Titles
Showing 6,901-6,920 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6901 | 6557AD67-D43C-4D88-98FC-797BB15F7EF4 | SU412 | Suite After Old English Songs (English horn) | The Suite was originally commissioned by Roger Rush as a solo vehicle for English Horn and band after he experienced difficulty finding suitable repertoire for this combination. The successful 1996 premiere led to the composer making additional versions of the solo part for F horn and alto saxophone, with piano reductions for all three instruments and an arrangement with string orchestra accompaniment. The work is comprised of four movements, each based on a combination of English folk melodies: I. Early One Morning, II. Green Bushes, III. I'll Love My Love, IV. The Wraggle-Taggle Gypsies. Duration ca. 20'. | English Horn, Piano | |
| 6902 | 655B9231-93FA-4AF6-85FA-F90490A72D09 | A836490 | O Holy Night (Cantique de Noel) [orchestration for high voice in Eb] | This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice (or Piano accompaniment). | 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice (or Piano accompaniment) | |
| 6903 | 655CB7D9-0206-47EC-A1D3-4CDDD2C3944D | SU449 | Pastorale for Trumpet, Trombone and Piano | This arrangement comes from the middle movement of an earlier Ewazen work, "Ballade, Pastorale and Dance" for flute, Horn in F and piano. The 2nd movement, "Pastorale" has a gentle and impressionistic feel, with long, beautiful and personal songs sung by both the trumpet and trombone. | Trumpet, Trombone, Piano | |
| 6904 | 655DF3B7-E36B-4D9D-BAE3-BC38B0CEDE37 | SO4C | Concerto in C | (not set) | String Orchestra | |
| 6905 | 65605EA5-C26D-4D41-AB29-9828B6A6144E | B454 | Old European Songs | Vocal | ||
| 6906 | 65747738-25A8-4655-B053-53999927D26D | ST534 | Adagio and Rondo | Francois Devienne (1759-1803) was a French composer and professor for flute at the Paris Conservatory. This transcription for tenor saxophone and piano of the Adagio and Rondo movements from his Sonata No. 4 have been done by Wayne Jaeckel. | Tenor Sax, Piano | |
| 6907 | 657B34A3-E1A7-4FDE-A509-B32041206874 | A844602 | Rienzi: Pantomime | Richard Wagner (1813-1883) wrote the five-act opera RIENZI, DER LETZTE DER TRIBUNEN (RIENZI, THE LAST OF THE TRIBUNES), WWV 49, was written in 1840, with a libretto by the composer after Edward Bulwer-Lytton's novel of the same name. Set in Rome at the ed of the empire, the opera was an immediate and great success following its premiere on October 20, 1842, premiere at the Semperoper Opera House in Dresen, and the opera launched Wagner's career. The PANTOMIME takes place in Act II, Scene 3, and was intended to tell the tale of the "Rape of Lucretia." The ballet is unique in that Wagner wrote it to be integrated into the action of the opera rather than just have it serve as a diversion for the audience. Instrumentation: 2+Picc.2.2.3: 4.4.3.1: Timp: Perc(3): Hp: Str (9.8.7.6.5 in set). | 2+Picc.2.2.3: 4.4.3.1: Timp: Perc(3): Hp: Str (9.8.7.6.5 in set) | |
| 6908 | 657B4149-770E-48E9-8ED4-E73AEB8E5F85 | LV712CB | Meadowlands | (not set) | Concert Band | |
| 6909 | 657C8584-709E-4E11-BFFD-2C027B809663 | SC621 | Don't Love Me for My Beauty | 2001 Texas University Interscholastic League Sightreading for 2A, 1A, and 3B Varsity Treble (SSA) Choirs and 5A, 4A, and 3A Non-Varsity Treble (SSA) Choirs. | Ssa | |
| 6910 | 657ED297-4D00-46B4-80F2-AF47436968CA | M247591 | Three Marches | (not set) | Two Violins, Viola and Violoncello | |
| 6911 | 6584A8CB-11AB-4D41-97FE-4C2403B2356F | A263602 | Coronation Anthem No. 3: My Heart is Inditing, HWV 260 | 0, 2, 0, 2 - 0, 3, 0, 0, timp, org, str (2.2.1.1.1), mx chor | ||
| 6912 | 658C6A24-B95E-4E8E-BC10-726F98900C33 | S253MB | Cadet Major March | (not set) | Marching Band | |
| 6913 | 658DEA24-1368-45E5-B774-88D488712F45 | SU151 | Suite from Album for the Young | The "Album for the Young, Op. ", a collection of short piano pieces was first published in 1849 by Schuberth & Company. They were written by Schumann for his oldest child on her birthday. Mr. Schoop has selected five of the easier pieces to form this suite for tuba ensemble. The suite can be performed with as few as two euphonium and two tuba players. Additional players can be added to form a larger ensemble. Songs: I. Chorale, II. The Happy Farmer, III. Melody, IV. The Wild Rider, V. Soldier's March | Tuba Quartet | |
| 6914 | 658EC16B-46A5-4CD4-B54D-3CE01A1D6C82 | 10533325 | Quatro Tono | (not set) | Trombone Quartet | |
| 6915 | 65923AF4-0828-4D72-A360-6A67C2DABEA3 | 50250133 | Phantom's Night: Legends of Cuba Road | Perfect for your Halloween concert, this spooky piece in G minor has a good bit of divisi in the violins. There are two cello parts, one that shifts and one that does not. Special effects such as glissandi and tremolo abound, including heavy accents and easy double stops. Basses use half position extensively and there are many chromatic notes in all sections -- plus a cello solo! | String Orchestra | |
| 6916 | 65966CE4-57F7-44E0-8114-9C30382FFC33 | M267091 | Four Sacred Concertos for Easter | Brass Quintet | ||
| 6917 | 659775C2-0DF7-4270-A41B-B9E98B243146 | SC593 | Journey Onward | (not set) | Satb | |
| 6918 | 65982A1E-1801-4506-BE90-88767904597D | SS28 | PLAYGROUND (OUT-OF-PRI | |||
| 6919 | 659B09F2-3066-4E73-AD5E-427FAE401658 | SU38 | String Quartet Rag | String Quartet | ||
| 6920 | 659D3AD9-EA7A-465B-A006-83C543280742 | A775602 | Concerto for Two Pianos and Orchestra in E (No. 1), MWV O 5 | At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the following year. In December 1823, the young composer gave the first performance of the E major concerto with his sister Fanny Mendelssohn. Since he came to regard it as mere juvenilia, it never achieved publication in his lifetime. Filled with stylish finger-work, the concerto clearly served to display the musical gifts of the two siblings. It remained forgotten until a version, which had been revised by the composer himself and edited by Karl-Heinz Köhler, surfaced in 1961 in a Leipzig critical edition. Instrumentation: 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo pianos (2 - available separately). | 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo pianos (2 - available separately) |