0BB33DA4-7A1A-4AEF-BC2E-87588B148868

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ID0BB33DA4-7A1A-4AEF-BC2E-87588B148868
TitlecodeR01010
Title NameThe Dervish and the Magus for Cello and Orchestra
Marketing CopyThe Dervish And The Magus was written in 1994 and revised in 2012. The revised version of the work is written for and dedicated to Mr. Kian Soltani. The cello concerto is composed in form of music for an imaginary ballet in seven scenes consisting of three characters: 1. The Dervish, a holy and pure character represented by the cello throughout, 2. The Magus (the sorcerer), a scheming and evil character whose entrances are marked by harsh and dissonant harmonies from the orchestra, and 3. The Folk, a rather naive character represented by a folk song throughout. The concerto consists of interactions between these three characters, symbolizing the struggle between the good and the evil.
InstrumentationCello Solo: 2(1d Picc, 1d AFl).1(d EH).2(2d Eb Clar, 1d BCl).1(d Cbsn): 1.1.2.1: Timp.Perc(2).Pno(d Clst).Harp(d low chimes): Str
Commission(not set)
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Program NotesThe Dervish And The Magus was written in 1994 and revised in 2012. The revised version of the work is written for and dedicated to Mr. Kian Soltani.

The cello concerto is composed in form of music for an imaginary ballet in seven scenes consisting of the following three characters:

1- The Dervish: a holy and pure character represented by the cello throughout the concerto.

2- The Magus (the sorcerer): a scheming and evil character, the entrances of which are
marked by harsh and dissonant harmonies in the orchestra.

3- The Folk: a rather naive character represented by a folk song throughout the composition.

The concerto consists of interaction between these three characters especially between the Dervish and the Magus, symbolizing the struggle between the good and the evil.

The seven scenes of this imaginary ballet are as the following:

- Scene 1: The Dervish and the Folk. The piece starts with a folk song. The solo cello represents the Dervish.

- Scene 2: The Appearance of the Magus. The harmonies become harsh representing the entrance of the Magus.

- Scene 3: The Dervish and the Magus. The themes of the Dervish and the Magus are in polyphonic interactions with each other.

- Scene 4: The Dervish and the Folk, later the Magus. The scene starts with a simple folk song, which is elaborated by the solo cello. The harsh and atonal music again announces the entrance of the Magus.

- Scene 5: The Magus overcomes the Dervish. The evil Magus is able to temporarily defeat the Dervish.

- Scene 6: Reminiscence and Transfiguration, solo cello cadenza. The solo cello cadenza recapitulates all of the themes of the concerto. Gradually the theme of the Dervish expands and the theme of the Magus contacts representing the victory of the Dervish over the Magus.

- Scene 7: The Dervish overcomes the Magus. The Dervish defeats the Magus and becomes the leader of the folk. In the final scene, the orchestra imitates the cello’s musical phrases leading to a triumphant coda.
Title Brand2
Year Composed1994
Copyright Number(not set)
Copyright Year(not set)
Duration26
Ensemble Size(not set)
Date Created2010-03-22 20:31:12.000000
Date Updated2025-09-30 20:31:12
Inhouse Note(not set)
Bsc Code(not set)
Text Author(not set)
Premier Performance Memo-Duquesne University/ David Stock. 4 Feb 01
Recording Credits(not set)
Review(not set)
Awards(not set)
Title Category7
Title MovementsScene 1: The Dervish and the Folk
Scene 2: The Appearance of the Magus
Scene 3: The Dervish and the Magus
Scene 4: The Dervish and the Folk, later the Magus
Scene 5: The Magus overcomes the Dervish
Scene 6: Reminiscence and Transfiguration
Scene 7. The Dervish overcomes the Magus
Title Grade(not set)
Set Series ID(not set)
Title Instrument Category TextFull Orchestra
Title Sub Category Text(not set)
Title Sub Category93
Title Instrument Header41
Title Grade Text(not set)
Clean Urlthe-dervish-and-the-magus-for-cello-and-orchestra-r01010