Titles
Showing 11,121-11,140 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11121 | A1F941D4-AA17-40EC-858B-789C15721E48 | ST517 | Minuet and Allegro Di Molto | This minuet and allegro can be performed three standard Bb clarinets or any combination of clarinets in the same key. | Clarinet Trio | |
| 11122 | A1FABE7F-ED5B-4461-9A54-DB305696C9D3 | M194791 | Sea Idyl, A in E Major, H. 54a | (not set) | Piano Solo | |
| 11123 | A1FB7FA5-E1C9-429E-B469-6DFD51365565 | X530030 | All the Pretty Little Horses | Commissioned by the Music Institute of Chicago for an Entire Evening of works by Laura Schwendinger. | Solo Cello | |
| 11124 | A201962F-9D32-4AE8-8AA2-CA99509E386B | SC42 | Three Western Songs | Ttbb | ||
| 11125 | A209EA6E-5CC1-4C2F-BD03-9EE6532D9045 | SU353 | The Friend | (not set) | Tenor Sax | |
| 11126 | A20FB614-97B3-4176-BA59-AA4765D2122E | 50548002 | Canzon seconda a quattro | A sonorous arrangement such as this makes an excellent selection for any type of program. Conservative ranges help make it accessible for festival and contest performances. It is mature music so professionals with little time to prepare will find this an efficient performing edition. | Euph/ Tuba 4tet | |
| 11127 | A2164EA0-F531-47D3-BA00-02CE8A47314B | MP814041 | Night | |||
| 11128 | A2168BBC-1A0C-445C-B90F-E83475F84730 | A105602 | Three Divertimenti, K. 136-138/125a-c (Salzburg Symphony Nos. 1-3) | In 1772, a 16 year old Wolfgang Amadeus Mozart (1756-1791) wrote 7 of his 41 symphonies. Having just returned from a trip to Italy with his father where he had been commissioned to write a serenata for the wedding of Archduke Ferdinand and Beatrice D’Este, his return home resulted in a year of composing. In addition to the symphonies, Mozart wrote three divertimenti, a largely minor work for most other composers, but which Mozart elevated to the complexity found in the fairly new symphonic form. The three divertimenti from 1772, K136 - K138, are often called his “Salzburg Symphonies.” They may be performed as either a string orchestra or as a string quartet. Study score. | String Orchestra (4-4-3-3-3 in set) or String Quartet | |
| 11129 | A2186300-16A5-4B25-81DA-5A7428B4BC0E | MP504010 | String Quartet No. 3 | |||
| 11130 | A21B1FD6-404B-4890-8005-20B96A4CDCB8 | A907802 | Swan Lake, Op. 20; No. 2: Valse | (not set) | 2+1, 2, 2, 2 - 4, 3, 3, 1, timp, perc, str | |
| 11131 | A21D38CF-692F-4FB3-8D62-57B1D4368849 | A774290 | Sinfonia No. 2: String Symphony in D | This is the second among thirteen string symphonies written between 1821 and 1823, when Mendelssohn was twelve to fourteen years old. Like the other twelve, it was written as a tribute to early Classical symphonies by composers such as Haydn, J.C. Bach, C.P.E. Bach, and Mozart, a feature much more obvious in the first six as they were more imitative. The second grouping, starting with Sinfonia No. 7, show more of the composer's emerging personal style. Mendelssohn composed most of the thirteen works in three movements, and his second string symphony is no exception. String count of 8-8-5-5-5 in set. | String Orchestra (8-8-5-5-5 in set) | |
| 11132 | A2223D00-0E4D-43A2-93F4-AB6A196C08FC | B280 | Instant Mix Marching Formations | Text | ||
| 11133 | A225C5D3-6408-4DBB-9444-8E0CEFF63232 | 10200106 | St. Andrew Bay | |||
| 11134 | A225EE4C-3AA1-44BE-AA2D-664017CBDE72 | 52785215 | The Cafe Suite for Piano Quintet | (not set) | Piano Quintet | |
| 11135 | A22622F2-208A-41A3-9408-F9339594B43F | SC120 | Harp That Once Through Tara's Halls, The | Satb | ||
| 11136 | A2277D8F-F020-4AF6-B247-6E605ED400E9 | SU40 | Scenes from Mexico | This marimba solo suggests the ambiance and feeling of five different types of cultural locations in Mexico: The Village, The Church, The Cantina, The Playground, and The Fiesta. | Marimba | |
| 11137 | A2291944-BF9C-4EFD-BF2F-4C98DA0A7161 | R01299 | The E & O Line: An Electronic Blues Opera | A reinterpretation of the Orpheus and Eurydice legend told from Eurydice's point of view. | Mezzo-Soprano, Tenor, 3 Baritones, Female Trio, Voice Sextet Piano/Synthesizer.Alto Saxophone, Tenor Saxophone.Electric Guitar.Electric Bass.Trumpet, Horn, Tuba, Percussion, Tape | |
| 11138 | A2297763-16D4-409E-8D76-0B2469B5D480 | SU112 | Three Latin Moods | (not set) | Alto Sax | |
| 11139 | A229A443-96CD-4AC9-9C80-E44A1232BE67 | S512CB | Chorale and Variations | (not set) | Concert Band | |
| 11140 | A22F7D01-9349-4289-A341-82DED80151CB | 52250244 | Petite Suite | This suite in four movements is a beautiful transcription for strings. Atwell's scoring is impeccable, wide ranges and difficult rhythms make this piece worth the effort with an advanced orchestra. | String Orchestra |