Titles
Showing 6,821-6,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6821 | 643E8818-B2F8-4DF2-9753-AE718CE52BF3 | 18100006 | Parade | PARADE is a composition in which the Winds "march" in different formation accompanied by a "Drum Corps." They start softly in a distance and proceed steadily in their march, ending in an all-out fortimssimo. It is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and use of instruments in order to make all parts equally important, boosting the feeling of importance of every player and furthering the development of the whole performing group. | Concert Band | |
| 6822 | 644ADCDB-4682-4ACC-8EFF-AFD0D84F2F59 | X643301 | Into the Whirlwind for Flute, Cello, Vibes and Percussion | Commissioned by the Vox trio | Flute, Cello, Vibes, Percussion | |
| 6823 | 644af77e-9e39-11f0-a418-0022482c9682 | 52250366 | Plum Creek Fantasy | Here is a very likeable piece for young string players that uses mostly scalewise motion in the key of D. It is a cheerful melody and the hardest rhythm is a dotted quarter note. Each section gets a turn at playing play melody and accompaniment. | String Orchestra | |
| 6824 | 644C680A-1324-4656-9A47-BBF3FAEA5A75 | SC128 | O Mistress Mine | Ttbb | ||
| 6825 | 644F5937-A6FA-4477-B8AE-2B2D66F366DC | 52706001 | Concerto for Oboe in F Major, K. 313 | (not set) | Oboe and String Quartet | |
| 6826 | 64521C27-713F-426B-9D50-0D885186A5AF | X814020 | Seven Songs | Poems by James Wright. Contents: I. The Jewel, II. Twilights, III. Beginning, IV. Two Hangovers, V. Milkweed, VI. Spring Images, VII. A Dream of Burial | medium Voice, Piano | |
| 6827 | 6462DFA7-873F-4E17-99A2-C0658A85B6E4 | A216502 | Eugene Onegin, Op. 24: Polonaise (Act III, No. 19) | EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not understand himself, his emotions, or the value of life, leading him to reject an impassioned declaration of love by a woman he looks down upon and instead pursue the fiancée of his friend, who he kills in a duel as a result of this pursuit. The jubilant POLONAISE, a Polish folkdance that had become an art form for the concert hall by the 19th Century, is performed at a grand ball at the beginning of Act III, which marks the reappearance after five years of the woman Onegin had rejected so callously before, though she is now married to a prince, resulting in Onegin's new realization that he loves her. This development takes place against the musical background of the brilliant fanfares of the POLONAISE, fanfares that are appropriately offset by melancholy in the contrasting cello theme. This orchestral interlude has proven itself as popular as the full opera. Instrumentation in set: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5). | 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set) | |
| 6828 | 6462E037-6194-45AD-AE47-B2FB58393A6E | 52702021 | Six String Trios: Trio VI in C Major | These trios cover a variety of friendly keys and now have full scores. Helpful, playable trio repertoire for concert or contest. Violin 1 gets most of the action, but other parts have moments to shine. | Violin 1, Violin 2 /Viola and Cello | |
| 6829 | 6464BE54-9577-49A6-997D-59A802A5D401 | SS587 | New York Texan | Snare Drum Unaccompanied | ||
| 6830 | 6465791A-56D6-4524-A3A9-9DD8E5C69A25 | A167790 | Danza | Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. DANZA features syncopated rhythms, brisk solos, and bright orchestral color. Instrumentation: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5-6): Hp.Clst: Str (9-8-7-6-5 in set). | 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5-6): Hp.Clst: Str (9-8-7-6-5 in set) | |
| 6831 | 6466DDC3-9E3B-4309-B602-E9867DDC2859 | MP106002 | Theatre of the Absurd for Live Actor and Chamber Ensemble | Premiere: The Arch Ensemble, San Francisco Conservatory of Music, March 2, 1979. | Live Actor, Taped Actors, Electronic Tapes, Wind Quintet, Piano, Mechanized eyeballs | |
| 6832 | 6471A5D8-5E3F-4594-84A8-5A56A7B3E56E | S677CB | A Light in the Wilderness | During the summer of 1992, the Shawnee Mission South High School Band went on a tour of Germany. During the tour, Megan Taylor, a 16 year old flutist in the band, was killed in a tragic bicycle accident. This composition was commissioned as a lasting memorial to Megan by Steve Adams, the band's conductor, on behalf of the band, her many friends, and her loving family. This piece is meant to be an expression of consolation. But in the most pure sense, this is a work about faith, which serves as a single light that shines brightly from a vast wilderness. | Concert Band | |
| 6833 | 6474DDEC-D454-41CD-80FB-D6BB14C5D18B | SC104 | Will You Come to the Bower | Ssa | ||
| 6834 | 6478FC13-B8E9-4B4D-AB60-6624BAD39C6B | S410030 | Piano Puzzlers: The 20th Anniversary Book | This brand-new edition of Bruce Adolphe’s Piano Puzzlers celebrates the 20th anniversary of the show as heard on Public Radio’s "Performance Today." Includes 30 tunes with songs by Gershwin, Kern, Arlen, Porter, Rodgers, Lennon & McCartney, and others disguised in the styles of Bach, Haydn, Mozart, Beethoven, Brahms, Schumann, Chopin, Janá?ek, Debussy, Ravel, Stravinsky, Prokofiev, Bartók, Fauré, Mendelssohn, Scarlatti, and Copland. Introduction included by Fred Child, Host of American Public Media's "Performance Today". | Piano | |
| 6835 | 647CB97C-43FD-41B7-B031-2121EBEB5A50 | SS744 | TRIPTYCH (OUT-OF-PRINT | |||
| 6836 | 647E8692-6C3B-4967-81E0-6EE99F6F86D0 | S305 | POP out of print: Allentown Fair Centennial | Marching Band | ||
| 6837 | 647FB21D-A491-4F14-AD9E-FCAFB8A9A343 | 20622000 | William Tell Finale | WILLIAM TELL, Rossini's last opera, was first producted in Paris in 1829 and is still widely regarded as his masterpiece. This finale to the celebrated overture encapsulates the enthralling experience of Rossini's opera. It attained an acceptance and appreciation undreamed of by the composer when it was used as the theme for the popular and pioneering television program, THE LONE RANGER. In this arrangement for mallet trio by Percy Hall, the exaggerated dynamic contrasts, coupled with a tempo compatible with the perfomer's skill level, will yield a performance of unparalleled excitement. | Xylophone, Marimba 1, Marimba 2 | |
| 6838 | 6481633B-76D5-4D74-AD34-8322FF6472BC | B539 | Six Grand Duets | These 6 duets by mid-19th century clarinet virtuoso Ernesto Cavallini were dedicated to his friend and composer Saverio Mercadante, whose harmonies and modulations influenced the collection. Compared to Cavallini's earlier "Grand Artistic Duets", these six are more advanced in both their musical sophistication and technical demands, and they rank at the very top of his large musical output. In order to make this edition more accessible, editor David Hite has presented the the duets in score format instead of the original separate parts, measure numbers have been added, the engraving style has been updated, and various markings have been added as suggestions for stylistic interpretation. | Clarinet Duet | |
| 6839 | 6481F0C5-5832-412F-9980-0C47927FEA00 | 50100284 | New Tomorrow, A | Commissioned by the Flint (MI) Symphonic Wind Ensemble, A New Tomorrow is an ebullient and effervescent celebration of fifty years of music in the Flint area. Perfectly suited to open or close a concert or festival performance, it is rhythmic, vital, and exhilarating. | Concert Band | |
| 6840 | 648CC6D7-93EF-4B2B-9E68-6C2AA1207A4C | A209002 | Furioso Polka, Op. 260 | Johann Strauss II (1825-1899) wrote FURIOSO POLKA, OP. 260, in 1861, at a time when these quick dances thrived in Viennese ballrooms. In the subtitle "quasi Galopp", he indicated that the piece should resemble a galop, another brisk dance in duple meter. Fluctuating between major and minor keys, a performance runs slightly over two minutes. The premiere took place at a charity concert at Vauxhall Pavilion in Pavlovsk Park near St. Petersburg on September 14, 1861, the composer at the baton. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp. Perc(2-3): Str (9.8.7.6.5 in set). | 1+Picc.2.2.2: 4.2.3.0: Timp. Perc(2-3): Str (9.8.7.6.5 in set) |