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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
54614F695A05-5BC2-4F06-B3FF-C694041F5B8CST418Summer NocturneVersions for solo tuba, trombone/baritone, and horn are all available from the publisher.Tuba and Piano
54624F6DF3EA-31C4-4110-B305-1F2DBA8E338BX111024Rapture for Flute and PianoPerformances include those by Jayn Rosenfeld, Stephen Gosling at Merkin Hall, NYC. Washington Square Contemporary Music Society; SCI National Conference, Syracuse University; Rapture, Kelly Covert, flute; Catholic College, Chicago, IL; Catherine Ramiraz, Lake Shore Chamber Music, ChicagoFlute and Piano
54634F72A76A-5252-4E16-8A12-F4FFE3446AFARCSS448BerceuseFlute, Piano
54644F7731DB-4FA2-45D2-B16C-5CA8383F10CFP10VioletsPiano
54654F7A6E89-03C1-444B-A8C8-92CE5BB65726ST489March MilitaireThis march is of the German and Austro-Hungarian tradition, which are played at a more stately tempo than American, English, or French marches. It uses common flute choir instrumentation of piccolo, 5 standard flutes, alto flute, and bass flute.Flute Choir: Picc, 5 Sstandard Flutes, Alto Flute, and Bass Flute
54664F84BFAF-AA44-48C4-985B-DF142CEC8B9EA119802Medea: Overture2, 2, 2, 2 - 4, 0, 0, 0, timp, str
54674f8df355-9e3c-11f0-a418-0022482c9682TC879My Shepherd Will Supply My NeedThis arrangement of the American southern folk hymn has been completed by Arthur Hardwicke. Versions for SSA, SAB, and SATB choirs are available from the publisher.SATB and Piano Accompaniment
54684F94877F-6F44-438B-97E3-59C618DB3431SU249Moody GardenFlute, Cello, Percussion
54694F9B911E-68BB-49E4-AC24-219F459786DCEBM0660054Duo for Cello and PianoRecorded on Marquis 83115, Edgar Lustgarten, cello, John Williams, piano. This is a reduction of the composer’s Concerto for Cello and a standalone work. Movements: 1. Slow and nebulous, fast and light, 2. Slow, ethereal, suspended, 3. Moderately fast.Cello, Piano
54704f9d611b-9e3c-11f0-a418-0022482c9682TC927We Wish You A Merry ChristmasThis standard Christmas carol is here arranged for SATB chorus by Robert Edward Smith.SATB Chorus
54714F9D9186-4C17-4F12-953C-870ACFA46554MP814028Concert Songs - Volume 2 (2001-2012): 45 Songs for High Voice
54724FA82371-8588-44BC-9EF4-18CDBDB8FED5RCST387Caprice No. 24Flute
54734FAB3BB4-2E00-4B7F-A11D-04BBFFF20A1AA163802Symphonic Poem No. 3: Les Preludes, S. 97Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert performances at the piano and settlement in Weimar. The Western music world was entrenched in a debate about non-programmatic versus programmatic music and the future of the symphonic form. Liszt's symphonic poems put him firmly in the programmatic camp, while he also adapted Beethoven's cyclic form so that the entire work could be contained in a single movement. His SYMPHONIC POEM No. 3: LES PRÉLUDES ("Preludes" or "The Beginnings"), S. 97 is the actual first use of the term "symphonic poem." It was originally intended as an overture for a choral cycle titled LES QUATRE ÉLÉMENS (“The Four Elements”), based on four poems by Joseph Autran. When the overture concept was abandoned for the symphonic poem, the inspiration also changed to an ode by the French poet Alphonse de Lamartine, also titled LES PRÉLUDES, resulting in some confusion about the programmatic inspiration. Further controversy resulted from Liszt's recruitment of composer Joachim Raff to help assist Liszt in orchestration, and area of weakness the great pianist. Despite later research proving that Liszt had a dominant hand and final say in all orchestration matters, often rejecting or modifying Raff's proposals, Raff's public proclamations that he was responsible for the orchestration created doubts about Liszt's role in that for decades. The work premiered in Weimar on February 23, 1854, Liszt himself conducting, and it has remained the most popular of his symphonic poems in the orchestral repertoire, performed frequently today. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set).3(3rd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set)
54744FABD797-8E0E-40B6-B21B-E1093D558037SU13Jungle WalkThis four-mallet solo for the advanced maribma player offers syncopated rhythms and multiple meters. It is a wonderful selection for contest or recital.Marimba Unaccompanied
54754FABD7DB-3355-44F9-A2FB-E7966CE12DE4EBM0610041Christmas Music: Holy Infant's Lullaby, The (excerpt)Movements/orchestrations may be performed/rented separately. Some movements are available for sale from Hal Leonard (Christmas Carol, O Come, All Ye Faithful, Silent Night, & The Holy Infant’s Lullaby). Others may be obtained from the publisher. Movements: Bright Star, Light of the World, Christmas Carol, God Rest Ye Merry, Gentlemen, Hark, the Herald Angels Sing, The Holy Infant's Lullaby, O Come, All Ye Faithful, Silent NightSATB Chorus, 1.1.2.1: 2.2.2.0: Pc: Str
54764FB4F541-ADC8-4ED1-8EE7-7E3CEA96115EA122602Concerto for Harpsichord in F minor, BWV 1056 (composer's arrangement of a lost Concerto for Oboe)(not set)str, solo harpsichord
54774FB69859-5234-4DB8-89FC-3CE0016F7840O17JBIn Memoriam Frankie Newton(not set)Jazz Band
54784FB6A22D-CA9E-41DF-96A3-363F52250539S476MBPallas Athena
54794FB93C20-FD62-4128-A1B9-449478D69A24M126891Two Pieces, H. 53 for ViolaAlthough Frank Bridge (1879-1941) was a violist, he wrote less for it than for other string instruments. These two pieces bring out the pensive melancholy which is so characteristic of the viola's repertoire. The two pieces are titled "Pensiero" and "Allegro appassionato."Viola and Keyboard
54804FC01EDC-F9EE-44C0-976B-3B6F9C6AE187ST726Concerto No. 3 in BbLargely self-educated, Finnish composer Bernhard Henrik Crusell (1775-1838) aggresively pursued a career as a professional clarinetist, both in Finland's military bands and also as principal clarinetist of the orchestra of the King of Sweden. He was also in great demand as a soloist during his time as a performer. He became interested in composing in 1798 during trips to Berlin (to see Franz Tausch) and Paris (Lefevre) to study more clarinet techniques, and pursued compositional training with Berton and Gossec. Among Crusell's many clarinet compositions are three clarinet concerti, of which this Opus 11 is the last. Unlike the music of most clarinet virtuosos who have written for their own soloistic interests, the quality of Crusell's music ranks with that of the best composers.Clarinet, Piano