance, this edition will appeal to every type of musician. Volume II includes BWV 870-893. | Keyboard Collection | |
| 590 | 07F13521-958D-4287-ADB4-FE9B62CC0CD7 | EBM0670024 | Cecilia Valdes: Salida de Cecilia (excerpt in B-flat) | This is a selection from the Cuban Zarzuela "Cecilia Valdes." Duration ca. 5'. Optional scoring exists for brass section of two horns only. | Soprano, SATB Chorus, 2222 4321[opt 2000] Timp 3Pc Str | |
| 591 | 07F1A469-278F-47D0-BC20-6DC465825792 | S297WWCH | Andante Cantabile | This arrangement of Tchaikovsky's String Quartet, Op. 11 is a great way to introduce young players to working together as a woodwind choir. The parts fit well together rhythmically. 6 Flutes, Oboe, 9 Bb Clarinets, 2 Alto Clarinet, 2 Bass Clarinet, Eb Contrabass Clarinet, Bb Contrabass Clarinet, Bassoon, 4 Alto Saxophones, Tenor Saxophone, Baritone Saxophone. | Woodwind Choir: 6 Flutes, Oboe, 9 Bb Clarinets, 2 Alto Clarinet, 2 Bass Clarinet, Eb Contrabass Clarinet, Bb Contrabass Clarinet, Bassoon, 4 Alto Saxophones, Tenor Saxophone, Baritone Saxophone | |
| 592 | 07FDDE50-05FB-4157-8B5B-E1EDA9E854AD | A907990 | Syncopated Clock, The - NOP see Alfred 00-26663 | 2, 2, 2, 2, (3sax) - 4, 3, 2, 0, perc, str | ||
| 593 | 0801B746-B95F-4B32-B892-FD20CF2FEA11 | 10500700 | Pebble Beach Sojourn | This fun work, written for brass choir, organ, and percussion, strips away what people come to expect of an organ and ensemble work. | Brass Choir, Organ, Percussion | |
| 594 | 08022E9C-066E-414C-8A91-BB4F6A6C1A1C | R01040 | Seeing Stars | 3 (1d Piccolo).1(d English Horn).3+Bass Clarinet.2: SATB Saxophone Ensemble: 4.3.2+Bass Trombone.Euphonium.2: Percussion(5) | ||
| 595 | 0805A1AB-2159-4D7C-8F3A-CDEED67139DA | BSMO101 | American Hero for Orchestra | <div>An exciting transcription for orchestra by the composer of his well-known work for band, AMERICAN HERO is perfect for any occasion honoring flight or any American hero; excellent as a concert opener. Has been performed by leading professional orchestras throughout the country. Broughton's music is notable for its wonderful melodic and rhythmic writing. Bruce Broughton has had works commissioned by the Chicago, Seattle, and National Symphonies.</div> | Full Orchestra | |
| 596 | 080C827A-93D3-4580-9A05-F65F98F53FCF | M245391 | Mouvements Perpetuals | Mixed octet winds/ strings | ||
| 597 | 080C9B34-C5BA-412B-A32A-2D3D761DA4A4 | A304602 | Valse Scherzo, Op. 34 | Probably composed in the early months of 1877, the VALSE SCHERZO, OP. 34, occupies an important position in the oeuvre of Peter Ilyitch Tchaikovsky (1840-1893) as it prepared him to begin work on the Violin Concerto in D the following year. Swept into a whirlwind romance with violinist Iosif Kotek, to whom he dedicated the work, he found the impetus to write it after the former student showed him the score of Édouard Lalo’s Symphony Espagnole. It premiered at Trocadero Hall in Paris on September 21, 1878, with Nikolai Rubinstein conducting and Stanislaw Barcewicz as the soloist. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin. | 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin | |
| 598 | 08108205-667F-45E0-B797-CCBD67680035 | SU53 | As Sounding Brass | Brass Quintet | ||
| 599 | 0817C2D5-C722-4E2E-AAAD-23C2625C56D7 | 52702013 | Six String Trios: Trio II in G Major | These trios cover a variety of friendly keys and now have full scores. Helpful, playable trio repertoire for concert or contest. Violin 1 gets most of the action, but other parts have moments to shine. | Violin 1, Violin 2 /Viola and Cello | |
| 600 | 08182B81-BC66-447F-B87B-565E4B4B4C61 | ST829 | Echo, The | Snare Drum Duet |