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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11061A1198962-0873-469D-9914-38F50EE102A4RCSS436Offertoire: only in 24 Short Concert PiecesFlute, Piano
11062A11A006E-BBA5-43C3-A8B0-2C60821CAFD3S868Jubilation OvertureCommissioned by David and Gunda Hiebert for the 150th Anniversary Celebration of the Founding of the City of Lawrence, Kansas.Concert Band
11063A11CF92C-19E1-4212-AF86-52EBA6980F0210430190Amour Viens Aider for Bassoon and PianoAmour Viens Aider ("Love, Thy Help") is one of the most performed arias in the operatic repertoire. It appears at the opening of the second act of the opera Samson and Delila, in a scene where Delila pleads to an ancient love deity to help her seduce and defeat the Hebrew warrior Samson. This arrangement by Paul Whear effectively translates the haunting aria to the solo brasswind medium, allowing instrumentalists to play and enjoy a fine Romantic miniature.Bassoon and Piano
11064A1216D2B-F641-4A77-8F13-2FFBE3E637DB10443568GesturesAppeldorn, Mary Jane van. Published by Ludwig Music, Cleveland, OH. Copyright 2001. Commissioned in 1999 by the US Naval Academy Clarinet Quartet for their performance at the Texas Bandmasters Association Convention.Clarinet Quartet
11065A125E81C-3969-4E9E-80CB-3F429724E4BB52250230Royal Fireworks Music for String OrchestraThis excellent arrangement by Lynne Latham of Handel's famous ROYAL FIREWORKS MUSIC is written at level 3 for string orchestra, with an alternative Violin 3 part to substitute for Viola. A wonderful and always popular showpiece for student and community ensembles!String Orchestra
11066A1272162-D365-4DFB-BA0D-5AA3D9A1BDE8M123291Biblical Songs, Op. 99 (low voice, critical edition)BIBLICAL SONGS, Op. 99/B. 185, on texts from the Book of Psalms, were written in March of 1894, during Antonín Dvo?ák's (1841-1904) stay in the United States. The composer turned to the Bible against a personal background of grave and disturbing news: Hans von Bülow, the famous conductor, a close friend and ardent devotee of Dvo?ák, had died a month earlier in Cairo, ad Dvo?ák's 80-year-old father lay gravely ill in distant Bohemia - he died on March 26, two days after the last of the BIBLICAL SONGS was completed. Dvo?ák chose for these songs verses from the Czech version of the Book of Psalms, gradually changing from expressions of despair and supplication to jubilation. The songs were first published (with Czech, English, and German texts) in 1895, and some of the songs premiered on September 26, 1895 at Mladá Boleslav, O. Schellerova singing. Editions for high voice and low voice are available from the publisher. This critical edition has been completed by Otakar Šourek (text in Czech, English, and German).Low Voice and Piano
11067A12E7D46-C611-4C37-A8B5-97D1534AC3EEMP430005Complete Gospel Preludes
11068A12F7AFE-B730-43C9-8B3C-6B3689851860R01220Dance of the Fairies(not set)2.2.2.2: 2.2.1.0: Timpani: Strings
11069A13487F3-53AB-41C1-81C2-BF3254079CC2M304891Noels, Op. 60, Book 1(not set)Organ
11070A135994D-498A-44AB-8A4A-6711BA24ACB4R00872Hyperion2.2.2+Bass Clarinet.2: 2.2.2.1: Percussion(3).Piano: Strings
11071A1362A17-0DE6-4729-BE70-C40B48E6529DSU329ApocalypticAlto Sax
11072A137773F-C1E9-46EE-94B8-7B06969EFB72B353802Bing Bang Bong: A Fantasy for BandConcert Band
11073A1380357-2939-4409-8029-7D95B84332BCSC328You're Always There"You're Always There" was written to honor Clare Reno Allen, the composer's wife and the mother of their seven children. She was named the 1985 American Mothers, Inc. District of Columbia Mother of the Year. This beautiful piece of music written for SATB chorus was first performed at a Tea in Claire Allen's honor on April 10th, 1985, in Quarters One, home of the United States Army Chief of Staff, Military District of Washington, Fort Myer, Virginia, with the Army Officers Wives Club of the Greater Washington area sponsoring the event. "You're Always There" is dedicated to American Mothers, Inc.Satb
11074A13D90A2-0602-4EF4-BE6D-ED06B16F223320702102Trio Sonata in G(not set)Violin 1, Violin 2 and Violoncello
11075A13F275E-F605-4779-A98B-DAD4EF40C5E010100210Plymouth TrilogyIn three movements (each tending more towards light rather than ponderous), this is an immensely accessible work that would be appropriate for bands of moderately advanced skills. From a 6/8 march-feel opening, to a reflective middle movement that ends as a pianissimo chorale, to a lively ending rag, this is a great work. Transparent scoring allows players to shine in small groupings and the surrounding ensemble passages sparkle with life and energy.Symphonic Band
11076A1475BC5-1712-4D86-9354-B29178985EACR00676Monumentum pro Galileo, Eppur si Mouve...2+Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(3).Celesta.Harp: Strings
11077A14AA5D0-47F0-48BF-AE5A-1AFC4795025C52703206Baroque Theatre MusicThis compilation of ten pieces from Baroque masterwork composers Handel, Gluck, and Clarke is an excellent addition to any performer's reperoire collection. Featuring popular selections from the Baroque Theatre era, for string quartet.Violin 1, Violin 2, Viola, Cello
11078A14ABF90-BFF1-4396-A6AE-6A344823C7AFB38140 Progressive MelodiesThis collection includes 40 etudes that have been adapted for saxophone from oboist A.M.R. Barret's marvelous melodic studies. Each of the studies includes a saxophone accompaniment part adapted from Barret's original that can be performed by a teacher or fellow player to help develop ensemble skills. Students will also find "Eight Progressive Exercises" by Jakob Dont in this collection as an addendum to the Barret's melodic studies in addition to scale studies by the editor David Hite. These Barret studies can be used following most elementary and intermediate method books, and can be augmented and complemented with the "Melodious and Progressive Studies I", also available from the publisher.Saxophone
11079A14F2E80-7F9B-4757-BA9D-003425203901M390091Quatre Pieces Fugitives, Op. 15Written in 1840 shortly after Clara Schumann's (1819-1896) marriage to Robert Schumann, Quatre pièces fugitives (Four Fugitive Pieces) are short character works, each with its own distinct mood. Called "fugitive," Schumann makes clear that this introspective music is freer, with fewer conventional restrictions found in earlier eras. Movements: I. Larghetto, II. Un poco agitato, III. Andante espressivo, and IV. Scherzo.Solo Piano
11080A1543AB0-9777-4809-94B7-A38A1FF5C24750100223Chromatic ComedyTeaching chromatic fingerings has never been so easy...or so fun! Here is the perfect balance between solid literature, teaching points and humor for your audience and students.Concert Band