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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11201A33DFA3E-E390-4CA0-98CB-122E0EF42714BSMIS108Folksong for Trumpet and PianoThe Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. Bruce Broughton's beautiful FOLKSONG created versions for trumpet, trombone/euphonium, and bassoon, all with piano accompaniment and available from the publisher. The version for trumpet and piano was recorded as "Countryside" (original title) by Philip Smith (to whom the work was dedicated) with pianist Joseph Turrin on The Salvation Army Triumphonic Recordings TRLPS-22.Trumpet, Piano
11202A33E9C09-888C-476A-925E-8B37F172B371A877802Chanson Triste [composer's transcription, E-flat]French composer Henri Duparc (1848-1933) is known largely for the thirteen songs included in this collection, eight for which he wrote orchestral accompaniment. Chanson Triste (Op. 2/4) was originally one of a collection of five mélodies written by Duparc, though three were later destroyed for not meeting the composer's standards. (The other surviving song from that collection was Soupir.) With a poem by Dr. Henri Cazalis (under the pseudonym Jean Lahor), Duparc creates a song full of melancholy, suitable to the text. The song was set with orchestral accompaniment by the composer in 1912. The original version for high voice in E-flat and a version in C for medium voice, (transposed by Pierre de Bréville) are both available from the publisher. Instrumentation: 2.0.0.0:4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo High Voice. The song with the original piano accompaniment can be found in the LudwigMasters publication Complete Songs (M133091).2.0.0.0: 4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo High Voice
11203A344C5CF-1C63-4B57-8DF2-C66AFDE634E2S334Ithaca March (out-of-print)Marching Band
11204A351CAD2-CFE9-4735-A94F-615E5881FDA5R01186Symphony of Grace(not set)2.2.2.2: 3.2.1.0: Timpani.Percussion(2 or 3).Piano. Strings
11205A355DC72-5F82-4C31-8796-CEE4F5279FCFSO134CLudwig and Claude's MoonbeamThis easy and fun-to-play string orchestra arrangement combines two lunar-themed masterpieces--Beethoven's Moonlight Sonata and Debussy's Clair de lune.String Orchestra
11206A35F520E-CAD6-49D8-BFAB-A6EBF363015150100072NORAD DefendersIf you're looking for a march that's just a little different, here it is! A concert march disguised as a field march, it shows clever use of silence and a quirky use of harmonic progression that is quite out of the ordinary.Concert Band
11207A3650605-81FC-4AD2-A5AA-5D41C26F04EAM383691Pieces dans Differents Styles, Op. 19, Bk. 5(not set)Organ
11208A36723B4-2D9E-4C52-91F3-2C987C63D4CC50766001Canto XVIII for Accordion(not set)Accordion
11209A3690199-EA18-4E98-8576-7CC963E05917A826902St. Paul's Suite for String Orchestra, Op. 29/2; H118Gustav Holst served as the Director of Music at St. Paul’s Girls’ School in Hammersmith, London between 1905 and 1934. Originally titled Suite in C, Holst’s St. Paul’s Suite was one of many pieces the composer wrote for his students. A beautiful and powerful symphonic treatment of English folk tunes, St. Paul’s Suite consists of four movements: an energetic Jig, Ostinato, based upon a simple theme, Intermezzo, a rhythmic dance and the Finale, wherein Holst masterfully weaves together the 16th century English dance tune, The Dargason, with the traditional melody, Greensleeves. Although the piece was completed in 1913, it was not published until 1922, due to revisions. Study score.String Orchestra (8.8.5.5.5)
11210A36EFF19-49F2-4E51-A2D2-7FF345197885X624505Not One Sparrow for Flute and Vibraphone(not set)Flute, Vibraphone
11211A3729251-4C66-4C22-9DEF-BF1FFF2C5E6EM296891Valse Canariote(not set)Solo Piano
11212A37E65BC-5AAB-4369-80AF-BC169B5CE760M985690Lohengrin: Act 3 PreludeGlinka is regarded as the founder of the nationalist movement in Russian music, and this overture is easily his most famous work. With its exuberant rhythms and strong harmonies, this has become a standard in the repertoire and Clark McAlister's arrangemFull Orchestra
11213A3854662-61FD-4B2C-AEAB-2761B70D63B950344008Duets For Christmas, ClarinetDuets for Christmas is a collection of 26 holiday favorites, tastefully arranged in traditional style and playable by performers with intermeidate ability. The duets can enhance any music program, ceremony, or family get-together devoted to the celebration of Christmas, or they can be played simply for the pleasure of playing duets with a friend.Bb Clarinet
11214A387969D-F235-4434-82BA-7C8EA94AE574A805602Lohengrin, WWV 75: Act II, Sc, 4: Solemn Procession to the Cathedral (Feierlicher Zug zum Muenster) (arr. for orchestra)Finished in 1848 and premiered in 1950 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princess in Brabant, is rescued and wedded by a knight in shining armor who insists on remaining nameless. While everyone is familiar with the famous wedding march from the opera (commonly referred to today as "Here Comes the Bride"), "Elsa's Procession to the Cathedral" or "Solemn Procession to the Cathedral" is the actual wedding march, with Elsa and a long train of ladies proceeding slowly and ascending the steps of the cathedral, musically expressing Elsa's innocent yearning and growing expectation. This concert version for full orchestra has been arranged by Tom Kennedy. Instrumentation: 3.2+EH.2+BCl.3: 4.3.3.1: Timp: Str (9-8-7-6-5 in set).3.2+EH.2+BCl.3: 4.3.3.1: Timp: Str (9-8-7-6-5 in set)
11215A38EC1BA-7925-4B4E-BBF9-370544956C30A929090Hill Song No. 1 (1921 version)Hill Song No. 1 is one of the most audacious and forward-looking of all the works by Percy Grainger. Begun in March 1901 while he was still a student at the Höch Conservatoire in Frankfurt, it is one of Grainger's earliest surviving compositions, though Grainger recalled it was a distillation of a number of techniques he tried out experimentally in the late 1890s; "wide-tone scales," "irregular rhythms," "democratic polyphony," and "semi-discordant triads" among them. A passage toward the end that bears a misty resemblance to impressionist harmony was inspired, as Grainger admits, by seeing part of the score of Debussy's Pelleas et Mélisande in 1902. The first version of Hill Song No. 1 was completed in London in September 1902. The most radical thing about Hill Song No. 1 was its scoring, and indeed, this is what kept it out of the ears of the public for decades. It is scored for 24 winds -- two piccolos, six oboes, six English horns, six bassoons, and contra-bassoon. Due to his relative inexperience as a composer and German training -- after all, he was only 19 years old when he wrote the work -- Grainger spelled out compound rhythms in archaic ways, such as identifying a bar of 5/8 as "two and a half over four." Such rhythmic divisions are scattered throughout all of the 24 parts, with some differing divisions laid on top of one another; the best wind players in the world in 1902 could not read or play the Hill Song No. 1, which is what Grainger realized once he tried to mount a performance of the work. In 1907, he created the short, pithy Hill Song No. 2, which places some of the elements of the earlier piece in a more conventional context and is less than a third as long as the original. In 1921, he completely rebarred and rescored the Hill Song No. 1 for an ensemble of piccolo, flute, six double reeds, two saxophones, three brass, harmonium, percussion, piano, and six string parts. The added instruments were designed to address Grainger's concern about wheeziness of the high number of double reeds in the original version; he also created a version for two pianos at the same time. -Uncle Dave Lewis, AllMusic.com (excerpt) Instrumentation: 1+Picc.1+EH.0.1+CBsn: Sopranino sarrusophone in Eb(alt Ob2).Tenor sarrusophone in Bb(alt heckelphone, Tsax or Bcl): Ssax.Asax: 1.1.0.0.Euph: Perc(1).Harmonium.Pno: Str(1.1.2.2.1).1+Picc.1+EH.0.1+CBsn: Sopranino sarrusophone in Eb(alt Ob2).Tenor sarrusophone in Bb(alt heckelphone, Tsax or Bcl): Ssax.Asax: 1.1.0.0.Euph: Perc(1).Harmonium.Pno: Str(1.1.2.2.1)
11216A3A5A7DA-B189-4D85-B20C-C88C41FD2C7CSS103Chinese Laundry Man(not set)3P
11217A3A7D55B-8BF2-44E5-AAA2-B87B156ECDD6SS697Largo And Allegro (out-of-print)Clarinet Choir
11218A3AC0C03-FD1D-4020-8146-BB7D4FCF5CD5W724291Goyescas(not set)Piano Solo
11219A3AC4805-06A8-4F1D-A379-7BC185408EE3A913802Opritchnik Dances(not set)2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str
11220A3AE2DFE-4061-44B1-ACA7-C78434152634LV146CBMarches for Moppets(not set)Concert Band