Titles
Showing 16,241-16,260 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 16241 | EDDA37A1-6F61-4E28-9133-9904371AC282 | W707091 | Selected Pieces, Vol. 2 | This collection of important piano works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944) has been edited and fingered by William Scharfenberg. Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition, her tuneful and highly accessible works were also tremendous favorites in the United States. Volume 2 of this collection includes the following: Pierrette, Op. 41; La Lisonjera, Op. 50; La Morena, Op. 67; Les Sylvains, Op. 60; Arabesque, Op. 61; Valse-Caprice, Op. 33; Danse pastorale, Op. 37; No. 5, Arlequine, Op. 53. | Solo Piano | |
| 16242 | EDDAD960-7E27-4C15-BD29-56062AAEE04D | A016390 | Chaconne | The chaconne has been edited from the 1736 version of Les Indes galantes. The work is a bright and melodic treat seldom heard today. The small orchestra reflects the style period. | Full Orchestra | |
| 16243 | EDDD60B8-C1B8-46D7-ADE6-BC5B3FFC9F08 | M406891 | Five Suites | Adapted from Six Suites for Violoncello, this selection arranged for unaccompanied bassoon solo at the advanced level contains the first five suites. | Solo Bassoon | |
| 16244 | EDDDA80C-2508-41E0-BE26-BE42E2F9C4FC | M394391 | Les Vendredis Book 1 | (not set) | Two Violins, Viola and Violoncello | |
| 16245 | EDDE0DC8-4062-4A9D-B826-7556E9F2B5DB | MP504007 | String Quartet No. 2 | Movements: 1. Lento, 2. Allegro appassionato, Alla breve, 3. Andante tranquillo, 4. Presto, 5. Adagio | String Quartet | |
| 16246 | EDE26548-EF40-41D7-B139-49867047C31C | 50542001 | Foster Favorites | Stephen Foster was the creator of works that became true American folk songs. They lie particularly well for the young brass player, as shown in this set of arrangements by Percy Hall. Both bass and treble clef parts are offered for all three parts, as well as a tuba part for the third voice in the trio if that instrument is preferred. | Trombone/Euphonium 1, 2 and 3 (Tuba) | |
| 16247 | EDE274F0-7025-42F7-8E8D-24841739858E | M109791 | Pohadka: Fairy Tale | (not set) | Violoncello and Keyboard | |
| 16248 | EDE3C9AA-555F-4372-8056-B8634E80C0C5 | SC573 | How Do I Love Thee? | (not set) | Ssa | |
| 16249 | ede54683-9e39-11f0-a418-0022482c9682 | A575902 | Lenore, Symphonic Poem (Burger's Ballade) | LÉNORE, SYMPHONIC POEM (BURGER’S BALLADE) is a work for orchestra by French composer Henri Duparc (1848-1933). He probably began work on the piece in 1869, which he based on the 1774 gothic ballad of the same name by Gottfried August Bürger. The poem tells of a deceased knight named Wilhelm, returned from war, who takes his fiancé Lénore on a ghostly ride toward death. Édouard Colonne conducted the premiere at the Société Nationale on May 15, 1875. Following the second performance, the composer decided to revise it. He wrote later that he had cut two passages which, in his view, "gave the audience an upset stomach," and in the end, distanced himself from the work. Instrumentation: 2+Picc.2.2.4(4th opt): 4.2.3.1: Timp.Perc(3): Str (9.8.7.6.5 in set). | 2+Picc.2.2.4(4th opt): 4.2.3.1: Timp.Perc(3): Str (9.8.7.6.5 in set) | |
| 16250 | EDF2CBB1-2D48-4078-9FAB-06597BFF5295 | ST49 | Canzonetta, Op. 19 | Originally written for clarinet and piano, this canzonetta by Pierne has been transcribed for either Eb alto saxophone, Bb tenor saxophone or soprano saxophone. | Tenor (or Soprano) Saxophone and Piano | |
| 16251 | EDF6827C-EBF2-4A30-9E1F-46A3C586AB73 | SS364 | CAPRICCIO BRILLANTE (O | |||
| 16252 | EDF997A3-D0FA-43F3-A21D-8819D41C7CAC | 20412223 | Prelude with Counterpoint | (not set) | Flute Trio | |
| 16253 | EDFD0FDD-F3F5-4A08-812C-831FD6DBEEAD | R01458 | Resonancias for 6-Player Tango Ensemble | Two different themes alternate almost as a "sonatine:" the first which is built around the cycle of fourths (an interal which is neither major nor minor), the second theme is actually a passacaglia which allows for improvisation. The spirit of Buenos Aires permeates all through the piece. | Violin, Clarinet in Bb, Piano, Bandoneon, Bass, Percussion | |
| 16254 | EDFDDF49-3AD3-4A20-8180-17A1AF9392F3 | 52703042 | Three Irish Tunes for String Quartet | String Quartet | ||
| 16255 | EE00709B-BACA-45FF-B0CC-9EC7BD5082C2 | M204091 | Classical Manuscripts, Bk. 1 (Nos. 1-5) | This multi-volume collection of Classical Manuscripts includes eighteen violin solos with piano accompaniment, each written in the style of another composer. Book 1 includes: 1. Chanson Louis XIII et Pavane in the Style of Louis Couperin; 2. Andantino in the Style of Padre Martini; 3. Menuett in the Style of Nicola Antonio Porpora; 4. La Précieuse in the Style of Louis Couperin; 5. Praeludium and Allegro in the Style of Gaetano Pugnani. | Violin and Piano | |
| 16256 | EE00DA9B-99A0-482E-B076-23A7E5078BE4 | R00594 | Concerto for Oboe and String Orchestra, Op. 77 | Movements: I. Lento-Allegro, II. Adagio, III. Interludio: piu mosso | Oboe, Piano Reduction Reduction from: String Orchestra | |
| 16257 | EE057651-6C06-420B-9630-90D7F1FCD1DF | M288991 | Carnival of the Animals, The (Le Carnaval des Animaux) | Following a disastrous concert tour of Germany in 1885-86, Camille Saint-Saëns (1835-1921) withdrew to a small Austrian village, where he composed THE CARNIVAL OF THE ANIMALS (LE CARNAVAL DES ANIMAUX) in February 1886. From the beginning, the composer regarded the work as a piece of fun. He wrote to his publishers Durand in Paris that he was composing a work for the coming Shrove Tuesday, and confessing that he knew he should be working on his Third Symphony, but that this work was "such fun" ("... mais c'est si amusant!"). He had apparently intended to write the work for his students at the École Niedermeyer, but it was first performed at a private concert given by the cellist Charles Lebouc on Shrove Tuesday, 9 March 1886. This version for piano four hands was transcribed by Lucien Garban. Reprint edition. | Piano Four-Hands | |
| 16258 | EE0E1299-C75A-4F78-93E6-BF5E79656DDD | R00269 | Now and Then | This chamber orchestra work was dedicated to and commissioned by Gudmundur Emielsson. | 1.1.1.1: 1.0.0.0: Percussion(1).Piano: Strings (minimum 2.2.2.1.1) | |
| 16259 | EE0E209E-5302-4036-B0D2-A4C9DA4A1A24 | MP412004 | Sonata for Two Pianos | |||
| 16260 | EE0EC142-2551-4A2D-B817-A1FFE01FD699 | 20100743 | Brazilian Street Dance | Experience the fun-filled sights and sounds of a Brazilian carnival with this colorful portrayal. Unison syncopations make learning much easier, and you can't leave out those fun percussion instruments. A Latin-American holiday for the whole group! | Band |