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700166F3ADF1-8981-47CE-A4D8-7826498AC328SO101CSacred HarmoniesEach of the movements of this work is constructed from three melodies found in the early American traditional shape-note hymnal "The Sacred Harp". This arrangement for string orchestra is by Walter Hartley.String Orchestra
700266F4F5FC-F06D-4AD5-86AB-6826A87CFC4BSU533Adagio: Tone and Performance Studies No 12ADAGIO, NO. 12 (op. 9 no. 3): This beautiful work in Ab major starts with a fairly simple melody that comes back towards the end of the work ornamented by Weissenborn. It should be played in a true adagio tempo so the ornamented notes never sound rushed and in a dolce espressivo style throughout the work. Be sure to use a very small half-hole and the whisper key on the middle Ab for best intonation. Enjoy the simple beauty of this lovely solo.Bassoon, Piano
700366F89DD0-E531-45CC-AE8D-21486BAAAC0ES179THREE ( 3) MOODS (OUT-
700466FC87B3-1521-4C69-8351-61B5DEF99C45SS956Ecco O Mia Dolce Pena (out-of-print)Brass Quintet
700566FCBBA4-F7C4-4E92-BD1A-30AFE0967F10A907090Home StretchAn American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.2+Picc.2.2.2: opt.2ASax.Tsax: 4.3.3.1: Timp:Perc(4): Str
700666FD1637-D7BE-4358-AD5E-03640F558C8AM302991Concerto for Bassoon No. 2 in F, P. 237Franz Danzi (1763-1826) began his career as a cellist in Mannheim, where he was born, and progressed through several orchestras and opera companies as Kapellmeister, taking him all through Germany. Danzi's compositions, which encompass all music genres, prove him to be one of the pioneers of Romanticism, and his close friend Carl Maria von Weber's operas and instrumental works owe Danzi essential inspiration. This edition by Robert Munster corrects some few errors and adds some performance markings such as slurs. Movements: I. Allegro (characterized by melodic richness and harmonic color), II. Andante (intimate), III. Polacca (moody).Bassoon and Piano
700766FF3C80-5A22-4F63-8F50-A08E347F0802POP3779183POP VOC CONN BCK SLIPSHEET
700866FFBA88-F68F-4912-A907-974995C42BA1A820802The Planets, Op. 32/H125Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning. Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness. Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, "Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it." Aside from the large orchestra, the final movement, "Neptune, the Mystic," includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent. While "Mars, the Bringer of War" and "Jupiter, the Bringer of Jollity" are the most popular and well-known movements, Holst's personal favorite was "Saturn, the Bringer of Old Age." Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript. Instrumentation: 4(3&4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor. Study score only.4(3&4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor
700967028808-9E2E-4696-86CA-F9F335D13F5F50100208Wisconsin Forward Forever MarchPublished in Sousa's own orchestration for the first time. A "new" Sousa march is rare indeed! LudwigMasters is proud to make available this outstanding Sousa march in a detailed and expertly edited version by Sousa expert Loras John Schissel. Exclusively endorsed by John Philip Sousa IV.Concert Band
70106705DA71-035F-4EAB-81BD-A4813A912342J24Symphony for BandLp
701167065F44-7DB1-46CB-B46B-CA814AD4809CR01643Elegy in Memory of Stanislav LiudkevychA short, beautiful piece of music written in memory of Ukrainian composer Stanislav Liudkevych.String Orchestra
7012670A9BE2-C152-4A1B-B329-F5AFB87CE01BR01315Melody, Harmony, RhythmA swing-along sing-along that teaches about the building blocks of all types of music.Voice: 1.1.1.1: 1.1.1.1: Drset.Pno: Str, Audience Part.
7013670EFFEF-1E4C-438D-B10D-4584C88093E1A001490Eugene Onegin, Op. 24: Waltz (Act II, No. 13a) (Ryden)EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not understand himself, his emotions, or the value of life, leading him to reject an impassioned declaration of love by a woman he looks down upon and instead pursue the fiancée of his friend, who he kills in a duel as a result of this pursuit. The provincial WALTZ, brought here to a higher level of sophistication by Tchaikovsky, is performed at the ball honoring Tatyana's name day at the beginning of Act II. This orchestral work has found a popular home on the concert stage and outside the full opera. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).2+Picc.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set)
701467105AF8-E0B4-44A4-BD31-06A5011E2A8950100212Aragon 1945-1952 (Dance Suite): IV. EnchantedThe fourth movement of Ira Hearshen's suite of ballroom music is inspired by "Some Enchanted Evening," the most popular song by Rodgers and Hammerstein, which they wrote for the musical "South Pacific." It was recorded by many artists, most notably (during the Aragon era) Ezio Pinza, Perry Como, Frank Sinatra, Bing Crosby, Al Jolson, Jo Stafford, and Eddie Calvert.Concert Band
701567177893-C51F-4112-8A7F-7732EB24DB22M33169112 Children's Pieces12 Children's Pieces (12 Pièces Enfantines, Op.31) by Reinhold Gliere is a collection of medium-difficulty pieces written for young pianists. Contents: Prélude; Nocturne; Berceuse; Rêverie; Chanson populaire; Valse; Romance; Etude; Mazurka; Chant oriental; Feuillet d'album; Air de Ballet.Solo Piano
701667197393-D8F6-4508-A60B-B2178544B91F52702034Three Irish Tunes for String TrioString Trio
7017671CCD11-1CD9-4FEA-8454-6BF380D46C35X940014Amarilis from Three Madrigals, Op. 62The larger work, Three Madrigals, are SATB a capella settings of anonymous Spanish and English texts. Each movement includes a piano accompaniment for rehearsal purposes. Madrigal titles: I. Pidiole a Naciso, II. Alamarilis, III. Moca Tan Fermosa. The complete work or each individual madrigal is available from the publisher.SATB Chorus
70186723FB2B-9676-489D-9D81-B82C8B9EA848ST548At Christmas TimeSax Quartet
701967280167-6793-4FEE-8E8B-D08947605D30A265502Tui Sunt Coeli [Aus dem Danklied zu Gott, Hob. XXVc: 8]The original setting for chorus and keyboard of the "Tui sun coeli" from Psalm 88 (Vulgate) vv. 12, 15a was completed by Franz Joseph Haydn (1732-1809) between 1796 and 1799. Alternate titles include: "Aus dem Danklied zu Gott," Hob. XXVc: 8 and "Du bist's, dem Ruhm und Ehre gebühret." Subtitled "Offertorium zu Weihnachten und Neujahr." This arrangement by August Hoeglauer is for SATB chorus, strings (4-4-3-3-3 in set), and optional organ. Condensed score/Piano-Conductor included in the set. Choral score available separately through distributor, Alfred. Individual chorus parts also available directly from the publisher, Kalmus, upon request. May also be performed with organ accompaniment only from the choral score. Reprint edition.Org (in sc, opt.): Str (4-4-3-3-3): Mix Chor (SATB): CS (Pno-Cond) in set
7020672CC03B-7B2A-41AB-9E4F-E314C825F88EEBM0670016Heloise and Abelard: Ballet with VoiceWritten in 1969, Songs of Abelard relects on the life of the French philosopher and theologian, Peter Abelard, and his beloved, Heloise, an abbess. The music was originally written for a Martha Graham ballet entitled, “A Time of Snow.” The songs were a part of the ballet performance.Medium or High Voice, 1111 1111 Timp Pc Pno Hp Str