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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
7010982B43E-F43E-406B-86DF-FCF0D4A23CBER01401ErosEros was given its world premiere in Moscow, Russia in the Hall of Composers at the XXIX Annual Fall Moscow New Music Festival sponsored by the Union of Russian Composers. It was the first American work to be premiered at the Festival in over two decades. In the following years, Eros has been presented by the Union of Ukrainian Composers at their Kiev International New Music Festival and by other orchestras in Russia and Ukraine.

This score is the first publication of the revised composition. The composer rewrote twenty-one seconds of music in the first movement, “Song” which is in this score. The work was dedicated to Krzysztof Penderecki and presented to him on the occasion of his 75th birthday. Parts available on rental from the publisher.		String Orchestra
7020988DA62-666C-43D0-B0E3-153CD36244ADX980001Psalm 100Composed for Maurice Skones and the Choir of the West Pacific Lutheran University.Double SATB Chorus
703098A9F1A-20DD-4117-A7D0-5F21F62BE1BCEBM0630028Four MiniaturesMurdock Donald MacInnis (April 4, 1923 – April 20, 2003) was an American composer and associate professor of music at the University of Virginia. MacInnis attended Princeton University, completing his music degree as an undergraduate in 1948 and a masters in 1950. His studies were interrupted by World War II, during which he served with the 13th Armored Division of the United States Army, seeing combat in Germany. While at Princeton, he was musically active, directing the band and managing the Princeton Glee Club. He studied composition and theory with Milton Babbitt, Edward Cone, Joseph Kerman, Bohuslav Martinu, Roger Sessions and Randall Thompson, and conducting with Leonard Bernstein at Tanglewood. MacInnis was elected as an instructor in the faculty of music of the University of Virginia in 1950. He was granted a leave of absence in 1968 to serve as composer in residence with Robert Shaw and the Atlanta Symphony Orchestra. As an instructor, he conducted the University of Virginia Band; later, he was tapped as acting department head in 1955. As a composer, MacInnis employed early electronic music techniques, including computer-synthesized music and tape loops. His Four Miniatures for string orchestra is approximately 7 minutes in length.String orchestra
704098D8994-181D-4835-8B74-76C4302177DAR00905Up Front Concerto(not set)Hand Drum Solo:(Conga Drum(2), rain stick, Maracas, grapes, cuica)1.1.1.1: 1.1.1.0: Str
705098EC7AD-CA5A-43A9-A338-8EB73D346AAD20402545Johnny's 'a Marchin'This trio was created for the Mansfield Symphony Woodwind Trio to play at children’s concerts. It tells the story of how during the American Revolution and Civil War young boys shouldered a rifle and marched off to war and how sad it was to see them go. This is expressed thru the song “Johnny Has Gone for a Soldier”, sometimes called “Buttermilk Hill.” This musical story has a happy ending however when joy is expressed by playing “When Johnny Comes Marching Home.” Both songs are based on old Irish tunes. The original arrangement was scored for 2 Bb clarinets and bass clarinet, but it works equally well for bassoon.2 Bb Clarinets and Bassoon (sub. Bb Bass Clarinet)
70609954F7C-8A6C-41C3-9F10-27D0420A9B2B10100481With PleasureAn outstanding encore or closing piece for advanced bands. Frequently programmed by Sousa, the dance-like rhythms of this ragtime composition are delightful and made it a favorite with audiences around the world. An important addition to repertoire for upper-level bands.Symphonic Band
707099DC552-F58A-4B55-B5F2-E00822E91C91D21Music for Band Vol 21(not set)Band
70809a0b554-9e3b-11f0-a418-0022482c9682M180391Canto Serioso for Cello and PianoIn 1913, Carl Nielsen (1865-1931) was engaged by the Royal Danish Orchestra, which he also conducted at the time, to write an original work to be used in the audition of a new hornist. The result was Canto Serioso (CNW 67/ FS 132), although that title likely was not given in 1913. This original version was written in F, although Nielsen re-arranged the work in 1916 for cello and piano and moved the key to E major. A short work of only 4 minutes, it is perfect to include on recital of other short songs, or it can serve as an ideal encore piece. Reprint edition. Both the original horn and cello transcription are available from the publisher.Violoncello and Piano
70909A4F632-3C65-4AED-A35B-146C35E82DC2X534003Serenata for Four CelliCommissioned by the Eva Janzer Memorial Cello Center.4 Cellos
71009A9FCB7-20E3-44C7-BC4C-B757B0041D8FM913602Achieved is the Glorious WorkConcert Band
71109B0DC7F-5458-4B1C-BCDD-0EA533DC086F52250902Two Finger FantasyThis easy little diddy for beginner string orchestras is sure to delight both performers and audience members alike! A perfect piece to help reinforce beginning string method as well as counting and subdividing.String Orchestra
71209B21C7E-489E-4777-8961-EEA82D49277E20250688Perpetual MotionPERPETUAL MOTION is a flashy, encore-type piece composed as a violin solo by Carl Böhm, who lived in the 19th and 20th centuries. This arrangement features the entire first violin section on the melody with light accompaniment by the rest of the string orchestra. For a very small orchestra or chamber ensemble it could be used as a solo piece for the concertmaster.String Orchestra
71309B4E0B8-FC8C-4722-9C9A-DF0CD5460B18SS304Carmen FantasieThis show piece for cornet or trumpet is based on themes from Bizet's celebrated opera. This edition was collated by Frank Simon.Cornet (or Trumpet) and Piano
71409B69662-348E-4869-A508-9AAD7F886BC5ST925SuoronosClarinet
71509B7BD52-1868-4B9D-971C-01F29D38FF44M317591Suite, Op.43(not set)Violin and Piano
71609BBFEEC-FF2F-4CCC-81C0-4DD80DF5EA44ST579Autumn Soliloquy for Flute and PianoA delightful tone poem composed as an oboe solo with wind orchestra accompaniment and dedicated to Susan Hicks Brashier. Later versions for solo clarinet and flute, and orchestra and band accompaniments followed. Each solo instrument with piano accompaniment is also available for recitals and contest. Grade 3, ca. 7'.Flute, Piano
71709BC7130-DD1D-4F86-8016-E5DD518F15B650250109CanariosThe guitar music of Gaspar Sanz retains its popularity to this day. This particular excerpt crackles with rhythmic vitality and a fascinating use of hemiola.String Orchestra
71809C241EA-7B8F-4001-9820-3C78B49607E6R00985The Philosopher's Stone for Solo Violin and Nine Players(not set)Violin Solo: 1(d Picc, AFl), 1(d EH), 1(d BCl), 1(d Susp Cym): 0.0.0.0: Perc(2).Pno: Cello, Double Bass
71909C27DF9-3B7C-4FC6-ACAD-65C4BD530F4BMP511005Duo Fantasy
72009C53E5D-EEC8-4211-8CF4-ED105C1549D7A915502Rondine, La (The Swallow): Parigi! E la Citta dei Desideri (Romanza di Ruggero; second version, 1920)The three-act operetta LA RONDINE (The Swallow) by Giacomo Puccini (1858-1924) was first completed in 1916 and premiered at the Grand Théâtre de Monte Carlo on March 27, 1917. It tells the story of Magda, a Parisian courtesan, who is torn between more transactional love she has chosen and the romantic love of a wife with the young man Ruggero, whom she meets at a small house party of her protector Rambaldo, then again at a Paris nightspot. After leaving to live with Ruggero for some time, she flees back to Rambaldo when Ruggero proposes marriage, declaring that she cannot keep her past a secret and she will not allow her previous life to bring grief to both Ruggero and his parents. Never satisfied, Puccini revised the operetta in both 1920 and 1921, altering the ending each time, and he passed before he settled on the definitive version. The beautiful tenor aria PARIGI! È LA CITTÀ DEI DESIDERI (Paris! It is the city of desire) was not included in the original libretto and added by Puccini to give Ruggero, the romantic lead, something to do in the first act. While it does not move the plot forward, the aria does quickly endear listeners to the Ruggero character. The aria was later cut from the opera and is not usually heard in staged versions, although the music was used again with different text in Puccini's 1917 song MORIRE?, S. 89. This edition of the aria by Michael Kaye is from the second version (1920) of the opera.2.2+EH.2+BCl.2: 2.0.0.0: Timp: Harp: Str: (4-4-3-3-3 in set): Solo Tenor