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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15421E2A033D1-6831-4E15-A47E-6C7D9A5DBFBAA197102Concerto for Piano No. 3 in E-flat, Op. 29Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 1869, by Saint-Saëns himself at the Leipzig Gewandhaus, the work was not particularly well received at the time. Today, while not as popular as Saint-Saëns' second, fourth, or fifth concertos, the third, with its balance between delicate lyricism and virtuosity, remains an important addition to the piano concerto repertoire. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.2.2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano
15422E2A5AEC7-4E31-4F89-B976-97C1DA1F216FS354Radio Pioneer (out-of-print)Marching Band
15423E2A7B222-7E99-45F9-9197-5BEF368F69CFM390391Anthology of Spanish Organ Music Bk 5This ANTHOLOGY OF SPANISH ORGANISTS OF THE SEVENTEENTH CENTURY comes in eight volumes, and is transcribed and edited by Higinio Angles.Organ
15424e2ad7a8e-9e39-11f0-a418-0022482c9682A424702Concerto for Piano No. 2 in G, Op. 44Originally written in 1879-1880, Peter Ilyitch Tchaikovsky (1840-1893) dedicated his CONCERTO FOR PIANO No. 2 in G major, Op. 44 to pianist Nikolai Rubinstein. Rubinstein insisted on performing as the soloist on the first performance. However, he passed away a few months prior to the scheduled premiere on November 12, 1881. The premiere was instead performed by Madeline Schiller with Theodore Thomas conducting the New York Philharmonic. This concerto is unique in the fact that the second movement is for solo piano trio and orchestra. A student of Tchaikovsky's, Alexander Siloti, suggested several edits to the original concerto, though Tchaikovsky resisted most ideas. Over time Tchaikovsky agreed to some changes, and Siloti published this revised and shortened edition in 1897. The Siloti version was the standard version for many years. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Vn.Vc.Pno in set.2.2.2.2: 4.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Vn.Vc.Pno in set
15425E2B5B54B-0F4C-420E-8860-2DA3AFFCE0FE10604346Samba for Mallets(not set)Percussion and Electric Bass
15426E2B71805-0E77-46E6-8BBC-2059776C2EE810200027Dramatic Overture(not set)Full Orchestra
15427E2BC189E-7921-4FE8-AE46-A9EB429B2B0BA356702Elijah (Elias), Op. 70: Part I, Chorus: Thanks be to God!ELIJAH, OP. 70, is an oratorio by Felix Mendelssohn (1809-1847) that depicts events in the life of the Prophet Elijah as told in the Old Testament. The work premiered on August 26 1846 at the City Hall Triennial Music Festival in Birmingham, with Mendelssohn conducting. The work was immediately met with praise. Composed in the spirit of Bach and Handel, both of whose music Mendelssohn greatly admired, the libretto was written in both English and German, with the musical phrasing adjusted to suit the language performed. While Mendelssohn preferred eight soloists to depict the various characters, the oratorio is not uncommonly performed with four soloists depicting more than one role. The chorus (usually SATB, but does split up to eight parts) functions as the people ("Das Volk"), but also comments, like the choir in Greek drama. The work is structured in two parts, each with its own climax. The Part I chorus "Thanks be to God!" is a paean to the Hebrew God for bringing rain to the thirsty land. Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Org: Str (4.4.3.3.3 in set): Mx Chor.2.2.2.2: 4.2.3.1: Timp: Org: Str (4.4.3.3.3 in set): Mx Chor
15428E2C42534-9262-4867-BF50-E41872050158RCSS222Sonata No. 1 in E MinorFlute, Piano
15429E2C72271-E843-401B-93AC-101B3022B98EW74819125 Irish Songs, WoO 152George Thompson, a collector of folk tunes, commissioned Ludwig van Beethoven (1770-1827) to arrange a selection of the songs he had gathered. In 1814, they were first published in a volume titled "A Select Collection of Original Irish Airs." Reprint edition.One or Two Vocalists and Piano Trio
15430E2CB5F9C-95DE-4975-A01E-CDF67941422420712106Sea Chanteys(not set)Violin 1, 2 and 3 (opt. Viola)
15431E2D16779-AACA-49C7-B746-06B8D2507C16SC765Searching for a Hero(not set)TB
15432E2D2DF24-E447-43CA-A22C-3A5962BEFD43S614CBGalaxy March(not set)Concert Band
15433e2d6f2ec-9e39-11f0-a418-0022482c9682A425102My Homeland, Overture, Op. 62/B. 125a (Mein Heim)Composed by Antonín Dvorák (1841-1904) in the winter of 1881 and 1882, MEIN HEIM (MY HOMELAND), Op. 62/B. 125a originally belonged to a set of nine numbers intended to accompany Frantisek Samberk’s play "Josef Kajetán Tyl." Commissioned by the Czech Provisional Theatre in Prague, it reflected the nationalism of the stage work with the appearance of the songs "In our courtyard yonder" and Frantisek Skroup’s "Where is my home?," which later became the Czech national anthem. It premiered on February 3, 1882 under the direction of Adolf Cech. The overture is most commonly performed alone in concert hall programs. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set).2.2.2.2: 4.2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set)
15434E2D7372C-2B71-443E-8EFF-60F866F0502CSC574Morning Prayer(not set)Ssa
15435E2D7614C-15F7-428F-B10F-AC124C64B7D1S410021Birthday Greeting
15436E2D9316A-8E5A-47FC-B0B5-B4CCC5D2C6DCSC389My Love Gave MeUIL Sightreading for Class CCC Middle School. Includes piano accompaniment for rehearsal only. A version for SSA voicing is also available from the publisher.Sa
15437E2DED5D9-CF98-48B7-8388-574DF1940985X672701Persian Suite No. 2 for Flute, Piano, and String QuintetPersian Suite No. 2 consists of five songs, some of which are authentic Persian folk melodies and others are written in the style of a folk song (imaginary folk song). All songs are interconnected through thematic relationships.Solo Flute, Piano and String Quintet
15438E2E41A49-120A-4F99-9301-1AE799EAC85EM321891Sonata in C# minor(not set)Solo Piano
15439E2F04790-5E42-46CA-AA24-4053E2C0F8EFR01511Concerto No. 2 for Piano and OrchestraCelebrated Ukranian composer Igor Shcherbakov's second piano concerto is written in memory of Dmitry Shostakovich, incorporating themes from the Symphony No. 15. The work was recorded by pianist Jozsef Hermine with the Ukrainian Radio Symphony Orchestra, conducted by Vladimir Sheiko.Piano Solo: 2.2.2.2: 4.3 Bb Tpt.3.1: Timp.Perc(2).Hp: Str
15440E2F84A28-FC89-4482-83CA-9D142AD881B1SC476The Silver SwanSsa