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9210C9B00D4-394D-43DC-AA79-27F2FDF88241SU532Humoresque: Tone and Performance Studies No. 11Julius Weissenborn was an esteemed 19th century bassoon player and pedogogue, whose compositions and studies are still a major part of a young bassoonists education today. This piece is part of his "Tone and Performance Studies", of which the publisher offers several other titles including: "Arioso", "Song Without Words", "Elegie", "Humoresque", "Adagio", "Notturno", "Scherzo", "Ballade", "Romance No.1", "Capriccio", and "Romance No. 2".Bassoon and Piano
9220CA3075C-711B-4138-80D0-FDD3FA525710A702002Serenade in G minor, Op. 242Carl Reinecke (1824-1910) wrote at the age of 74 what some consider the best of his nine serenades. The Serenade in G minor, Op. 242 is in six movements, each of a unique character: I. Marcia, II. Arioso, III. Scherzo, IV. Cavatina, V. Fughetta giojosa, and VI. Finale. The work premiered on November 10, 1898 in Leipzig by the Gewandhaus Orchestra, Arthur Nikisch conducting. A count of 8-8-5-5-5 strings are included in the set.String Orchestra (8-8-5-5-5 in set)
9230CA4675E-CDA7-4314-95E4-6DCAC4E7D532ST357Andante and ScherzoThis technically challenging piece is perfect for intermediate to intermediate-advanced players to work on more complicated rhythmic patterns in different musical styles and modal scalar motion. Versions for alto saxophone, tenor saxophone, and trumpet are available from the publisher.Trumpet and Piano
9240CA73F31-A180-40B5-8314-AACF2E0CA8B050100224Creepy CrawlersSinister, dark, and downright creepy... your beginners will love it! This piece uses nothing more complex than two eighth notes with no dotted notes or syncopations. The ranges are conservative so it can be ready to play on that very first fall concert.Concert Band
9250CA9892A-3F38-4748-B621-58CCD0BE783DM809290Entrance of the Gladiators, Op. 68 (Triumphal March for String Orchestra)Who says only bands can play a march? An optional percussion section may be included but isn't necessary. You and your orchestra will feel you're under the big top with this classic march (in C and F major).String Orchestra
9260CA98933-1CFA-41FB-9B44-57D7DC99D43610440203Evening in the Country for ClarinetThis captivatingly beautiful solo by Bartok is artfully arranged for clarinet by Floyd O. Harris, true to the original but just one minute shorter with some of the repetition removed. A short but interesting solo full of singing melody and quirky, fun, flashy rhythmic interlude. Perfect for a variety of settings and programs.Clarinet and Piano
9270CA9AD2A-3347-4C30-81A1-F6E3ECFC9A2B10370108Christmas Music for StringsViolin
9280CADF777-2240-46E5-9A69-66F7D255DA90MP504005String Quartet No. 2: Where Have You Been, After Five Collages by Robert MotherwellCommissioned by the Trustees of Manhattan School of Music in honor of Gordon K. Greenfield on the occasion of his retirement as Chairman of the Board, and in celebration of the seventy-fifth anniversary of the School and the twentieth anniversary of the American String Quartet, quartet-in-residence at the School. First performance: May 9, 1994, American String Quartet, Alice Tully Hall, New York, NY.String Quartet
9290CB02B08-01FC-4E89-B6AB-EFBCABADF33FSC822Gratitude(not set)SSA
9300CB0D65C-574C-4407-B95B-0E439A8F69F3ST92EVENING ECHOES (OUT-OF
9310CB53D50-27AB-41A9-A885-E611F5DA6A8152733388Merry Celli: Four Carols for Cello Quartet or Choir (with optional Bass)This collection of four lively Christmas carols have been arranged for cello quartet or cello choir. An optional bass part is also included. Songs: 1. O Come, O Come, Emmanuel; 2. Bring a Torch, Jeanette, Isabella; 3. Lo, How a Rose; 4. Deck the Halls.Cello Quartet
9320CB6A1EE-6229-4E9B-956F-C469982B2454M304391Paysages Et Marines, Op. 63(not set)Solo Piano
9330CB9F6DB-A72C-485D-93C2-8319A657868510100454Rudolph, the Red Nosed ReindeerJohnny Marks' holiday classic has never sounded fresher or more upbeat than in this new John Tatgenhorst arrangement. Latin percussion and jazz rhythms work incredibly well in this soon-to-be standard. Recorded on the Frederick Fennell and the Fennell Symphonic Winds CD You've Been Verrry Good, ELF 30991018.Concert Band
9340CBA8F87-4F27-493F-B9C9-F87A7B718AEE60703002Lyric Suite, IAB 6The six-movement LYRIC SUITE for string quartet is among the first of Alban Berg's (1885-1935) works to utilize the 12-tone system developed by his mentor Arnold Schoenberg. Written between 1925 and 1926, the work is dedicated to conductor and composer Alexander Zemlinsky, who composed a work titled LYRIC SYMPHONY, which Berg quotes. And the work gained great popularity for two generations with only that program to reference until a chance discovery in 1977 revealed a much deeper intention. During Berg's trip to see Zemlinsky in 1925, he stayed at the home of a Herbert Fuchs-Robettin and his wife Hanna. Berg developed an intense infatuation and love affair with Hanna, and his LYRIC SUITE is a documentation of that relationship, evident in the mood of each movement, his spelling of both of their initials together in the music, and the inclusion of Wagner's Tristan chord in the final movement as a clear reference to an illicit love. Reprint edition.String Quartet: 2 Violins, Viola, and Cello
9350CBC0F02-5528-4729-B324-5DF760119420SU4COAllegro (from Quartetto in E-flat, Op. 68)This Allegro from Georg Abraham Schneider's (1770-1839) Quartet for Flutes, Op. 68, No. 1 has been edited by Himie Voxman.Flute Quartet
9360CC6CAD0-EF45-4903-8852-431707BC66B7A796602Gianni Schicchi: O mio babbino caroGianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a death, the work premiered at the Metropolitan Opera on December 14, 1918. It tells the story of four family members anxiously discussing the contents of their very recently deceased family member, Buoso Donati, only to discover to their horror that he had left everything to a monastery. Gianni Schicchi, not related to the family, arrives and concocts a scheme to have a new will written as nobody but the family knows Buoso is dead. But when the notary arrives Schicchi, pretending to be a Buoso on the mend, dictates that his house, mule, and mills should be left to Gianni Schicchi, which allows him to offer marriage between his daughter Lauretta and Donati family member Rinuccio. O mio babbino caro (Oh, my dear papa) is sung by Lauretta to convince her father to help the Donati family with the will, something he did not want to do as they rejected him for his class. The soprano aria is among the most well known in opera and is frequently sung as an encore in recitals or concerts. Instrumentation: 2.2+EH.2+BCl.2: 4.3.0.0.: Hp: Str (4-4-3-3-3 in set): [Soprano solo].2.2+EH.2+BCl.2: 4.3.0.0.: Hp: Str (4-4-3-3-3 in set): [Soprano solo]
9370CC6DE82-9FE0-4B3A-AD90-713FC78B796FF501Musidex File Set Band/ Orchestra, 100-numbersForms
9380CCB0481-1022-490A-96B3-BE941A4AEEE0SS628Rada Ma Bop (only-in-b170/so-special)Snare Drum Unaccompanied
9390CCE4646-CA18-484A-AE3A-06610A730488S503001View From Mount NeboViolin, Cello and Piano
9400CD3B90E-8F6C-4B2B-A986-223C255EC953A905302Barber of Seville, The (Il Barbiere di Siviglia): No. 5: Act I, Aria: La calunnia (bass; C) (excerpt)The Barber of Seville (Il barbiere di Siviglia) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remains a popular masterpiece staged frequently today, despite its disastrous February 20, 1816, premiere at the Teatro Argentina in Rome. The libretto by Cesare Sterbini is based on a three-part series of French comedic plays under the same name by Pierre Beaumarchais, and other composers also borrowed from the source, including Mozart for his Marriage of Figaro, although that opera was based on the second comedy in the series. Rossini's The Barber of Seville uses the first comedy as its source, showing the exploits that Count Almaviva engages in to convince Rosina to love and marry him before her ward Bartolo marries her first, with the barber Figaro conniving to help Almaviva the entire time. In Act I, Dr. Bartolo seeks the advice of his servant and Rosina's music teacher, Don Basilio, for a way to remove Count Almaviva. In the well-known aria La Calunnia, Basilio suggests that they start rumor to slander Almaviva. Instrumentation: 1.1.2.2: 2.2.0.0: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Bass (aria). This version is transposed in C. No score exists, so it includes the score in the original key of D. Version in D also available from the publisher.1.1.2.2: 2.2.0.0: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Bass (aria)