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Showing 961-980 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
9610D4016EF-8974-476D-B5A3-DE055E974424R00778Slow DanceInspired by the music of Duke Ellington and Gustav Mahler, the spirit of film noir and memories of high school.3(1d Alto Flute, 1d Piccolo).2+English Horn.2+Bass Clarinet.2+ContraBassoon.Alto Saxophone: 4.3.3.1: Timpani.Percussion(2).Piano(d Celesta): Strings
9620D459285-B00D-4A8D-92A4-880166450938R00424A Holiday Hoedown (chamber orchestra)(not set)Audience sings (opt): 3 section Violin Soli:  2(2d Picc).2.2.2: 2.2.1.1: Timp.Perc(2).Pno(opt).Harp(opt): Str
9630D4CDB75-3AC2-4957-8AB6-1A22B277E60CX103004Concertino for Three (Flute, Oboe and Bassoon)Commissioned by and dedicated to flutist Sally Turner, Concertino is in four distinct sections which are played through without break. Introduction states the musical material in a number of different forms. Elegy uses transformations of the main material and combines the three voices using part-writing techniques derived heavily from early American music, especially The Southern Harmony hymnal. Following is the unabashedly silly Scherzo. The concluding section, Autumnal Voices, is wistful, recalling elements of all the preceding music.Flute, Oboe, Bassoon
9640D4DA39F-E683-433E-81D6-CFD393ED9B69R00712Chamber Concerto in the Shape of a SummerComposed for flutist Wendy Williams and the University of Cincinnati College-Conservatory.Flute Solo: Perc(3): Str (maximum 6.6.4.4.2)
9650D565345-4F0E-43E1-8B29-513DE9B1B3F910410437Harvest Waltz for Flute and PianoA perfect choice for a beginner to take to contest or recital, this work is written for many different instruments. The piano accompaniment can be performed by a first- or second-year private study middle-school level piano student also, making this an ideal piece for one piano student to accompany many different instruments. As it is on state lists for numerous instruments, Harvest Waltz is also found in the Competition Solos, Book 1 created by Floyd Harris and Edmund Siennicki.Flute & Piano
9660D59F9F4-BCBC-4C53-8311-AF84840D018DSC362An Irish BlessingU.I.L. Sight Reading Selection for C Junior High and 2C/C Middle School Mixed (SAB).SAB
9670D5D7D12-29F4-49C1-A61D-CED038650D5ESS122SONATA NO. 1 (OUT-OF-P
9680D5DB027-6EFF-4934-A543-53FFBC34B1AA50200015Handel in the Strand for OrchestraThis is one of the few largely unchanged works from the famous Leopold Stowkowski recording of Grainger's music. It has been prepared from the composer's manuscript score with the approval of the Percy Grainger Society and includes the piano part just as played by Grainger himself.Full Orchestra
9690D5E3D9B-D5B6-4109-A39C-4B03C74CD2C6SC125Walk on GreenSsa
9700D655A2D-A7F7-41DE-AC72-5318CFEF02BFEBM0620075Rush for Alto Sax and Band<div><font color="#303030">Kenneth Fuchs�s fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY� Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. </font></div>

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<div><font color="#303030">The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda.</font></div>

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<div><font color="#303030">Versions for orchestra and band are available from the publisher, as well as a piano reduction.</font></div>
Solo Alto Saxophone and Band
9710D6B7DB0-564D-4928-9522-0BFEFD02990AM980590Slavonic Dances, Op. 46, No. 8 in G minor(not set)Full Orchestra
9720D707CAB-F814-4BFF-A7E6-3025BCE366B4A113202Concerto Grosso, Op. 6, No. 1 in DThe present edition of Arcangelo Corelli's (1653-1713) CONCERTO GROSSO in D, Op. 6, No. 1 is based on the edition by Roger of Antwerp, printed in 1714. At that time, 12 concerti grossi - namely 8 church concerti (concerti da chiesa) and 4 chamber concerti (concerti da camera) were published posthumously in 1714 under opus number 6, having been commissioned by Cardinal Pietro Ottoboni. Likely composed sometime around 1690, the concerto is scored for an ensemble of two concertino violins and a cello, plus the ripieno strings and continuo. The harpsichord or organ continuo was realized by Waldemar Woehl. It is structured as a five-movement sonata da chiesa - a church sonata. Instrumentation: Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertate: Hpchd in set. Reprint edition.Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertate: Hpchd in set
9730D7379FF-0565-4240-BD2E-CE6BA8902CAF50100007Four Characteristic DancesConcert Band
9740D76DD39-5BC6-4FBE-9400-332BAC3D0200A584302Sinfonia (Symphony) for String Orchestra from String Quartet No.8, Op.110Dmitri Shostakovich's String Quartet No. 8 in C minor, Opus 110 is dedicated to "The Memory of the Victims of Fascism and War." The work was composed in three days during July, 1960. The Quartet is autobiographical and uses themes from earlier works. The opening theme is an adaption of the composer's name to German sounds: (D-S-C-H). This string orchestra version enhances the deep emotion of this significant work of Shostakovich. The integrity of the phrasing and articulation of the urtext edition has been respected in this edition of Shostakovich's Quartet No. 8. A count of 8-8-5-5-5 strings are included in the set. Study score.String Orchestra (8-8-5-5-5 in set)
9750D774170-D8A5-4CCD-BFCB-FDA5DA574260SC469Welcome, SpringtimeSab
9760D7C7126-D8E9-4E82-AF70-43374D2D80E1X154001Fields of ReedsSATB Saxophone Ensemble
9770D7F46E0-D903-4DAE-80CC-8E43B90843D7EBM0640014Collide A Scope for Twelve Brass and TapeCollide-a-Scope is written for twelve brass instruments–four each of trumpets, horns, and trombones–and a computer-synthesized stereo tape. In live performance, both instruments and speakers are arranged for maximum stereo effect. The techniques of construction are serial, and include one section of rhythmically free improvisation by the instruments on the tone rows. The work won the Commission Award at the 1968 Georgia State College Symposium. It is recorded on 33rpm on Golden Crest Records: CR 40854 Trumpets, 4 Horns, 4 Trombones, Tape
9780D84C1DF-B743-43B9-95AF-E5EE2E80ABA352250406PrestoString Orchestra
9790D870342-518D-4388-9DC5-0A2FE899D2CEX410030Piano Variations on a Theme by Siegmeister(not set)Solo Piano
9800D8CB832-604C-4551-85A3-A0B17ECE0F3710100449Silent NightA beloved carol has been given a beautiful treatment for winds. Great writing for mid level to advanced bands. This will be the highlight of any holiday program. Also, this could be an appropriate part of your warm-up routine. Recorded by the Fennell Symphonic Winds on the Christmas CD, You've Been Verrry Good, ELF 30991018.Concert Band