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554150A7DCE4-5649-4E1D-BCDB-2702AFF85BC2A290902Midsummer Night's Dream, A: Incidental Music, Op. 61 (Ein Sommernachtstraum); Finale: Oh glimmering lightFelix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age of seventeen for no other reason than the love that he and his siblings had for Shakespeare’s stage works. He wrote the incidental music, Op. 61 (likely the best-known incidental music in the repertoire) in 1842 as a commission from King Frederick William IV of Prussia. In creating the complete later version, the composer incorporated the original overture, Op. 21 as the overture for the incidental music and the first of the 14 numbers. Starting with what must be four of the most evocative and memorable chords in music, the work also is the origin of the Wedding March (No. 9) used in so many ceremonies today, commonly referred to as "Here Comes the Bride." The work was premiered in Potsdam, Germany on October 14, 1843 by the Leipzig Gewandhaus Orchestra, conducted by the composer. Oberon and Titania introduce the Finale, "Through this house give glimm'ring light", a fairy chorus which, as it recedes into the distance, is followed by Puck's closing soliloquy. The work ends on the same four-chord benediction with which it began. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Vocal Solos (SA): Women’s Chor.2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Vocal Solos (SA): Women’s Chor
554250AA24AE-50D9-4C53-AAC0-37AD8F89BD18R00248Flights of Fantasy2(1d Piccolo, Alto Flute).2.2(2d Bass Clarinet).2(2d ContraBassoon): 2.2(2d Flugelhorn).0.0: Percussion(3): Strings
554350AF1800-AAB2-4B33-A5D3-023D761CAA18MR00474Five Dances for Five Clarinets and OrchestraMovements: I. Hoedown (Eb Piccolo) II. Sarabande (Eb Alto) III, Guaracha (Bb Bass) IV. Afro (Eb Contraalto) V. Hora (Bb Soprano)
554450B03CD8-8E42-4C29-97FC-BD8181E9BC14R01353Poem of RemembranceClarinet and Piano reduction. Chamber orchestra version also available.Clarinet, Piano Reduction from: 1.1.0.1:1.0.0.0, Timp: Str
554550B443F4-E8D8-4565-86D7-B9593D237098W703191Quartet from My Life(not set)Two Violins, Viola, Violoncello
554650BEDCF7-09B2-4823-A169-10C104BF849C52250930Sonntag(not set)String Orchestra
554750BF59A2-7746-4CB5-8443-8002B3366BD3ST610Concerto BrillanteA flashy showpiece similar in musical content and technical demands to Kling's 40 Characteristic Etudes.Horn
554850CA02ED-DBC7-44A5-BF16-D33D2A4B20D5SU129Hebraic DanceFlute
554950D2FD7E-B3DF-4509-929F-B7491B00974EST857Swing Low, Sweet ChariotThis jazzy, soulful arrangement includes interesting rhythmic and melodic lines for all players.Tuba Quartet (2 Baritones and 2 Tubas)
555050D3F4A7-805E-45CD-87FC-FB4C19500CADS951CBChristmas MarchAmong Goldman’s many contributions to the band’s repertoire, his pastiche marches such as “Children’s March” and the “Christmas March” have been especially popular. Familiar seasonal tunes include Good King Wenceslas, Adeste Fideles, Jingle Bells, It Came Upon the Midnight Clear, The First Noël, Deck the Halls and Hark! the Herald Angels Sing. An optional short coda reduces the playing time to approximately 4:00. A handsome full score and judicious rescoring of the upper woodwinds makes this an ideal alternative for community bands looking for new sounds in a classic, yet familiar style for their December programs.Concert Band
555150E0ACDF-442C-4FC8-AF49-1C29EC983640A811202Duex Melodies HebraiquesMaurice Ravel (1875-1937) originally wrote DEUX MÉLODIES HÉBRAÏQUES (TWO HEBREW SONGS) for voice and piano for soprano Alvina Alvi, who premiered the two songs in June of 1914. While both songs include French text, the first and more popular song, KADDISCH (Holy), is also in Aramaic, while the second song, L'ÉNIGME ÉTERNELLE (THE ETERNAL RIDDLE), is in Yiddish. Ravel orchestrated both for voice and orchestra in 1920, and many other transcriptions, particularly of KADDISCH, have followed over the years. Instrumentation: 2.2.2.2: 2.2.0.0: Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Voice. Reprint edition.2.2.2.2: 2.2.0.0: Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Voice
555250E18C32-AF0D-4CAF-9619-064983C3DA87M298891Three Songs, Op. 2(not set)Voice and Piano
555350E1E38F-A3F3-4D04-9242-913F56E1C963A918590La CucarachaFull Orchestra
555450E65AAC-0F3F-4705-AAE4-94F1E2AE7045R00378The Depth4+Piccolo.3+English Horn.3+Bass Clarinet.3+ContraBassoon: 4.3.3.1: Timpani.Percussion(4).Piano(d Celesta).Harp: Strings
555550E844BE-D06C-4845-B50B-4AC221FB69BB10532192Gypsy Love SongGYPSY LOVE SONG (Slumber On, My Little Gypsy Sweetheart) was written by Victor Herbert (1859-1924) in 1898 for his three-act operetta, THE FORTUNE TELLER, a story of attempted force marriage, many romantic relationships, and mistaken identities, all of which end happily. The tranquil and melodic song has been arranged in multiple ways (all with piano accompaniment) by Floyd O. Harris, all of which are available from the publisher: Alto Saxophone solo, duo, and trio (3rd Alto Saxophone also includes a Tenor Saxophone substitute); Tenor Saxophone solo; Cornet/Trumpet solo, duo, and trio; Trombone/Euphonium/Baritone B.C. solo, duo, and trio. These arrangements are wonderful for developing students looking for a lyrical piece to take to contest or recital.Trombone/Euphonium/Baritone B.C. Trio and Piano
555650EA4527-A7C6-418F-8795-6B345E47567EM310091Feuilles d'albumThree pieces composed by violinist Henri Vieuxtemps, edited and fingered by Joan Manen. Pieces: 1. Romance 2. Regrets 3. BohemienneViolin and Piano
555750F179AA-5820-4C09-871E-FFFF9A683D63X540011Basso-Non-profundoWritten for David Murray at the Swedish American Center and Butler College.Bass Solo
555850F18954-00CA-4F2E-944F-749484BBE517M273491Seguidillas: Repetitions and Ostinatos for Tuba EnsembleSEGUIDILLAS - "Repetitions and Ostinatos for Tuba Ensemble" was commissioned by Stephen E. Panoff for R. Winston Morris and Symphonia. Seguidillas (literally, something that repeatedly goes on and on with seemingly no end) is a high energy piece consisting of a variety of persistent repetitive motifs outlining intervals of the third. The pieces is scored for four euphonium and four tuba parts. The score also calls for two optional percussion parts featuring an array of percussion instruments including tambourine, timbales, maracas, and mounted castanets. Sequidillas was written in November, 1995 especially for Symphonia's first recording and for their concert appearance at the 1995 International Midwest Band and Orchestra Clinic in Chicago, Illinois.4 Euphoniums (T.C. or B.C.), 4 Tubas, 2 Percussion (opt.)
555950F64079-959F-491A-B0FF-DB6E0644CD1ER00710Beyond McBeanComposed for the UCLA Contemporary Music Festival, 1975Violin Solo    Flute, Oboe, B-flat Clarinet, Bassoon, Horn, Trumpet, Trombone, Percussion(2), Harpsichord, Harp, Viola, Cello, Double Bass
556050F68AFE-7924-4850-A9CE-07EC6AF3717D50130014Allerseelen (flex band)A favorite of the Ludwig Music band library, Allerseelen is a wonderful example of Richard Strauss' haunting early art songs. This arrangement for flexible is respectful of the original work and strives to maintain the importance of the beautiful melodic line. It can be played by any SSATB combination of instruments with optional percussion, from 5 players through large ensembles.Any SSATB combination of instruments with optional percussion, from 5 players through large ensembles