Titles
Showing 10,981-11,000 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 10981 | 9FD5B88A-8743-4BC8-9581-350DCE0820A8 | 50730004 | Concerto for Two Cellos in G minor, RV 531 | The CONCERTO FOR TWO CELLOS in G minor, RV 531 was written by Antonio Vivaldi (1678-1741) around 1720 for two cellos, string orchestra, and basso continuo. In three movements, it is among Vivaldi's most popular works today. This edition for two cellos with piano reduction has been completed by Emilio Colón. The corresponding edition by Emilio Colón of the original orchestra accompaniment is available from Edwin F. Kalmus (A9192). | 2 Cellos and Piano | |
| 10982 | 9FD74D17-5D6F-466F-A445-D2B482888F8E | X512005 | Three Sketches for Violin Duo | Three movement duo which unfolds in a classic fast-slow-fast arc. | Violin Duo | |
| 10983 | 9FE0E6CE-16BB-4071-BB4E-23C93D6833A4 | S513CB | Cotton Eyed Joe | This edition of the famous piece by "Red River Dave" McEnery has been arranged for symphonic band by James Burden. | Concert Band | |
| 10984 | 9FE49182-1039-4EC1-8071-4291C358D196 | SS739 | Sonata for Violin | Violin | ||
| 10985 | 9FE621A9-CBF4-448B-9CD5-9D2C158CC307 | 10540553 | Night Song (Homage Howard Hanson) for Euphonium and Piano | Night Song, resolutely melodic and romantic solo for euphonium, was written in homage to Howard Hanson, with whom the Composer studies during the years he attended the Eastman School of Music. Dr. Hanson's genius was to create an environment where students couldn't wait to write something for the next class. He was a mentor and a source of inspiration. Versions with wind ensemble and piano accompaniments are available from the publisher. | Euphonium B.C. Solo and Piano | |
| 10986 | 9FE97624-EB29-4DDB-913D-94734FDBDA31 | S837CB | Australian Fantasia | |||
| 10987 | 9FE97937-0EF1-4ADF-B932-A3F225F43897 | ST192 | Marriage Of Figaro | This arrangement by Lucien Cailliet shows his incredible musicianship and mastery of the clarinet family in particular. Among Cailliet's many achievements, he was principal clarinetist for the Philadelphia Orchestra under Eugene Ormandy and also Education and Publishing Director for the LeBlanc Corporation. Later in his career, he moved to the western US to become faculty at University of Southern California while conducting, composing and arranging music for Hollywood. | Clarinet Choir | |
| 10988 | 9FEDA52B-2FDF-4428-9D5A-C1A53B74BE3B | SC699 | 'Tis Springtime | 2004 Texas University Interscholastic League Sightreading for 2A, 1A, and 3B Varsity Mixed (SAB) Choirs and 5A, 4A, and 3A Non-Varsity Mixed (SAB) Choirs. Text by Jane B. Walters. Versions for SAB and SATB voicings available from the publisher. | Sab | |
| 10989 | 9FF50A16-F4F8-4E4B-905F-EB57E5DCB03C | A017390 | Triumphal March | The brevity and melodic nature of Triumphal March make it a natural fit for any one of several places on your concert: opener, closer, or encore. | Full Orchestra | |
| 10990 | 9FF6D39C-FB5C-40E8-80D4-DEFD9E932CAD | X152001 | Duo Concertante No. 1, Op. 13 (AT) | Grade IV. | Alto Saxophone, Tenor Saxophone | |
| 10991 | 9FFB0CED-9823-405B-883E-3E6E6CC3DF47 | B570 | Foundations for Success | An exceptional support collection that provides the developing basson student with a routine for practice and study that will establish strong performance practices resulting in a more accomplished and successful performer. | Bassoon | |
| 10992 | A0080E33-CB91-4A15-BBE9-DB748E19051E | SU371 | Shadowcatcher for Brass Quintet and Piano | Commissioned by the American Brass Quintet, the orchestral version was written for the Orquesta Sinfonica Carlos Chavez of Mexico City, the Wind Ensemble Version for Butler University, and recorded by the American Brass Quintet with the Juilliard Wind Ensemble for New World Records. A reduction for quintet and piano is also available from the publisher. | Brass Quintet, Piano | |
| 10993 | A00E8C70-079B-4BC7-8481-AD3AF9AACB41 | M372391 | Cinq Sonatines Op. 59 | (not set) | Solo Piano | |
| 10994 | A010F407-6F42-4886-8C95-EACDA4CC3648 | ST64 | Capriccio on the Departure of His Beloved Brother | This CAPRICCIO (BWV 992), subtitled "Upon the Departure of His Beloved Brother", is an early work of J.S. Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau. It is an unusually Romantic-styled piece for Bach. This transcription of three of the six movements for brass quintet from the original harpsichord was completed by Samuel Adler and is dedicated to the Eastman Brass Quintet. Movements: I. Arioso: This is a flattery of friends in order to delay his journey, II. Chorale: Finally all friends come, for they realize that nothing can be done but bid farewell, III. Fugue: An imitation of a Posthorn | Brass Quintet | |
| 10995 | A01E1C5F-F897-449E-9ACA-9DCD36662228 | MP825001 | Dos Antifonas Lindas for Soprano, Mezzo-Soprano and Viola | |||
| 10996 | A01F1D0C-79A0-4088-A43E-5299D3A685BB | A217602 | 1812 Overture, Op. 49 (ed. Schmeling) | Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he "wrote it without any warm and loving feelings," Tchaikovsky acknowledged later that he did well in its composition, saying "I absolutely do not know whether my overture ("The Year 1812") is good or bad, but I rather think it is the former (pardon my immodesty)." It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as "open" instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]. | 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)] | |
| 10997 | A026207F-6081-48CB-BF22-B2353CD32E76 | SC817 | The Mole and the Eagle | (not set) | SAB | |
| 10998 | A0278539-FECE-46A3-BF38-4E9CCAFF4349 | S314 | Chaser, The (out-of-print) | Marching Band | ||
| 10999 | A029C899-9089-47A7-9D11-7B8C65BECD59 | M381591 | Etude Humoristique, Op. 138 | With evolving colors and quickly shifting moods, Cecile Chaminade's "Etude Humoristique" is certain to amuse audiences, as the title implies. With technically challenging passages and a folk dance-esque B section, this piece would be a perfect opening for a recital. | Solo Piano | |
| 11000 | A02B0CEE-2D29-4A07-A60A-BCE55F394B45 | ST36 | If With All Your Hearts (from "Elijah") | From Mendelssohn's "Elijah", this arrangement by Allen Ostrander offers both a bass clef and Bb treble clef solo part to offer flexibility to the player. | Trombone/Baritone B.C. or Bb Trumpet/Baritone T.C. |