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8410B7C2898-E210-46A5-814D-07A21334A14550100108Powhatan's DaughterPowhatan's Daughter March (pronounced "POW-uh-tan"), was composed between 1906 and 1907. Although informally written in honor of Pocahontas, the march's inherent character probably informed Sousa's decision to call his new creation Powhatan's Daughter.The march was officially premiered by the Sousa Band on August 10, 1907 at Asbury Park, NJ. The present edition, prepared by Sousa Scholar Loras John Schissel, recreates the composer's own unique performance practices of this great march.Concert Band
8420B8015AD-6495-46E6-8D3B-F55F7DBB04BCR01539Enter the Sacred Space from "Jerusalem Open Your Gates"This is the first movement of "Jerusalem Open Your Gates." This composition is dedicated to Jerusalem's destiny as a city of peace, the place where heaven and earth meet, which channels divine energy into the world. Judaism, Christianity, and Islam consider Jerusalem higher than other earthly places.2(1d Picc).2.2.2: 4.3.3.1: Timp.Perc(3).Pno.Hp: Str
8430b81b247-9e3b-11f0-a418-0022482c9682M192191Ten PiecesThis inspiring collection of pieces by Francisco Tárrega includes the following: Gran jota de concierto; Danza mora; Gran jota aragonesa; Pavana; Gran vals; Preludio (Lagrima); Adelito (Mazurka); Sueno (Mazurka); Tango espanol; Marieta (Mazurka). Reprint edition.Guitar Solo
8440B857244-2582-4B06-9E25-86E7373A213110460337Dancing Silhouettes for Tenor Saxophone and PianoTenor Saxophone and Piano
8450B87739D-37A3-4E14-A5E6-B20076124F5F50250002Themes From FaustCharles Gounod was a prolific French composer in the mid 1800’ s, but he was not well recognized by his peers or the public until his opera Faust was first performed in Paris in 1859. The opera remains today as one of the most dramatic and popular in the repertoire. This arrangement for strings includes three of the themes in the opera; a staccato dance in duple meter, followed by a ballroom waltz in the Viennese style, ending with a grand march. Keys are G and D major. Cellos need to be comfortable in 3rd and 4th position, and 2nd violins and violas need to play divisi passages. First violins will be challenged by some of the technique but all problems can be solved and will be quite rewarding with sufficient practice. This is music by a master composer that young people should experience.String Orchestra
8460B88D4E2-9C4B-4C4B-9175-637DA6368AA8HLConcert EtudeFlute W/STRING ORCH
8470B8B7C2F-2656-4C69-B50A-DF3F2192E6E3MP943601there are delicacies for TTBB Chorus and Percussion EnsembleText by Earle Birney from his rag and bone shop. Whispering, speaking, singing and sustained consonants mix with Benson’s characteristically delicate and imaginative percussion scoring.TTBB: 6 Perc: marimba, 2 iron rods, finger cymbal, sistrum, tom-tom, bass drum, high bongo, 2 temple blocks, suspended cymbal
8480B8C9EEC-EEF1-4FAF-89D3-ACD56660A91BB25528 Advanced StudiesTranscribed by David L. Kuehn, these 28 vocalises of Mathilde Marchesi and Heinrich Panofka are more technically challenging than your typical lyrical study.Tuba
8490B929F40-C60D-44A7-87FE-D60D415C7C28X521005Circle Music IFirst in series of pieces for solo instrument and piano.Viola and Piano
8500B958A5D-CEAD-45C7-A278-EADD28E98E52LV169CBWorried Woodpecker, The(not set)Concert Band
8510BA1E1A5-6F65-492F-AA1C-7920C898395ER110Pennsylvania Sketches(not set)(not set)
8520BA343C5-7FE8-4EC2-A0E8-812280179802SU362Trip Up TrioPercussion Trio
8530BA54825-DA98-4EF3-87D6-4D084B7F0BA6A847302Songs to Poems by Rueckert; No. 4: Um Mitternacht, medium voice (A minor, original key)Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) with two additional Mahler songs, then with only the five songs. They have simply come to be known as Rückert-Lieder and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. Mahler orchestrated the first four songs himself, while the fifth song, Liebst du um Schönheit, was orchestrated after Mahler's death by Max Puttmann. The fourth song, Um Mitternacht (At midnight hour), was written in the summer of 1901, and it premiered among the other first four songs on January 29th, 1905, in Vienna, Mahler conducting. While the other four songs are more lyrical, the fourth stands out as a more austere symphonic ode, with hymn-like settings for the orchestra that include broad contrapuntal lines and a grand brass chorale. Versions in A minor, B minor, and G minor are available from the publisher. Instrumentation: 2.0+Obd'a.2.2+CBsn: 4.2.3.1: Timp: Hp.Pno: Solo Voice.2.0+Obd'a.2.2+CBsn: 4.2.3.1: Timp: Hp.Pno: Solo Voice
8540BA55B73-5797-4C63-844D-368F95D73B01M909502Light Cavalry OvertureConcert Band
8550BA8BD8B-0FAA-4288-824D-60CBFB7FB8D7S385CBSymphony for Winds and Percussion(not set)Concert Band
8560BB04F4C-29B6-40BA-9585-0A0D411EA755D2300Music for Band Vol 05Band
8570bb0ec55-9e3b-11f0-a418-0022482c9682M193491Theme and Variations (3rd movement from String Quartet, Op. 32)The THEME AND VARIATIONS is the third movement from Arthur Foote's (1853-1937) STRING QUARTET, Op. 32. A lesser-known work by this significant American composer, it is a welcome addition to the string quartet repertoire. The complete work premiered in Boston on February 2, 1894, by the Kneisel Quartet, though only the this third movement was ever published (1901). Reprint edition.2 Violins, Viola, and Violoncello
8580BB33DA4-7A1A-4AEF-BC2E-87588B148868R01010The Dervish and the Magus for Cello and OrchestraThe Dervish And The Magus was written in 1994 and revised in 2012. The revised version of the work is written for and dedicated to Mr. Kian Soltani. The cello concerto is composed in form of music for an imaginary ballet in seven scenes consisting of three characters: 1. The Dervish, a holy and pure character represented by the cello throughout, 2. The Magus (the sorcerer), a scheming and evil character whose entrances are marked by harsh and dissonant harmonies from the orchestra, and 3. The Folk, a rather naive character represented by a folk song throughout. The concerto consists of interactions between these three characters, symbolizing the struggle between the good and the evil.Cello Solo: 2(1d Picc, 1d AFl).1(d EH).2(2d Eb Clar, 1d BCl).1(d Cbsn): 1.1.2.1: Timp.Perc(2).Pno(d Clst).Harp(d low chimes): Str
8590BB5D37F-F6F0-40AF-B251-2A2887CF6E90S825CBLegacy for Percussion Trio and Band"Legacy" derives its title from the word referring to anything which is passed down from generation to generation. It was commissioned by the Univsity of Wisconsin, River Falls to celebrate its 125th anniversary and salutes through musical imagery the spirit of the proud, sensitive and courageous people who have, through the years, made this historic event possible. This piece is a concerto featuring three percussionists cast in one large, two-section movement. An alternative form of "Legacy" for percussion octet is also available from the publisher and is entirely compatible with the version for three solo percussionionists, so it is possible that the piece could be performed with a larger percussion section of eight player if so desiered.Concert Band w/ Percussion trio
8600BBACCCA-1DF5-425B-A932-85923D19C322EBM0610602Symphony No. 9: A Short Symphony in One MovementCommissioned and Premiered by The Shepherd School Symphony Orchestra, Larry Rachleff, Music Director, on the Occasion of the Rice University Centennial, October 12, 2012.3(Pi).3(EH).3(Eb, Bs).3(Cbsn): 4.3.(Flg).3(BsTbn).1: Pno/Cel.Timp.Perc(3): Str