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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
54214EBABC18-7A2D-442C-9412-73049D9DB168D814125Seven Nursery Songs (complete song cycle)Voice, Piano
54224EBC1228-5E2E-44C7-9AAB-2C081B0449A6SU364Irish Tune from County DerryThis setting was written for the University of Arkansas Percussion Ensemble. The arrangement provided and expressive and musical challenge for the mallet percussion ensemble. The setting has been organized so that it can be successfully performed with as few as three marimbas.9 Players
54234EC76CC9-D090-4D71-AD24-ECBE04ECA253A115802Concerto Grosso, Op. 6, No. 9 in F, HWV 327George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330), are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo, and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli's concerto da chiesa and concerto da camara than on Antonio Vivaldi's three-movement form adopted by J.S. Bach, these 1739 works were composed to be performed during the intermissions of Handel's oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. The first movement of No. 9 in F, HWV 327 is entirely newly composed, the second and third movements are reworked from the first two movements of the organ concerto in F Major, HWV 295, "The Cuckoo and the Nightingale," the fourth and fifth movements are borrowed from the overture of Handel's Italian opera Imeneo, and the theme for the final movement (Gigue) is reminiscent of Arcangelo Corelli's Giga from his Concerto Grosso No. 12 of his Twelve concerti grossi, Op. 6, upon which Handel's concerti grossi was modelled. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. This urtext edition has been edited by Wilhelm Weismann.Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc
54244EC9FE86-6548-4F40-9A11-52455CED394CR00389Salute for Orchestra(not set)2+Piccolo.2(1d English Horn).2.2: 4.2.3.1: Timpani.Percussion(2): Strings
54254ECA37CE-5A41-41E2-82ED-EAEFF9D35B51MR00451Father, We Praise Thee for Chorus and Brass Choir
54264ECB540C-E997-4404-8A00-90F354F0527AR00135Illuminations: Symphonic Fragments after RimbaudMovements may be performed separately.3(2d Piccolos, 1d Alto Flute).2+English Horn.3(1d E-flat Clarinet, 1d Bass Clarinet).2+ContraBassoon: 4.3.3.1: Timpani.Percussion(4).Piano.Celesta.Harp: Strings
54274ECB8E61-F9D5-47DE-AAAC-81D586ACA835A906990Balladette2+1, 2, 2, 2, (3sax) - 4, 3, 3, (1), timp, perc, str
54284ecbb165-9e3c-11f0-a418-0022482c9682TC543Diaphonic Suite No. 3 for Two ClarinetsAmerican composer Ruth Crawford Seeger (1901-1953) is best known for her place in developing the modernist aesthetic, and she became a notable figure of a group of American composers called the "ultramoderns." She composed predominantly in the 1920s and 1930s, turning to studies on folk music from the late 1930s until her death. In 1930, the year she became the first woman to receive a Guggenheim Fellowship, Crawford Seeger composed four DIAPHONIC SUITES. DIAPHONIC SUITE No. 3, in three movements, was written for two clarinets. Movements: I. Tranquillo; II. Giocoso; III. Moderato.Two Clarinets
54294ECCF42B-CD84-4083-B3A4-B6328E26E2C0B367Artistic Studies, Bk. 2 (German)This book of Artistic Studies is taken from the "German school" and constitutes a very speical aspect of a complete curriculum of clarinet study. A progressive step from the "French School" Rose studies' emphasis on fluidity, flexibility, elegant nuances, and warm expressive style, the addition of the German Baermann studies in this edition adds solidity and polish to the clarinet student's quest for both technical and musical virtuosity.Clarinet
54304ed5c129-9e3c-11f0-a418-0022482c9682TC544Diaphonic Suite No. 4 for Oboe and CelloAmerican composer Ruth Crawford Seeger (1901-1953) is best known for her place in developing the modernist aesthetic, and she became a notable figure of a group of American composers called the "ultramoderns." She composed predominantly in the 1920s and 1930s, turning to studies on folk music from the late 1930s until her death. In 1930, the year she became the first woman to receive a Guggenheim Fellowship, Crawford Seeger composed four DIAPHONIC SUITES. DIAPHONIC SUITE No. 4, in three movements, was written for oboe and cello. Movements: I. Moderato; II. Andante cantando; III. Scherzando ritmico.Oboe And Cello
54314EDD3ECA-5358-4AC8-A47C-EC1EE96F983BSS390CassazioneThis woodwind quartet by W.A. Mozart for oboe (or flute), clarinet, horn and bassoon was originally discovered in 1910 and revised by Albert J. Andraud in 1936. Movements: I. Adagio, II. Menuetto, III. Adagio, IV. Polacca, V. Trio, VI. PrestoWoodwind Quartet
54324EDE389D-46B7-4BAA-83FA-C88C9F6810B852722467Elementary Viola Trios(not set)Viola Trio
54334EE58E71-E768-4B98-A211-290674615555M406091Sonatas, Ops. 47 and 96Edited by Joseph Galema. For organ. First Edition. Includes composer biography and notes on performance. Score, 38 p.Violin and Piano
54344EE5D44A-5B96-470D-BA7B-8BE9069E171810420230AllegrettoThe third and final movement from his Piano Trio in G Major, K. 564, the main melody of the Allegretto is arranged by Louis Scarmolin for the moderate to advancing musician. Versions for flute, oboe, and violin, all with piano accompaniment, are available from the publisher.Oboe and Piano
54354EE96F8A-EDA5-44C6-9FB3-38B58303EA65RCA15CFlight of the Bumble Bee for Flute and OrchestraFlute W/CHAM. OR.
54364EEC5D15-2F87-488A-89B5-565DBB063365ST216COPopular SuiteThis piece can be played by brass quintet or brass choir, and it includes an optional percussion part. This is a great selection for an advanced brass quintet. Mambo movement. Movements: I. Lazy Blues, II. Boogie Brasses, III. Mambo for Five, IV. Brass Bop.Brass Quintet or Brass Choir (optional percussion)
54374eeebf7c-9e3c-11f0-a418-0022482c9682TC547Little Suite (from the Anna Magdalena Notebook)Thomas T. Frost has taken four of the most famous pieces from ANNA MAGDALENA NOTEBOOK to create this LITTLE SUITE for orchestra. In addition to the standard instrumentation, Frost also includes additional Clarinet parts to double the Oboe 1 and Bassoon 1 to add sonority to the sound of the wind body. Included: I. Minuet, BWV Anh.114 (transposed from the customer G Major to A; J.S. Bach); II. Musette, BWV Anh.126 (in D; J.S. Bach); III. Chorale "Bist Du Bei Mir," BWV 508 (in D; J.S. Bach); IV. Marche, H.1 (in D; long ascribed to J.S. Bach as BWV Anh.122, it is now known to be by C.P.E. Bach).2.2*.2.2*: 2.1.0.0: Timp.Perc(1): Str (9.8.7.6.5 in set). *A Cl1 part for Ob2 and Cl2 for Bsn1 included to double these instruments for additional sonority.
54384ef7b2d2-9e3c-11f0-a418-0022482c9682TC54701Little Suite (from the Anna Magdalena Notebook)Thomas T. Frost has taken four of the most famous pieces from ANNA MAGDALENA NOTEBOOK to create this LITTLE SUITE for orchestra. In addition to the standard instrumentation, Frost also includes additional Clarinet parts to double the Oboe 1 and Bassoon 1 to add sonority to the sound of the wind body. Included: I. Minuet, BWV Anh.114 (transposed from the customer G Major to A; J.S. Bach); II. Musette, BWV Anh.126 (in D; J.S. Bach); III. Chorale "Bist Du Bei Mir," BWV 508 (in D; J.S. Bach); IV. Marche, H.1 (in D; long ascribed to J.S. Bach as BWV Anh.122, it is now known to be by C.P.E. Bach).2.2*.2.2*: 2.1.0.0: Timp.Perc(1): Str (9.8.7.6.5 in set). *A Cl1 part for Ob2 and Cl2 for Bsn1 included to double these instruments for additional sonority.
54394EF7CF12-E74C-41A1-9580-E595997F2A9FBSMCHM105Euphonies for Eight HornsThis advanced concert piece for eight horns is dedicated to Vince DeRosa..Horn Octet
54404F009AE6-EA1E-4715-8056-FBA99E65FF9750453002When Thou Art Near (Bist du bei mir)This lovely Bach chorale is especially suited for the teaching of phrasing, balance, blend, intonation, and beauty of tone. An optional soprano saxophone part may be substituted for the first alto saxophone.Saxophone Quartet