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674162E7B9C9-0357-4ADA-8829-0BD16E5849B6M906302O Tannenbaum: A Christmas Carol for Concert BandThe works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.Concert Band with Optional Mixed Choir
674262E9FF2D-DDB6-4B5E-AEB5-A1041711E5E5R01500The Darkness of FuryThe Darkness of Fury is a contemplation of the brutality of war, especially the wars of the Middle East since 1948. Following a brief and violent introduction, a terse chromatic "Fugue from Hell" ensues--demons chasing demons. A romantic transition played by the strings is a fleeting ray of hope for peace. But this is short lived as the Fugue returns bringing the piece to its brutal and violent end.2(2dPicc).2(1dEH).2.2: 4(+opt Hn5).3.3.1: Timp.Perc(2): Str
674362EE2955-8728-49EF-9C4A-641088FB1D3FST316Waltz ThemeHorn
674462FE2AC3-6338-4E7B-89C9-2A72A02A375CA304202Indes Galantes, Les, RCT 44: Suite No. 1Jean-Philippe Rameau’s (1683-1764) LES INDES GALANTES, RCT 44, first performed at the Paris Opéra in 1735, is a genre-defying opéra-ballet that blends dance, vocal spectacle, and exotic fantasy. Comprising a prologue and four independent acts (or "entrées"), the work explores the theme of love in faraway lands—ranging from Turkey and Peru to Persia and North America—reflecting Enlightenment-era curiosity and romantic idealization of the "exotic." Although it fell into relative obscurity after Rameau’s death, it has enjoyed a significant revival since the 20th century, thanks to historically informed performance practices and its dramatic theatricality. In 1895, a version of SUITE NO. 1, edited by Paul Dukas, was published under the direction of Camille Saint-Saëns, here presented in this Kalmus edition. Movements: 1. Marche; 2. Menuet; 3. Danse des sauvages; 4. Chaconne. Instrumentation: 2.2.0.2: 0.2.0.0: Timp: Str (9.8.7.6.5 in set). Reprint edition.2.2.0.2: 0.2.0.0: Timp: Str (9.8.7.6.5 in set)
674563004C02-BA9F-4B63-94AC-EEE63D3EAD88SC743COPraise God in His Sanctuary(not set)SATB
674663013F78-3073-4058-91D2-F5B22795FE2750522002Songs About JohnnyTwo folk songs arranged for horn trio by educator Percy Hall are just what young players need.F Horn 1, 2 and 3
67476304079F-2C67-4052-9CDF-72C76BF529ADST440Air from Suite No. 3 in D MajorThis "Air" is the 2nd of six movements from J.S. Bach's Orchestra Suite No. 3, BWV 1068. Originally written for 2 oboes, 3 trumpets, timpani, strings, and continuo, this arrangement for alto saxophone and piano has been transcribed by Cecil Leeson.Alto Sax and Piano
6748630F162E-0639-479D-90EC-A0E49819ED50B173Duos Concertants, 1st SeriesThis collection of advanced duets for flute (alt. oboe) and clarinet feature works by J.S. Bach, Handel, and Mozart.Flute (alt. oboe), Clarinet
6749631A3779-64A2-4F4A-91F6-EAAD36D88F6EA197202Concerto for Piano No. 4 in C minor, Op. 44In 1875, Camille Saint-Saëns (1835-1921) created an innovative four-part structure for his CONCERTO FOR PIANO NO. 4 IN C MINOR, OP. 44. Dedicating the work to Anton Door, the composer gave the first performance in Paris with the Colonne Orchestra on October 31. The four movements are grouped into pairs, both of which are linked by bridge-like sections. The effect of Classical symmetry is further buttressed by a frequent usage of four-bar and eight-bar phrases and a chorale-like theme in the final movement. Due to its key and structural similarity, the concerto has often been compared to the ORGAN SYMPHONY. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Pno.2.2.2.2: 2.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Pno
6750631E0416-0F25-4AC5-AF9A-13D3933EEE48R01239Fourth Symphony(not set)2+Piccolo.3.2+Bass Clarinet.2: 4.3.3.1: Timpani.Percussion(3).Piano(d Celesta).Harp: :Strings
6751631ED41D-7F8F-4DCE-B949-57C695C6F82ESC180Sing to the LordSatb
67526322C31F-4770-44D2-8B5D-9E8923C6E93EX150010Saxmaniac
675363233F47-66F9-44E7-88A9-F239B632D436ST95Sonata No. 3This advanced horn sonata employs a meterless approach to rhythm that rather emphasizes a freer approach to the interpretation of the rhythm. For Willem Valkenier.Horn and Piano
675463254B07-CA4B-4129-BBD8-CA1AC7F2CD34X504074Nayshaboorak: Calligraphy No. 6May be performed in traditional Western string quartet configuration, or as a quartet of Persian Kamanche. Full performance and tuning instructions included. Premiered in the US and Europe.String Quartet
67556325DD45-0221-4F00-BD36-D0FDF938B891ST850Triplet ThreesThis solo for timpani requires three drums. As the title suggests, it incorporates many triplet figures.Timpani Unaccompanied
6756632C81A6-A294-4011-8052-8A26F6B90CFAA171502Athalie, Op. 74: War March of the PriestsIn 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write incidental music to a religious drama by Jean Racine, ATHALIE, based on the queen of Judah during Jehoram's reign. It was intended for a private performance on December 1, 1845 and saw its first public performance on January 8th of the following year. WAR MARCH OF THE PRIESTS, a brief excerpt taken from the work, is sometimes heard during graduation ceremonies. Reprint edition. Instrumentation: 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set)
6757632D6FFA-1712-4451-935E-90CF1140DF24M346391L'Organiste Liturgiste, Op. 65, Bk. 10French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgique" is available from the publisher.Organ
67586332B854-CA8A-4B65-8B11-C308B7D10B07R00896Hints And Tappings from The Light of Three MorningsFrom The Light of Three Mornings1.1.1.1: 1.1.1.0: Perc(1): Str (min. 4.2.1.1.1)
6759633438DF-F1AC-4E56-B6F1-7826A3AC7E53M156791Quartet in A minor for Flute, Viola, Cello and Piano(not set)Flute, Viola, Violoncello and Piano
67606337099A-3AA1-42F4-BC9C-123BA7145B55A287502Haensel and Gretel: Dance Duet from Act I2, 2, 2, 2 - 4, 2, 0, 0, timp, perc, str