Titles
Showing 5,581-5,600 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5581 | 517B657F-68AC-43E3-8907-2851E4AD5B98 | R00046 | The Song of the Sparrows | Inspired by the courage and compassion of Dr. Janusz Korczak for the children of his orphanage in the Warsaw Ghetto, Poland, 1942. | Narrator, Baritone Solo SATB Chorus, Children's Chorus Chorus2(1d Piccolo, 1d Alto Flute, Bass Flute).2(1d English Horn).2(1d E-flat Clarinet, 1d Bass Clarinet, ContraBass Clarinet).2(1d ContraBassoon).2 Recorder(played by Woodwind section): 4.2.2.1: Ti | |
| 5582 | 517EA95C-7BCE-4CAC-B909-DDE90F8D7CD5 | 50250096 | March from Symphony No. 6 | Chromatic passages, basic shifting, and a variety of rhythmic patterns make for a challenging romp through one of Tchaikovsky's most-loved symphonic works. | String Orchestra | |
| 5583 | 51802046-8F36-4127-89A6-9A27EE54162B | RMR17WWCH | Hill Song No. 1 for Woodwind Choir | This is a practical performing edition of Grainger's Hill Song No. 1 in its original scoring. | 2 Piccolos (d. Flute), 6 Oboes, 6 English Horns, 6 Bassoons, Contrabassoon | |
| 5584 | 5182A322-C9D9-4192-8B10-F946A0AB5876 | SU485 | Trio, Op. 87 (Clarinets) | Originally scored for two oboes and English horn, Beethoven's Trio Op. 87 has long been one of the composer's most popular works. This edition by Albert Andraud expresses the French romantic tradition of his heritage, providing performers a distinctive approach to this charming classical-style work. Movement titles: 1. Allegro 2. Adagio 3. Menuet and Trio 4. Finale | Clarinet Trio | |
| 5585 | 5185CFB3-D843-479D-8BC5-725B68055BE5 | LL101 | Sleep My Little One | Satb | ||
| 5586 | 51860D30-4892-4A4D-A0B8-A28D2BA0252F | X505007 | Henry: A Ballad for Piano Quintet | Pno 5tet | ||
| 5587 | 5189BE8A-4BF6-493B-8460-1C91EAE14E2F | R01149 | The Seventh Chakra for Percussion and Brass Band | Commissioned by the River City Brass Band, May, 1999. | Percussion Solo: Flugelhorn.5 Cornet.3 Horn.3 Trombone.2 Baritone Horn.2 Euphonium. 2 Tuba: Timpani.Percussion(2) | |
| 5588 | 518c55e1-9e3c-11f0-a418-0022482c9682 | W110391 | Antigone, Op. 55: Incidental Music | ANTIGONE, Op. 55 is incidental music composed by Felix Mendelssohn (1809-1847) in 1841 for a German translation of Sophocles’ tragedy by Johann Jakob Christian Donner, commissioned by King Friedrich Wilhelm IV of Prussia. Scored for double male chorus, narrator, and orchestra, the work blends Classical restraint with Romantic expression, using antique-sounding choral writing and modal harmonies to evoke the solemn dignity of ancient Greek drama. The first performance took place at the New Palace in Potsdam on October 28, 1841. Though not often staged today with the full play, the work represents 19th-century interest in classical antiquity, admired for its dignified beauty and innovative dramatic integration. Instrumentation: Men's Chorus and Piano. Reprint edition. | Double Men's Chorus and Piano | |
| 5589 | 518E75ED-B851-419C-A801-22C0CA8E6F96 | 10532447 | A Viennese Sonatina | This transcription of Mozart music for trombone trio has been completed by Ernest R. Miller, soloist, clinician, and teacher. | Trombone Trio | |
| 5590 | 5190D4B7-4BC2-4999-AB49-BE64CAD87EDF | W714491 | Suites, Lessons & Pieces for the Harpsichord, Vol. 4 | This complete collection of harpsichord works by Henry Purcell (1659-1695) has been compiled and edited by William Barclay Squire. Offered here in four volumes, the following works are included in volume 4: Twelve Lessons from 'Musick's' Handmaid, Part II (1. Song Tune; 2. Con spirito; 3. March; 4. New Minuet; 5. Minuet; 6. Minuet; 7. a New Scotch Tune; 8. A New Ground; 9. A New Irish Tune Lilliburlero; 10. Rigadoon; 11. Sepauchi's Farewell; 12. Minuet); Almand; Borry; Prelude; The Queen's Dolour; Minuet; A Ground. | Harpsichord (or Piano) Solo | |
| 5591 | 5197FD29-764B-4FD1-9C5E-F1BE10747942 | 10550130 | Little Fiesta | Little Fiesta is a fun, catchy, and short piece for solo tuba and piano accompaniment. It consists of a polka-tango, a trio, and a recapitulation of the initial polka-tango theme. Within the trio, there is a beautiful melody which utilizes alternating fast and slow tempos, making this an excellent piece for beginner-intermediate student study and recital performance. | Tuba Solo and Piano | |
| 5592 | 519D8C24-ACE5-4BA4-B053-EC91F3EC46B8 | M338791 | Two Pieces: Pastel, Op. 128 and Menuet galant, Op. 129 | Solo Piano | ||
| 5593 | 519DB0C9-E568-4EFF-A08A-41EF659A6926 | SO64 | March Of Freedom | String Orchestra | ||
| 5594 | 51A1F314-0000-4045-B1AC-AA8F2E21178A | 10250104 | Concertino for Strings | Starting with the lively, contrapuntal Overture in ritornello form, Concertino for Strings demands only moderate technical facility. Movement II (Dirge) features cellos and basses in a pizzicato walking bass line that moves to other voices too. Ending with a lively Toccata, the third movement is highly animated while being technically accessible to most players. A well balanced work of moderate demand, this work is a real crowd pleaser! | String Orchestra | |
| 5595 | 51ABB089-8F07-48AF-9E55-F6F148BEA16D | M913802 | Wedding of Luis Alonso (La Boda de Luis Alonso) | Concert Band | ||
| 5596 | 51AF9236-AE30-405A-85B6-3255956B6EB8 | R01197 | Earthdance Concerto (2-piano reduction) | Composed for the Indiana University Ballet Theatre and Wind Ensemble, and for IU faculty virtuoso pianist Emile Naoumoff. Earthdance was conceived as both a ballet and concert work and is follows traditional four-movement symphonic structure which is singular among Freund's works. | Piano, Piano ReductionReduced from:Solo Piano2+Piccolo.2.3+E-flat Clarinet, Bass Clarinet, ContraBass Clarinet.2: SATB Saxophone Ensemble: 4.4.4+Euphonium.1: Percussion(6): Double Bass | |
| 5597 | 51AFF084-1677-4BFA-82ED-48936DB92168 | M808190 | Little Boy Lost (from the United Artists film Pieces of Dreams) | Hauntingly and intimately beautiful, this coupling of the talents of Michel Legrand and Mike Lewis will have an astonishing impact on audiences. | String Orchestra | |
| 5598 | 51B0ADBE-A458-4A01-9EC8-A339EDAED7BF | R01269 | The Ghosts of Alder Gulch | An evocation of antique musical instruments and machines, and the spirits who are still making music through them. | 2(1d Piccolo).2.2(1d Bass Clarinet).2: 2.2.2.1: Timpani.Percussion(3).Piano 4 hands.Harp: Strings | |
| 5599 | 51B78AF6-382B-400D-9903-38C21397CA20 | EBM0610104 | Symphony No. 3 | The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch. Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra. Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings." | 3(Pi)343 4331 Timp Hp Cel Str | |
| 5600 | 51BA6170-F45B-4E62-B99E-3FE448E2066E | 10550258 | Allegro from Concerto in F minor | One of Handel's most famous melodies has been transcribed for intermediate and advancing tuba players by Robert Barr. Versions for alto clarinet, bass clarinet, bassoon, alto saxophone, tenor saxophone, baritone saxophone, trumpet/cornet, baritone B.C., and tuba are available from the publisher. | Tuba Solo and Piano |