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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11101A1AC0E96-E273-45BF-9FCA-016EEC7A3442W704491Christus(not set)Vocal
11102A1B0817F-E3E9-4C92-B64B-F5A951CBE67FSC63Game, TheSsa
11103A1B123BC-8F5C-4412-B51D-63A61B6640BFA606102Sylvia, ou La Nymphe de Diane: Act III, No. 14: March and Procession of BacchusLéo Delibes (1836-1891) looked to a play of the Italian Renaissance, Torquato Tasso’s AMINTA, for narrative material when composing his full-length ballet SYLVIA. Choreographed by Louis Mérante, with scenery by Jules Chéret, it premiered on June 14, 1876, at the new Opera Garnier in Paris. Commercially unsuccessful, it achieved a triumphant revival in 1952 and has since become one of the most-performed ballets in the repertoire. Act 3 begins with the popular March and Procession of Bacchus, depicting a colorful seaside festival in honor of the Greek god of wine. This abridged arrangement has been completed by Merle J. Isaac. Insrumentation: 2.2.2+BCl.2: 2Sax(AT): 4.3.3.1: Timp.Perc(3): Str (4-4-3-3-3 in set).2.2.2+BCl.2: 2Sax(AT): 4.3.3.1: Timp.Perc(3): Str (4-4-3-3-3 in set)
11104A1BD2EFF-9167-4995-B77A-0E010BE1ECE3S535CBHeathery Mountain, The(not set)Concert Band
11105A1C3F6AE-7404-4BF3-9C27-D7E95D7EFE08X534002Vientos del Desierto4 Cellos
11106A1C6AE4A-35AE-45F7-B9E8-9B5F4EAD2A98S719Whatsoever ThingsThe title of this composition is taken from the motto of Northwestern University (from Philippians 4:8). The common thematic thread in all three sections is the varied employment of that school's alma mater hymn, the famous "St. Anthony Chorale". "Whatsoever Things…" was commissioned by the Revelli Foundation for the 1997 Honor Band of America as the inaugural commission of the Paynter Project. It is dedicated to the memory of John P. Paynter (1928-1996).Concert Band
11107A1C6F63A-73C5-4BC5-8048-760CFD3359CER01466Tis the Season of BellsThe percussion section begins a joyful celebration which is joined by the whole orchestra, building to a grand conclusion.3(Picc).2.2.2: 4.3.3.1: Timp.Perc(3): Str
11108A1C71E4B-EAEB-48A4-9A93-C018E6ED68ECS953CBTurandot: Movement I from the Suite to Gozzi's Fairy Tale DramaThe Gozzi’s Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical, magical tales: his immediately preceding work was the Piano Concerto, Op. 39 BV247, which included music from an unfinished adaptation of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite, which was first performed in 1905 and published in 1906. A production of Gozzi’s play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911, and for the second and last time in London in 1913. This transcription of the first movement of Busoni’s Turandot suite was created for George A. Treviño and his superb Lopez High School Band of Brownsville, Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band’s 6A Honor Band performance.Symphonic Band
11109A1C85279-E9AC-437A-A2D7-A30EEFB232D3A265102Missa in D minor, Hob.XXII: 11 'Nelsonmesse' (Lord Nelson Mass; Coronation Mass; Missa in Angustiis)During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Princess Esterházy. Exhausted from having just completed his great oratorio The Creation, his doctor ordered him confined to his room, which granted him the time to compose the third of his six great masses. Written in 1798, Haydn's world was very uncertain with an a seemingly unstoppable Napoleon waging war and winning all over Europe, threating Haydn's life and livelihood in Austria. In this context, and perhaps a few others, Haydn titled the work Missa in Angustiis (Mass for Troubled Times). Written in D minor and requiring virtuosic performances from particularly the soprano and bass soloists, budget decisions by the Esterházy family led to the dismissal of the wind players Haydn was accustomed to including in the orchestra, leaving him only include three trumpets along with the strings, timpani, and organ, which gave the orchestration a uniquely darker tone. Shortly after the September 23, 1798, premiere at the town parish church, the work earned its new nickname 'Nelsonmesse' (Lord Nelson Mass). Admiral Horatio Nelson's British army had just dealt Napoleon a stunning defeat in the Battle of the Nile in Egypt, and Haydn's mass seemed to perfectly encapsulate the initial darkness then triumph that mirrored Napoleon's loss. The nickname was further cemented when Lord Nelson visited Palais Esterházy in 1800 and heard a performance of the work. This mass is now widely considered to be Haydn's single greatest work.Soli SATB: Mix Chorus: Organ accompaniment or (1).(2).0.(1): - 0.3.0.0: Timp: Org: Str (4-4-3-3-3 in set) accompaniment
11110A1C936C0-FDFC-4244-94B5-C9B05045D8EB20504214March in F(not set)Bb Trumpet 1 and 2, F Horn (Trombone), Trombone (Euphonium) and Tuba
11111A1CE6FAD-0AAB-4336-91EB-FDF5E2E6CAC2M329591Esquisses, Op.63 Suite 4(not set)Solo Piano
11112A1D4152D-B1FB-4A53-A99D-72DE2ACD5345EBM0610095Concerto For Piano and OrchestraRoger Sessions' Piano Concerto (1955) was composed shortly after the composer began to incorporate full-fledged twelve-tone procedures into his compositional language. Sessions barely finished the work in time for the performers to prepare. The three movements of the Concerto present a dramatic dialogue between the piano and orchestra. The first is cast in a traditional sonata form. The second begins with a slow introductory passage, after which the movement opens up into broad, sustained lyricism. The final movement assumes a rondo-like form. Dedicated to the memory of Sessions' friend and colleague Artur Schnabel, the Concerto has shared much the same fate as its sister work, the Violin Concerto (1930 - 35): despite the singular musical personality of their creator, both have suffered neglect in the concert repertory. Following its premiere in 1956, the Piano Concerto virtually disappeared until the 1980s, when players took a much-deserved, renewed interest in the work. - Description by Blair JohnstonSolo Piano: 3.3.3.3: 4.2.3.1: Timp.Perc: Str
11113A1D45D3C-B17F-4AA8-9A71-FEFE6F39D38BM325291Variations on an Original Theme(not set)Viola and Piano
11114A1DA88F3-2E8F-4C79-8AB6-7AF71B46AEF8A799702Gianni Schicchi: Addio Firenze(not set)2, 2+1, 2+1, 2 - 2, 2, 0, 0, timp, hp, str
11115A1E4DD93-1E0D-44CA-B5C0-1DCA8E68D071ST621SonataAlto Sax
11116A1E690E8-09B8-498F-AD70-FECB921F4F5DX412005Sonata for Two PianosDedicated to Rosi and Toni Grunschlag. Recorded by Rosi and Toni Grunschlag on CRI.2 Pianos
11117A1E90BBE-AE0A-4F05-9AAD-2B8EA956249DST322SonataThis three movement sonata is dedicated to James Gillespie, and is a wonderful recital selection for the advanced clarinetist.Clarinet and Piano
11118A1EF589F-BBA5-4C42-B2B6-31FFCDD9EF7ASC507Enter With the BlessedSatb
11119A1F698CF-1909-478F-9581-DDE6491A099ESC322My Faith Looks Up to TheeSatb
11120A1F6E466-25F9-4DAF-B248-34417D01DDF6ST846Bruyeres(not set)Flute