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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15481E376EFDB-2EC0-41A5-9ACF-92468875C9CAP4SwingingPiano
15482E3807728-18BA-4301-A9FC-1C5DA3A35F38X110018East Wind(not set)Piccolo Solo
15483E3822EEB-BFDC-4891-A4BE-F15E7A1E5287S543CBCantica Sacra"Cantica Sacra" is a fantasia for band based on a modal melody composed in the style of plainchant. The work begins with a slow, lyrical melody and undergoes several variations of tempo and style before arriving at its grandiose conclusion.Concert Band
15484E38A43E2-D9EB-45E2-85F4-A33A30DEC66BB194Ten Oscar Fox SongsVocal
15485E3945493-BFF9-454D-A629-316C5E57C256S151012O Lo Velo!
15486E394E77D-C3C7-4639-BDEC-13E04A65B788CDBAR3James Barnes Vol. 3 Repertoire for Young Band(not set)Cd
15487E39602E6-3886-4183-903A-8EE9DB0C4EC010606256Percussive PanoramaEveryone is a featured soloist in this Latin-styled septet for advancing percussionists!Multipe Percussion Septet
15488E3962755-E36F-4878-A9B5-CA5266D598F0MR00492NOP - The Terrain of the Kings
15489E39A905E-FC76-4571-91D5-9207BEA2357710446234Andante CantabileThis "Andante Cantabile" (from SINFONIA CONCERTANTE in E-flat for Two Violins and Orchestra) by J.S. Bach's youngest son, Johann Christian, has been arranged by Henri Marteau. A work in a slow tempo with several slurred 16th-note passages, it is a must-have for any intermediate player's recital or contest collection. Versions for flute, oboe, clarinet, and saxophone with piano accompaniment are available from the publisher. A version for mallet instrument and piano, arranged by Scott R. Meister, is also available.Clarinet and Piano
15490E39F7FAB-FE7B-48E0-8B0D-1E4D5F3C259CSC656TreasuresSab
15491E3A11963-97CB-4BAD-A43B-93E115D5C533SU178English Madrigal Suite 1Amy Dunker has taken several English madrigals and arranged them here for three trumpets in two separate suites. Suites I and II of the English Madrigals, and a collection of Italian madrigals, are all available from the publisher. Movements: I. Tan Ta Ra Ran Tan Tant, II. Gush Forth My Tears, III. Away, Thou Shalt Not Love MeTrumpet Trio
15492E3A260BE-F44B-47F8-B99B-1B68D4A21D2BR00314Radical Light: from Poem Symphonies Set I (band)Inspired by the poetry of A.R. Ammons2+Picc.2.2+BCl.2.ASax: 4.3.3.1: Perc(2).Pno
15493E3A52206-BF29-43B7-A20D-50FFAC4FC750X512006Three Pieces for Two ViolinsThree Pieces juxtaposes various aesthetics in each of its movements, from so called "mystic minimalism" to lyrical contemplation.Violin Duo
15494E3A89C85-BAE5-4194-A737-0AAA60E60929M222991Sanlucar De Barrameda(not set)Piano Solo
15495E3AD83C2-714B-4F95-B6E0-64A8DD0C72B660783002La Muse et le Poete, Op. 132The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse or the poet. Saint-Saëns himself referred to the piece as "a conversation between the two instruments instead of a debate between two virtuosos."Violin, Violoncello and Piano
15496E3B2CCD3-E8A1-4C6A-9402-AA69CB5AF734SU844Four Latin American Pieces for Flute and GuitarThis collection contains four original works in different Latin American styles. Two Hears is written in the slow and sultry fashion of the Afro-Peruvian lando. Brazilian Rondo is a Brazilian samba with some technical passages that are very accessible and pleasing to the audience. Querda Mia is a romantic bolero commissioned as a wedding anniversary gift. One Night in Spain is written in the balada style of Spanish folk music.Flute, Guitar
15497E3B37B18-BE78-4846-8EC8-851342842C91SS317CONCERTO (OUT-OF-PRINT
15498E3B91407-C79F-4268-84E1-040C792251E6SS866Sonata for Tenor SaxophoneThis beautiful four-movement sonata is part of the Contemporary Saxophone Series, edited by Cecil Leeson. The piece as a whole, or individual movements, is a wonderful recital or contest selection for the advancing tenor saxophonist.Tenor Sax, Piano
15499E3BCCC7A-38A7-4302-824B-4D5B95870372S724CBRhapsodic Essay; Gathering Of EaglesCommissioned to aid in the celebration of the 50th Anniversary of the United States Air Force (1947-1997) by the ACC-Heritage of American Band, Langley Air Force Base, VA., Captain Larry Lang, conductor.Concert Band
15500E3C47436-A438-48A7-9025-B42D7FB9E5B6A204402Concerto for Violin in D minor, Op. 47The most frequently recorded and performed among the violin concertos written in the 20th century, Jean Sibelius (1865-1957) began planning for the work in 1899. Delayed by a move to Helsinki and the composer's increasing addiction to alcohol, Sibelius began work earnestly in 1903 and into 1904, with an intention to dedicate the work to an acquaintance, Willy Burmester, who was to premiere the work. Financial considerations resulted in the premiere being rushed, with a less well-known local violinist named Victor Nová?ek asked to learn a very difficult violin concerto in very little time, to perform with the Helsinki Philharmonic on February 8, 1904 under the composer's baton. The failure that followed compelled Sibelius to withdraw the work as written. He revised the work in 1905, making cuts and changes to the harmony and orchestration. The revised version was premiered on October 19, 1905, with soloist Karel Halí? performing with the Berlin Court Orchestra, Richard Strauss conducting. The work would fully enter the repertoire following the first recording made by the great Jascha Heifetz in 1935. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin