Titles
Showing 5,481-5,500 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5481 | 4FC98918-EA02-416D-B424-EE38F29A6F33 | SC785 | And So Did I | 2007 Texas University Interscholastic League Sightreading for 2B, 3C and 2C Varsity Tenor-Bass (TB) Choirs. Text by Isaac Joslyn Cox. | TB | |
| 5482 | 4FCA86CA-4EA7-41FE-8ED1-2A9D5354E3A8 | C108 | THEME AND VARIATIONS | |||
| 5483 | 4FCCC63D-5471-48E2-8417-F44E907769A5 | 18100001 | Ballad | BALLAD is a set of Variations on an archaic chorale-like theme. In the five variations, all instruments of the band are used in such a way as to help evoke a great variety of contrasting moods. Includes purposely written important and rather challenging parts for the Bells and Chimes. It is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and use of instruments in order to make all parts equally important, boosting the feeling of importance of every player and furthering the development of the whole performing group. | Concert Band | |
| 5484 | 4FCF4C6E-958E-4AC5-BA46-7E9840A14F3F | S151008 | Diversion (revised edition) | Diversion was composed while Bernhard Heiden served as Assistant Bandmaster for the 445th US Army band during World War II. This revised print edition has been carefully edited, correcting minor errors with bar numbering to match the 2015 Southern band publication. The influence of the composer’s mentor, Paul Hindemith is evident in the tonal but non-diatonic harmonies, paired with Heiden’s own elegant melodic writing. Constructed in a loose rondo form, the work is light and tuneful, revealing a mastery of instrumentation. Graceful lines for the solo saxophone contrast with distinctive tutti sections, providing interesting variety and underlining climactic moments. The revised band edition is published by Southern Music (S938). | Alto Saxophone and Piano | |
| 5485 | 4FDA7129-5A41-4CB1-B580-B0ECAE3A9179 | M322191 | Six Short Preludes and Postludes, Op. 105: Set 2 | (not set) | Organ | |
| 5486 | 4FDFC790-0567-4956-8451-49B4C635485B | R01640 | Artemisia | |||
| 5487 | 4FE083B4-4318-473C-B5CA-9460F8F5CB3F | R01038 | Like The Wind From Second Symphony | Also appears as second movement of Symphony No.2 | 3(1d Picc).3(1d EH).3(1d BCl).2+Cbsn: 4.4.3.1: Timp.Perc(4).Hp: Str | |
| 5488 | 4FE653F9-669E-4A6E-AA68-4F91C4BE8B52 | A673390 | The First Noel: A Christmas Carol for Chorus and String Orchestra | The holiday classic, "The First Noel: A Christmas Carol" arranged and orchestrated by Arthur Harris is for string orchestra, harp and chorus. Hp. Str (8-8-5-5-5 in set): Mx Chor. | Hp. Str (8-8-5-5-5 in set): Mx Chor | |
| 5489 | 4FE74E1A-6B3A-4B39-8697-2E2D6AE351C4 | X154006 | Saxophone Quartet Album (also AATB) | Collection of four beloved Tchaikovsky melodies. Lead instrument may be soprano saxophone or alto saxophone. Movement titles: I. Moderato, II. Winter Morning, III. Andantino, IV. Russian Dance. | SATB or AATB Saxophones | |
| 5490 | 4FEC588D-3CE3-424E-9F7A-EBD132988BDE | R00902 | North Country Concerto | This cello concerto includes four programmatic movements. The first movement, Early in the Morning - at the Break of Day, refers to the energy one often has during the first part of the day, with a spirited solo part. Movement II, A Stillness, focuses on short patterns, which vary slightly and grow in intensity as the music slowly unfolds. The third movement, An Arc in the Sky, is influenced by rough-hewn folk music. And movement IV is based on the familiar "Riddle Song" ("I gave my love a cherry that had no stone, I gave my love a baby with no cryin',") full of sighing motives and blues harmonies and non-tonal excursions that surround a simple tune. A piano reduction of the complete concerto is available from the publisher, and the complete concerto and the third movement alone are also available for rent. | Cello, Piano Movements 1-4 Reduction from: Cello Solo 2.2.2.2: 2.2.1.0: Percussion(1): Strings | |
| 5491 | 4FEC6EA3-DF91-4DE8-80FD-0BC1BA80A0BA | TC1123 | Ezekiel Saw the Wheel | EZEKIEL SAW THE WHEEL is an African American spiritual based on Chapter I of the Book of Ezekiel. The song's music and text has no known author but originated sometime in the early 19th century. This version is arranged for SACB or SATB Chorus by Arthur Hardwicke. | Four-Part Chorus with Keyboard | |
| 5492 | 4FF0B900-D5D1-4308-83CC-90BCBAA1C239 | R189 | Legacy | Legacy for Symphonic Wind Ensemble was commissioned by West Point for their Bi-Centennial, and recorded by the USMA Band at West Point. (2000) Ca. 28' | Concert Band | |
| 5493 | 4FF43733-15B5-4DBE-B117-445086E2EBA2 | MP430004 | Borborygm | |||
| 5494 | 4FF6DAE5-0F7A-4FB1-9C93-8A89D19EA992 | MP151001 | Concert Suite | This piece (1998), originally for alto saxophone and concert band, was written specifically for the University of Michigan Symphony Band and the famed professor of saxophone Donald J. Sinta. It was commissioned by the University of Michigan Band Alumni Association and is one is a series of four original works for the band's centennial celebration in 1997. Movements: I. Lively, II. Like an Old Folksong, III. Scherzando, IV. Introduction and Jump | Eb Alto Sax Solo and Piano | |
| 5495 | 4FFCDC5A-8FAF-40B1-81B0-182475874C16 | R22 | Concerto No. 2 for Trumpet and Strings | This is an arrangement of the "Quintet for Trumpet and Strings", also is available with piano accompaniment. Orchestra arrangement for Jeffrey Work and the Cantabile Chamber Orchestra | Trumpet, String Quartet or String Orchestra | |
| 5496 | 4FFFDFF7-B260-461B-B138-AF47F43A1FE5 | X505015 | Sonata for Piano and String Quintet | Commissioned by Helena Freire. | Piano, String Quintet | |
| 5497 | 5003D7E2-A306-474D-807F-1728C09156D3 | M246291 | Suite Medievale | Suite Médiévale en forme de messe basse. Movements: I. Prélude (Entrée) - II. Tiento (Offfertoire)- III. Improvisation (Elévation) - IV. Méditation (Communion) - V. Acclamations (sur le texte des Acclamations Carolingiennes) | Organ | |
| 5498 | 5005AC0D-0EA2-4EC1-9D33-67459286CEB0 | B405 | Baermann for Alto and Bass Clarinet | (not set) | Alto Clarinet, Bass Clarinet | |
| 5499 | 5007010D-089B-4838-8558-73E59B8087B3 | A564002 | Il Barbiere di Siviglia: Sinfonia (The Barber of Seville) [Originally for "Aureliano in Palmira"] | 2, 2, 2, 2 - 2, 2, 0, 0, timp, perc, str | ||
| 5500 | 5007EBD6-5ED4-4CD2-8343-4D4B5BF93206 | 50730006 | Cello Concerto, Op. 85 | Considered the last notable work of Sir Edward Elgar (1857-1934), his Cello Concerto is a cornerstone of the solo violoncello repertoire. Composed in the aftermath of World War I, it premiered in October of 1919. The premier was reportedly quite the debacle, as Elgar (as director) and the performers of the London Symphony Orchestra had not been allotted proper rehearsal time from director Albert Coates, who overran his rehearsal time at Elgar’s expense. Composed in the summer of 1919, the first theme supposedly came to Elgar during a dangerous procedure to remove an infected tonsil. Upon waking from sedation, he asked for a pencil and paper and began sketching out the melody. The Cello Concerto did not achieve popularity until the 1960’s, where a recording by renowned cellist Jacqueline du Pré made it into a classical best-seller, driving a popularity that remains through today. This LudwigMasters edition for cello and piano is edited by the internationally renowned cellist Zuill Bailey. | Violoncello and Piano |