Titles
Showing 6,761-6,780 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 6761 | 63391081-9E46-4CB5-B366-85B6920B249E | SU42 | Sonata in D, K306 | Viola | ||
| 6762 | 63490701-5675-413E-841C-7B51C6641A34 | W710091 | Mass In First Tone | (not set) | Organ Solo | |
| 6763 | 634C7CB0-87FD-4B6A-90E6-CF78A95F89C8 | 50414001 | Floot Loops | Floot Loops was composed in 1979 as a gift to the composer’s wife, Marion. Each movement has some connection to everyday life and the struggles of making your way early in the adventure. Since blues are normally written in a 12-bar pattern, the 13-bar structure of the first movement hints at some extraordinary discombobulation. Zeed is one of those goofy bits of vocabulary coined in a household and refers to the z’s designating sleep in a comic strip bubble. Letters Home came about because the jobs of the composer and his wife forced them to live apart for a time. There was no internet at the time, so they wrote letters to stay in touch. Cat’s Meow, it will come as no surprise, refers to the three cats who allowed the family to share their domicile. Temporary Help references a dispatcher’s job at a temporary help agency held for a brief time with an inordinate number of interesting stories brought home to relate. | Flute and Piano | |
| 6764 | 634D9B94-C658-423B-BD13-8C08AED5390F | 50130005 | White Shadow (flex band) | For the band director confronted with unusual instrumentation, this version of "White Shadow" is playable by as few as five winds with percussion. Originally written for a band with only 11 members, this is a perfect fit for groups with some ability but less than optimal instrumentation. | Versa-Band | |
| 6765 | 6352EA62-AA7E-4B76-AFBD-B15F1A70DA58 | X229001 | Brass Rubbing | (not set) | 6 Trumpets | |
| 6766 | 635CD392-FB76-4C34-AB75-A1736488B06B | SS729 | Marchenbilder No. 4 | Alto Clarinet | ||
| 6767 | 635D72F4-F500-4770-BA9E-17AA72ADB974 | SC3 | Alamo, The | Lyrics by Evantha Caldwell. Versions for SSA and SATB choirs available from the publisher, as well as band accompaniment. | Satb | |
| 6768 | 635DE6D8-3B63-412E-B719-90294A7B6C9E | M411191 | Sonata | (not set) | Violoncello and Piano | |
| 6769 | 635E6A4A-E080-45A9-BBDF-16F9D7C3193C | 20702435 | Early American Suite | Six traditional American folk tunes in one medley for H.S. trio with 2 Violins & Cello or; Violin, Viola & Cello. There is an optional ending halfway through this four-minute work to give you several programming options. With some double stops, several changes in meter and music arranged in the major keys of G, D and A, this work is a rewarding experience for the developing ensemble. | Violin 1, Violin 2 (Viola) and Violoncello | |
| 6770 | 6361B6FD-F5C3-4399-B3BA-E0E261F8CC46 | WM00291 | String Quartet | It is unknown when the Bohemian-born Jewish composer Jaromir Weinberger (1896-1967) wrote this string quartet, but the manuscript was discovered at the Weinberger archive in the National Library of Israel. Edited by Tristan Willems. | String Quartet | |
| 6771 | 63638E61-9902-47A8-B435-D3152BBBFD07 | LV129CB | Doodle Dandy | This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. | Concert Band | |
| 6772 | 6366AC7E-F7A9-4AC7-B85B-53B86485B7A7 | S1006CB | The Many Moods of Christmas: Suite No. 4 | The extensive passages for orchestra alone in The Many Moods of Christmas suites represent some of Robert Russell Bennett’s most brilliant and attractive writing based on familiar carols. This Mark Rogers edition for wind band alone is the second offering in an ongoing series which will bring all four of these suites to the repertory of band conductors in the coming years. Included are Break Forth, O Beauteous Heavenly Light, The First Nowell, O Little Town of Bethlehem, I Saw Three Ships, and concludes with a rousing version of Deck the Halls with Boughs of Holly. | Concert Band | |
| 6773 | 636A3681-E442-43E2-A1A8-BDCEBF6C5501 | 50250021 | Symphony No. 1: Mvt. 1 for String Orchestra | Everyone remembers the first time they played Beethoven. Let it be in this sparkling, playable arrangement for string orchestra by John O'Neill! From the slow, plaintive Adagio to the fast-paced Allegro, this is a marvelous introduction to the work of a giant of the Classical-Romantic period. | String Orchestra | |
| 6774 | 636F6AFB-7667-48F2-820C-F8D09924FE02 | SU101 | Pavane Pour Une Infante Defunte | (not set) | Flute Choir | |
| 6775 | 63788933-6B69-42B2-A411-D742ADCB929F | 10373001 | Rhythm Sessions for Strings, Cello | This is an important new collection for string educators--excellent material for ensemble drill and warm-up. Rhythm Sessions is scored for string orchestra with an optional third violin substitute part for the viola. Extremely cleverly written, they will also provide exceptional encore material! Also included are scale studies and a very useful Rhythm Glossary as an easy reference for practicing specific patterns in a group setting. | Violoncello | |
| 6776 | 6378FC11-8929-4AD4-9107-74472CD0F54C | 10100560 | That Others May Live | The United States Air Force Pararescuemen are paid tribute in this powerful and moving work. While a particularly courageous rescue operation is the object of the work, all the brave men and women who risk their lives are respectfully honored. | Symphonic Band | |
| 6777 | 637970DB-BEEB-4EC3-B64B-0FEB53B1883D | X504020 | String Quartet No. 1 | Commissioned by the LaSalle Quartet and dedicated to them with friendship and admiration. | String Quartet | |
| 6778 | 637A5730-EA40-4039-ABA0-63E7FF211CC3 | A317702 | Macbeth (complete 1865 version) | Written for the Teatro della Pergola in Florence, and premiering on March 14 1847, MACBETH was Verdi's tenth opera and the first genuine masterpiece of his career. Adamant about creating an opera "unlike any other," it met with immediate success, though it struck Italian audiences as an oddity due to its lack of a great love affair as part of the plot. Seeking to do something musically different, Verdi wrote to librettist Francesco Piave, "If we cannot make it a masterpiece, let us at least do something out of the ordinary." The opera breaks many of the rules common in the framework of Italian opera, favoring a more fluid, cohesively unfolding music drama in, as Verdi later admitted, his own attempt at the Wagnerian "fusion of music and drama." Almost twenty years after the premiere, interest in a French version for a Paris premiere drove Verdi to revise and expand the opera. This version, with substantial changes and additions to the music and libretto both, premiered in Paris on April 19 1865, and the Italian translation of this remains the preferred version for modern performances, although often MacBeth's death scene from the first version replaces the revised last act. Truly a great opera, and a favorite of Verdi himself, the opera has not shared the success of the composer's other works, but this is not due to any deficiency in the music, which captivates the listener from the beginning to the end. This vocal score includes the Italian text. The complete set of orchestra score and parts are available separately from the publisher. | Vocal soli (10 roles, SATTBBBBBB): Chorus: Keyboard or Orchestra accompaniment | |
| 6779 | 63821E71-4F90-4AA3-BF41-2A462C00DF21 | 52720024 | Christmas Carol Fantasies for Viola and Piano | Intermediate level, on the jazzy/contemporary side. Contents: Coventry Carol; O Come, O Come, Immanuel; God Rest Ye Merry, Gentlemen; Lo, How a Rose E'er Blooming; Bring a Torch, Jeanette Isabella; O Blue Sanctissima; Companions, All Sing Loudly; I Saw Three Ships. | Viola and Piano | |
| 6780 | 63948611-0705-40E0-8CF1-3D17444CD949 | R00831 | Cello Concerto | (not set) | Cello, Piano Reduction Reduction from: Cello Solo 2(1d Piccolo).2.2.2: 4.0.0.0: Timpani.Percussion(1): Strings |