Titles
Showing 6,961-6,980 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6961 | 663FD76E-5154-4E98-8057-8FC123F3D48A | M303391 | Quartet No.1 Op.10 | (not set) | Two Violins, Viola and Violoncello | |
| 6962 | 6641D55F-4273-4DC5-8E86-B758C3AE889B | R00800 | Fantastic Prisms | Composed for The Ohio State University Bass Ensemble for the International Society of Bassist. | 6 Double Bass, Piano | |
| 6963 | 66477750-951B-4C72-BBD9-C766C2A4EC11 | M321791 | Esquisses, Op.63 Suite 1 | (not set) | Solo Piano | |
| 6964 | 66550C7C-8412-4A79-81C8-7911B1A51118 | 20503212 | Early American Songs | (not set) | Bb Trumpet 1 and 2, Trombone 1 (F Horn) and 2 (Euphonium) | |
| 6965 | 6659986C-0A3C-41A2-A8AE-CE92153D2981 | B392902 | Preludes From Book 1 for Band | Concert Band | ||
| 6966 | 6660B0D9-FD7D-4ABA-A7FC-A45042DB9564 | 15260001 | Concerto for Tuba and Orchestra | Seldom does the tuba receive the proper attention it deserves as a melodic instrument. It is true that its value as the foundation of the sound of both bands and orchestras somewhat hinders its use melodically, but the instrument possesses a true beauty of tone that should be heard more often. The tuba is capable of exquisite emotional range and sensitivity. It is far more versatile than most would believe and can execute rhythmic passages with surprising agility. This concerto explores these capabilities, placing the instrument above, below, and inside the accompaniment, creating unique sonorities while giving the tuba player the melodies he or she has always wanted to play. Concerto for Tuba was composed for Ronald Bishop, long-time principal tuba of the Cleveland Orchestra. Band, orchestra, and piano accompaniments are all available from the publisher. | Tuba, Full Orchestra | |
| 6967 | 6669C589-529A-48AD-B7B3-E4BFB365DCC3 | P9 | Red Roses | Piano | ||
| 6968 | 666A81AA-A439-4CFA-842E-EF9E5DEB296B | B448 | Melodious and Progressive Studies, Bk. 1 for Clarinet | Without question one of the finest clarinet study collections ever published. Compiled and edited by master teacher David Hite. Includes: 36 Expressive Studies-Demnitz; 24 Melodic Studies-Nocentini; 24 Melodic Etudes-Baermann; Scales and Thirds-Klose. | Clarinet | |
| 6969 | 666E6F68-7F4A-4F9E-AAB5-4AB3395FD02B | S504009 | Run | Violin, Viola, Cello and Piano | ||
| 6970 | 666EDDAE-6DCB-4F87-83EE-6F7ED5E998B1 | X410099 | Rhapsody on a Theme by Mahler | (not set) | Piano Solo | |
| 6971 | 666EFFE5-9E7D-4C13-9E18-7CB8DBE8B886 | EBM0620011 | Concerto for Tuba and Band | Robert Jager composed his Concerto for Bass Tuba and Concert Band in 1981 as a commission from the tuba player Daniel Perantoni, and the première performance took place the same year, with the University of Illinois Symphonic Band conducted by Harry Begian. The composition consists of a single movement, but is cast in five distinct sections, each of which derives its material from the four-note motif first heard in the lower instruments during the introduction. The composer has described the style of the music as Neo-Romantic, following the wish of the original soloist. Orchestra version and piano reduction also available from the publisher. | Tuba, band | |
| 6972 | 666F4658-3DF8-4B6E-9B26-CAB111F6770A | A177802 | Sinfonia Concertante for Violin, Viola, and Orchestra, K. 364/320d | Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto, it can be considered among the most successful such cross-over works. Instrumentation: 0.2.0.0: 2.0.0.0: Str(4-4-2/2-3-3 in set): Solo Violin.Solo Viola. | 0.2.0.0: 2.0.0.0: Str(4-4-2/2-3-3 in set): Solo Violin.Solo Viola | |
| 6973 | 666FDF88-121E-4309-8A20-3B145C90C962 | A263002 | Chandos Anthem No. 1: O Be Joyful in the Lord, HWV 246 (Chandos Jubilate; Chrysander) | The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the First Duke of Chandos in 1719. As the chapel was incomplete, Handel wrote these works with fairly intimate scoring, using the instruments he had available to him, which is why they generally do not include viola parts. As a result, the accompaniment for the usually small choirs take on the light texture of chamber music. The text for each of the CHANDOS ANTHEMS are different psalms selected by Handel himself. CHANDOS ANTHEM No. 1: O BE JOYFUL IN THE LORD, HWV 246, also commonly referred to as CHANDOS JUBILATE, was written between 1717 and 1718, and is a setting of Psalms 100. The omission of the alto voices from the chorus and the violas from the orchestra helps to make the work lighter and more similar to chamber music. This edition from the Deutsche Händelgesellschaft has been edited by Friedrich Chrysander. Reprint edition. | Soli STB: Mixed STB Chorus: Hpchd or Pno accomp. | |
| 6974 | 66739AA7-5BE5-4BEC-A554-2FA31E770419 | 52701193 | Weddings for Two - Cello | This collection is the ideal solution for planning wedding music when you don't have the players for a full string trio or quartet. For Violin I and another player, these beautiful duets make the most of the various string pairings. | Cello | |
| 6975 | 667435DF-B5F0-4C87-BD51-55E41D04EDAB | R00554 | Simon Says | The traditional childrenÕs game set to music . | Narrator Horn Solo (may Double as Narrator) 2.2.2.2: 2.2.2.1(optional): Timpani.Percussion(2).Piano: Strings Toy instruments (played by audience) | |
| 6976 | 66788709-88A6-4521-BB31-4103A0FCAA2D | SU74 | Festive Rondo | Commissioned by the students of Louis Stout in honor of his 28 years of dedicated teaching at the University of Michigan. | Horn, Piano | |
| 6977 | 667888DB-05B2-4E1D-AF51-1970D137A3FB | ST336 | Pavane | Faure's "Pavane" op. 50 in F# minor was written in 1887. Originally it was conceived as a piano piece, but his version for orchestra and optional chorus is better known. It is the piano reduction of the latter version on which this edition for flute and piano, arranged by Arthur Ephross, was based. | Flute and Piano | |
| 6978 | 667951BA-36F2-4EE3-B8B5-E4EE55E55DFA | R01253 | Quilt Horizon | (not set) | Flute, Oboe, B-flat Clarinet, Bassoon, Horn, Trumpet, Trombone, Percussion(2), 2Piano(1d Celesta), 2Violin, Viola, Cello, Double Bass | |
| 6979 | 667C0520-1001-4C50-9822-02C3FBD1FDFA | R00619 | Concerto for Alto Flute and Strings | (not set) | Alto Flute Solo, String Orchestra (or string quintet) | |
| 6980 | 66850B94-F379-408F-AFDD-A2D3FCDFE3D4 | SU224 | Shadow Dance and Lament | Oboe |