Titles

Create Title

Showing 6,861-6,880 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
686164D68C0D-95EF-45B9-A922-FB047DE4E39CST606CortegeThis three movements unaccompanied solo for the advanced timpanist offers players challenging music on which to utilize a wide range of mallet technique. Four drums are required. It is a wonderful selection for contest or recital. Movements: I. Bud, II. Pith, III. NibTimpani Unaccompanied
686264D7A93A-B813-43CC-9C43-92C054D426DABSMSB101Excursions for Trumpet and Band<div>A demanding work for solo trumpet and band. Commissioned by The United States Air Force Band and recorded by that band on the album, &quot;Excursions.&quot; In the aptly named work, Mr. Broughton explores the diverse technical and expressive capabilities of the trumpet, with the angular melodies and driving rhythms that characterize the piece used by the solo trumpet to lead the band.</div>Trumpet, Concert Band
686364E72C72-394B-4B73-999A-F4821EBEF1B6R01577Chiaroscuro AzzurroA “Pocket Concerto" Miller Theater Commission; Columbia University, for Jennifer Koh and the International Contemporary Ensemble; George Steel, Director. Recorded on Albany Records, TROY1390.Violin Solo: 1(dPicc, AF).1(dEH).1(dBcl).1: 1.1.0.1: Perc(2).Pno(Clst).Hp: Str
686464E8EA41-4AE6-4002-9378-B91AA621C9B0R00482Ancient Songs for Baritone Voice and Mixed SeptetComposed for William Sharp and the Twentieth Century Consort. Movements: I. The Starts (text from the Passamaquoddy Indians); II. Aiken Drum (traditional text); III. Ghosts and Shadows (text from the Gabon Pygmies); IV. Death Song (text from the Papago Indians); V. The Wreckage of the Moon (text by James Wright).Baritone Solo: Flute(d Picc), Clarinet(d BCl), Perc(1), Piano, Violin, Cello
686564ECC192-BCF6-424A-85D9-9FE3B1B6D56A52723023Quatrabratsche: Vol. 4To third position. 1. To a Wild Rose (MacDowell); 2. The Guitar Player; 3. Puppet's Complaint; 4. Chanson Triste (Tchaikovsky); 5. Funeral March of a Marionette (Gounod); 6. Children's March (Schubert).Viola Quartet
686664F6F9AA-6DF9-4589-B5A3-C6F9A88BF475MP511004Happy Birthday Lament
686764FA1562-AA87-45EF-A5B9-A2F1908E1888A815202Antiche Danze ed Arie, Suite 1 (Ancient Airs and Dances)Between 1917 and 1931, Ottorino Respighi (1879-1936) transcribed three orchestral suites from original pieces written for lute between the 16th and 18th centuries. The first suite, written in 1917, includes works by Simone Molinaro (1599), Vincenzo Galilei (1550s; the father of Galileo Galilei), and two anonymous composers, both from the end of the 16th century. Instrumentation: 2.2+EH.0.2: 2.1.0.0: Hpchd.Hp: Str (9-8-7-6-5 in set).2.2+EH.0.2: 2.1.0.0: Hpchd.Hp: Str (9-8-7-6-5 in set)
686864FC20FD-5B07-4883-9E61-DAC846BCD393M147391Three Impressions, Op. 72(not set)Organ Solo
686964FC2EEE-143A-441B-AEF0-0D20157C2902M356291Nola(not set)Solo Piano
687064FFFFBF-2208-400B-8E92-43674BB9CF17A903090Summer Nights, Op. 7 (Les nuits d'ete): 2. Le spectre de la rose (original key of B)The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Le spectre de la rose (The Ghost of the Rose) tells of a girl's dreams of the ghost of the rose she had worn to a ball the previous day. The rose has died and ascended to paradise; to have died on the girl's breast was a fate that kings might envy. Instrumentation: 2.1.2.0: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Voice (medium voice). Reprint edition.2.1.2.0: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Voice (medium voice)
68716507471A-9B88-4615-A6AA-6D91ED269A58M213791Cuatro Madrigales(not set)Medium Voice, Piano
6872650819F6-856F-4676-9801-6BE89C55424150550002Grand Avenue StrutA jazz march for tuba, the solo part does not have to deal with extensive range demands and is largely concerned with melodic impact. It is highly original and a delight for listeners.Tuba, Piano
68736509C9BE-AAD7-4554-9FAF-C0DDD82E6818ST481Brass Duet Notebook, Bk. 1 for TromboneThese duet arrangements are published for 2 Trumpets in B-flat, 2 Horns in F, or 2 Trombones or Baritones. All these arrangements are compatible, and can be used for all combinations of those instruments. They are first-class performance material, and also excellent for training in ensemble playing or sight-reading.2 Trombones
6874650D7AF0-6D34-4FB2-81B9-EFE9CCF66693M192691Two Pieces, Op. 6(not set)Violin and Piano
687565128FBC-36C3-4293-8AAE-9B1741BDACA5A460802La Gazza Ladra (The Thieving Magpie)2+1, 2, 2, 2 - 4, 2, 1, 0, timp, perc, str (2.2.1.1.1)
vocal soli (11 roles, SSATTTBBBBB), chorus
68766517C100-982C-4EAF-A7D9-6BE1828BCFD9A103190Serenade in E minor, Op. 20The Serenade for Strings in E minor, Op. 20, is a piece for string orchestra in three short movements, by Edward Elgar. It was written in March 1892 and first performed in private in that year, by the Worcester Ladies' Orchestral Class, with the composer conducting. String count: 8-8-5-5-5.String Orchestra (8-8-5-5-5 in set)
6877651B6D2B-D153-4B78-9BD1-66CC1D8F2383A536802Scenes from The Song of Hiawatha, Op. 30; No. 4: Hiawatha's Departure2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str
6878651FA4CA-6F79-4876-AF3C-C68AB574FFE4A304490Tritsch Tratsch PolkaTritsch-Tratsch-Polka, Op. 214 was written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858. Tritsch-Tratsch (chit-chat) refers to the Viennese passion for gossip. Strauss may also have been referencing the burlesque Der Tritschtratsch by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str
687965249C41-7B21-40E4-93E7-764658610F79ST755Aria from SaulThis short aria ("Oh Lord, Whose Mercies Numberless") from the oratorio "Saul" provides the soloist an opportunity to explore a more lyrical playing style. Solo part is provided in both bass clef and treble clef so that it may be played on trombone, baritone, or trumpet.Trombone or Baritone (B.C./T.C.) or Trumpet and Piano
68806526BB65-E2A0-4FFC-BD02-27D2E87B5D24MP402001Humoresk for Organ and Orchestra (Piano Reduction)Premiered with Anthony Newman, organ, American Composers Orchestra, Dennis Russell Davies conducting, Alice Tully Hall/NYC, December 3, 1979Solo Organ: 2.2.2.2: 4.2.3.1: Timp.Perc: Pno: Str