Titles
Showing 5,521-5,540 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5521 | 50451E4C-82FB-4F47-BF4E-16399A1801F4 | A731790 | Song of Jupiter (Where'ere You Walk from the musical drama Semele, HWV 58) | The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonatas, and harpsichord pieces he composed. To provide another instrumental example of the great master's work, Leroy Anderson has made a transcription of one of the most beautiful of Handel's arias. SONG OF JUPITER is the aria entitled "Where'ere You Walk," which is sung by Jupiter in the oratorio SEMELE. One of the lesser known of Handel's oratorios, SEMELE was written in London in 1743, the year following the first performance of Handel's greatest musical achievement, THE MESSIAH. In SONG OF JUPITER we find a flowing melody of simple grandeur that is characteristic of Handel's music. Instrumentation: 2+Picc.2.2.2: 3Sax(opt.AAT): 4.3.3.1: Timp: Str (9-8-7-6-5 in set): Org/Pno (opt.) not in set and only available in the score. | 2+Picc.2.2.2: 3Sax(opt.AAT): 4.3.3.1: Timp: Str (9-8-7-6-5 in set): Org/Pno (opt.) not in set | |
| 5522 | 5047E003-A311-4188-A2C8-B686CCA2BB25 | M309391 | Six Bagatelles, Op. 3 | (not set) | Solo Piano | |
| 5523 | 5048D804-980B-430B-A9A3-0000C9114649 | R01618 | Test and Trial | String Orchestra | ||
| 5524 | 50552271-CDED-4575-B0F7-53E2D7199D80 | MR00483 | Fanfare for the Detroit Opera House for Trumpets, Horns, and Trombones | This fanfare can be performed with a variable number of players, from three - one trumpet, one horn, and one trombone - to the sixteen brass players involved with the April 21, 1996 opening of the new Detroit Opera House. The usual number of brass will be the normal complement in the opera-house orchestra: three trumpets, four horns, and three trombones. Can be used for calling patrons back to their seats after intermission. Multiple brass sections can also function as their own separate fanfares also. | Range: 0.0.0.0: 1.1.1.0 to 0.0.0.0: 4.3.3.0 | |
| 5525 | 506215C9-5A0C-4BFD-B53F-58EDEF9074B3 | V96 | Two Songs: Art Songs by American Women Composers v. 2 | This series is the first published collection of art songs set to music exclusively by American women of the 20th century. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. Florence Price (1888-1953) was the first black woman composer to be widely recognized in this country. She wrote many art songs and spirituall arrangements, including those in this volume, which have never been previously published. Collection includes: "Feet o' Jesus" (text by Langston Hughes), and "Trouble Done Come My Way." | Medium Voice | |
| 5526 | 50692527-9969-49AA-AA41-7C88662175B9 | ST571 | Tandem | This short yet fun snare drum duet focuses on basic sticking fundamentals, and early rudiments including the flam and roll. Also emphasized is the musical concept of dynamics. | 2 Snare Drums | |
| 5527 | 506938EA-FE48-4DA3-BA0F-569CD204888C | R01407 | First Symphony: Sorrowful Tiantai | Grand Symphonic Poem for Piano, Soprano and Choir. | Sopr Solo, Pno Solo, SATB Chor: 3.2.2.2: ASax: 6.4.4.1: Perc(4): Str | |
| 5528 | 506BAABC-AC70-4AEE-A272-2142AB2C3301 | R00697 | Enigma from The Avatar | Arrangement of Movement 2 of The Avatar for fluegelhorn and chamber orchestra. | Flg Solo: Perc(1): Str | |
| 5529 | 50758819-2549-406C-9FD9-1CDC17F5E4D2 | 10100467 | Sons of Veterans March | Although best known for his circus and university marches, King also composed regimental style marches. This classic, composed while he was playing baritone horn in the Thayer Military Band in Canton, Ohio, contains a trumpet and drum section in the trio and builds to a dramatic conclusion. This is excellent music for any program, but especially for a patriotic or military tribute. | Concert Band | |
| 5530 | 50799007-9521-4483-BABC-15ADD656EB41 | 50410010 | Jig for John | Jig for John is a fun, upbeat Irish jig perfect for the intermediate player looking for something different on their recital or at contest. | Flute, Piano | |
| 5531 | 5085C684-3755-4170-B07B-EEAB00ADDACD | SS662 | Duo Rumba | 2 Snare Drums | ||
| 5532 | 508F7084-4705-478D-BBFC-D27AEA05326B | M287291 | Sonata for Cello | This dark and passionate piece for cello and piano is a wonderful concert or solo showpiece. It is composed in 3 movements: I. Allegro non troppo, II. Andante sostenuto, and III. Presto, and performance time is approximately 15 minutes. | Violoncello and Piano | |
| 5533 | 50914446-7B3F-45EE-ABD0-E6FC37893269 | S197 | Napoli (Trumpet or Trombone solo with band) | Napoli is perhaps the most famous solo by Sousa arranger and cornet virtuoso Hermann Bellstedt. Conceived as a theme and variations on a wildly popular 19th Century song, this edition by Bellstedt's student and Sousa band successor Frank Simon remains the one most performed today. Arrangements for trumpet and piano, trombone and piano, and trumpet or trombone and full orchestra are also available from the publisher. | Trumpet Solo: Concert Band | |
| 5534 | 509785BE-43E0-4BFA-AA18-A0F0F355FDA7 | A721102 | Idomeneo, K. 366: Overture | (not set) | 0.2.2.2: 2.0.0.0 | |
| 5535 | 509A203E-F0EC-4DBE-A3E8-2860C32107B0 | X513001 | Gershwiniana for Violin Trio or Violin Duo with Viola | Three movement works, each spun from motifs from different Gershwin songs. The first two movements are lyrical while the finale is an extremely virtuosic transformation of Gershwin's two piano preludes into 12-bar blues in e-flat minor. | 3 Violins or 2 Violins, Viola (reading treble clef) | |
| 5536 | 509C6C99-F15A-44A9-BDF3-1F7723B379E1 | S787CB | Procession of the Princes and Priests | This is a charming little march of great character. With the sound of the trumpet, the procession is announced. The following stately tune is one of Mussorgsky's best and was borrowed by Tchaikovsky for his "Serenade for Strings." This transcription for band is at once relatively easy and fun to play. | Concert Band | |
| 5537 | 509DB46B-090B-4BC4-8DD1-1538E36192FD | A195602 | Romance in F, Op. 36 | Camille Saint-Saëns composed ROMANCE in F Major, Op. 36 in 1874, scoring it for horn or violoncello with orchestra or piano. The version for horn and piano premiered on February 14, 1874 in Paris with Salle Hertz as the soloist, and the orchestra version premiered on March 27, 1878 in Strasbourg with Joseph Stennebruggen on horn accompanied by the Strasbourg Municipal Orchestra, Camille Saint-Saëns conducting. Instrumentation: 2.1.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Horn in set. Reprint edition. The piano reduction is available from the LudwigMasters, catalogue no. M198991. | 2.1.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Horn in set | |
| 5538 | 50A2577B-355A-488F-B6C1-FE22A2514529 | 10100068 | Sarabande and Bourree | (not set) | Concert Band | |
| 5539 | 50A26676-5912-49D5-832E-EB0556057E3A | S824CB | Scaramouche | (not set) | Concert Band | |
| 5540 | 50A3216C-66B7-4533-AB32-07E7D1A131DE | MP126001 | Eventide for English Horn and Piano | A concerto for English horn, percussion, harp, celesta & string orchestra, "Eventide" takes its creative impulse from the spiritual tunes "Mary Had a Baby" and "Swing Low, Sweet Chariot," among others. Composed for long-time friend Thomas Stacy, solo English Hornist of the New York Philharmonic. Premiered in May, 2007 by George Corbett and the Virginia Symphony Orchestra. Includes program notes. | English Horn and Piano |