Titles
Showing 15,441-15,460 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15441 | E2F88A4B-C65B-4F5F-811F-56D6944E3477 | MR00467 | Concerto for Horn and Orchestra | |||
| 15442 | E2F9F047-C886-4811-93E9-36C3F13B7525 | 10452219 | Three Swingsters | Light...bouncy...entertaining...for 3 altos or 2 altos and tenor. | Saxophone Trio and Piano | |
| 15443 | E2FB5A5B-6E28-419E-AA0F-14E225FA8772 | O47JB | The Ten Minute Jazz Improv Vol. 5 | Volume 5 of the Ten Minute Jazz Improv addresses the "One-Six-Two-Five-One progression. Includes bonus chart "Boppin' the Riff". Lesson score. | Jazz Band Method | |
| 15444 | E2FD1AFF-C38C-4338-AE82-8B4EEA520D0F | A792102 | Schelomo | (not set) | 3d1, 2+1, 2+1, 2+1 - 4, 3, 3, 1, timp, perc, 2hp, cel, str, solo cello | |
| 15445 | E3036E6D-5E41-4B1D-8EAD-E08DCFBC5AB9 | SC598 | Soon O'er the Mountain | (not set) | Ssa | |
| 15446 | E3068861-0E33-4422-8101-89C1719D3BEB | A743002 | Santa Claus Overture (A Lyrical Intermezzo) | Harry Rowe Shelley (1858-1947), American composer, organist, and professor of music saw his Santa Clause Overture (A Lyrical Intermezzo) published in 1900. A musical presentation of St. Nicholas at a time when the persona was still evolving, this eight-minute orchestral work offers a different feel from other holiday fare. Instrumentation: 2.2.2.2: 4.2.3.1: Timp.Perc(3-5): Str (9-8-7-6-5 in set). | 2.2.2.2: 4.2.3.1: Timp.Perc(3-5): Str (9-8-7-6-5 in set) | |
| 15447 | E3096E8D-C487-4990-9559-0EB84E1CB75A | M261191 | Hungarian Dances for Violin and Piano, Nos. 11-21 (WoO 1) | Johannes Brahms’ Hungarian Dances (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms' most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands and later arranged the first ten dances for solo piano. This reprint edition includes numbers 11-21 arranged for violin and piano by renowned 19th Century violinist, Joseph Joachim. Book 1 containing dance nos. Nos. 1-10 are also available from the publisher. | Violin and Piano | |
| 15448 | E30A9B48-1DD2-4775-B09A-D1E270D414F4 | 52793002 | POP see 52793012 1, 2, 3, Play! - Violin Part with CD | This collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument. | Violin Trio and Piano, Flexible Instrumentation | |
| 15449 | E310F06D-0370-41CA-835A-52CF5D027170 | A107802 | Rakastava (The Lover), Op 14 | Jean Sibelius (1865-1957) wrote a song cycle in 1894 for men's chorus a capella called Rakastava (The Lover), based on a Finnish text from a collection of folk poems called the Kanteletar. He composed the work for entry in a local competition where he took second prize, losing to his former teacher. The work is better known, however, in the form of the transcription he completed between 1911-1912 for string orchestra, timpani, and triangle, to which he assigned the opus number 14. While the original song cycle is structured with four movements, the transcription for string orchestra includes only three. Movements: 1. Der Liebende (The Lover), 2. Rakastetun tie (The Path of the lover), 3. Hyvää iltaa ... Jää hyvästi (Good Evening... Farewell). Instrumentation: Timp.Tri: Str (8-8-5-5-5 in set). | Timp.Tri: Str (8-8-5-5-5 in set) | |
| 15450 | E3165F4E-4030-4B1B-8CF1-3D9E15D07F08 | LV159CB | Space Encounters | (not set) | Concert Band | |
| 15451 | E317D848-F413-4DEB-886A-DB2D84AE1E62 | 20456002 | Vignettes for Saxophones | Three short separate pieces are included, each evoking a scene in nature. First, "A Scenic Vista" which is lyrical with moving harmonies and some interesting dissonances. Next we picture "A Woodland Stream" with running 8th not passages in imitative form, and finally "A Rugged Mountain" provides a dramatic ending in the staccato-marcato style. It is scored for three alto saxophones with an optional tenor part for third alto. This same trio is also available for flutes. OMEA Class: C. | Sax Trio | |
| 15452 | E318E964-52D3-46D4-9826-CF7E7435F278 | S001001 | Symphonic Dances, Op. 45 | Symphonic Dances, Op. 45, is Sergei Rachmaninoff's (1873-1943) final score, composed in 1940. The only work he composed wholly in the United States, to which he fled when he saw the coming world war, it premiered on January 3rd, 1941, by the Philadelphia Orchestra under the baton of Eugene Ormandy, to whom it was dedicated. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc: Hp.Pno: Str: FULL SCORE and STUDY SCORE ONLY are available. Study Score. | 2+Picc.2+EH.2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc: Hp.Pno: Str: FULL SCORE and STUDY SCORE ONLY are available | |
| 15453 | E319CCF9-BCD7-46AF-8B9C-34721D5E803A | SU460 | Portico | A percussion orchestra for 10 percussionists: seven on tuned instruments and 3 on untuned instruments. | Percussion Orchestra | |
| 15454 | E31A90AB-B2F7-4231-B765-F45E912808D5 | A343402 | Rapsodie Espagnole, M. 54 | Maurice Ravel (1875-1937) completed his first published work for orchestra, RAPSODIE ESPAGNOLE, between 1907 and 1908, dedicating the work to the Belgian violinist Charles de Bériot. The Orchestre des Concerts Colonne gave the first performance on March 3, 1908 at Châtelet Théatre in Paris, Édouard Colonne conducting. It seemed to evoke an authentic Spanish flavor, drawing the enthusiastic praise of composer Manuel de Falla. The piece, performed without break, begins with a nocturnal prelude (Prélude à la nuit). The three following sections, the Malagueña, Habanera, and Feria, depict a gaudy selection of folk dances and festivals. Instrumentation: 2+2Picc.2+EH.2+BCl.3: Sarrusophone: 4.3.3.1: Timp:Perc(7-8): 2Hp: Cel: Str (9.8.7.6.5 in set). | 2+2Picc.2+EH.2+BCl.3: Sarrusophone: 4.3.3.1: Timp:Perc(7-8): 2Hp: Cel: Str (9.8.7.6.5 in set) | |
| 15455 | E31B71E0-A335-44BF-B4E2-1276111F054D | MP814012 | Briefly It Enters | |||
| 15456 | E31D8A6E-D181-42F7-AA3C-EB907CDCB62E | X410006 | Five Pieces | Piano Solo | ||
| 15457 | E3228141-ABD6-48B9-9DB9-781E9D3065A8 | 50703004 | Jewish Wedding Music | Enhance your next performance or wedding gig, Jewish or not, with this collection that takes you from the altar to the last dance. Contents include: Bobover Wedding March (Traditional); Freylekhs fun der Khupe (Dances from the Wedding Canopy) ("Kandel's O | Violin 1, 2, Viola and Violoncelllo | |
| 15458 | E32E7347-A52A-4E6A-B4AF-A15EB6BA71A7 | A831702 | Poeme de l'Amour et de la Mer, Op. 19 (medium voice; F) | Ernest Chausson (1855-1899) began to work on his POÈME DE L'AMOUR ET DE LA MER (POEM OF LOVE AND THE SEA), OP. 19, in 1882. The composer chose two poems written by his friend Maurice Bouchor as source material, weaving dark Tristan-esque imagery of a windswept sea with flower symbolism expressing the memory of love and unassuaged desire. He completed a revised version in 1893, after which it finally found its first audience on February 21 in Brussels, the composer playing the score from the piano, Désiré Demest as the soloist. On April 8, 1893, the Société Nationale de Musique premiered the full orchestra version with Éléonore Blanc performing the vocal part. Versions for high voice in G (original key) and medium voice in F (transposed) are available from the publisher. Movements: I. La Fleur des eaux; Ia. Interlude; II. La Mort de l'amour. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Hp: Str (9.8.7.6.5 in set): Solo Medium Voice. | 2.2.2.2: 2.2.3.0: Timp: Hp: Str (9.8.7.6.5 in set): Solo Medium Voice. | |
| 15459 | E33153F3-AB1E-4880-814A-0AC90560BF26 | M370291 | Souvenir D'ismaila | (not set) | Solo Piano | |
| 15460 | E331BC90-3F57-4054-B18E-725AF55A9DCA | B106302 | Vienna Forever March | (not set) | Concert Band |