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16201ED4F7936-C0EE-426F-A171-EFE192DFD94DB386Nine Progressive EtudesThe "Etudes Progressive" are from the flute method by Jean-Louis Tulou (1786-1865) titled Methode de Flute, which were adopted by the Paris Conservatory circa 1851. Tulou clearly believed that etudes should be good music, for he drew many of the themes for his "Etudes Progressive" from the works of well-known composers and followed them with well-written variations of his own composition. Among these nine etudes we find themes, written in an operatic style, by Mozart, Donizetti, Rossini, Haydn, and two by Tulou himself. The etudes are in the form of flute duets, but are also effective as solo works by omitting the second flute part. Tulou probably played the second flute part, lending harmonic support as he taught his students at the conservatory.Flute Duet
16202ED52FF81-825A-4121-8B9F-C0EB7C3003EDB23938 Duos for FlutesThis collection by Francois Devienne include flute duos suitable for beginners to players approaching an intermediate level. Edited by Elwyn Wienandt, each of these are ideal for use in recital or contest.Flute Duet
16203ed535fb2-9e38-11f0-a418-0022482c968210530259Sarabande from Oboe Concerto, HWV 287The SARABANDE is the third movement of George Frideric Handel's (1685-1759) OBOE CONCERTO in G minor, HWV 287, composed around 1704-1705. Robert M. Barr has transposed this movement to the key of F minor. Versions for bassoon, clarinet, alto clarinet, alto saxophone, tenor saxophone, baritone saxophone, cornet/trumpet, trombone, baritone (B.C./T.C.), tuba, and double string bass, all with piano accompaniment, are available from the publisher.Trombone Solo and Piano
16204ED697277-A477-4A79-937C-8859FF44FFA3ST687Six QuartetsThis collection of quartets for horn is a wonderful selection for hornists looking to enjoy more section-style playing.Horn Quartet
16205ED6B6821-AC35-44ED-8DAC-CBD2565CCE38S536CBLamentation and Dance(not set)Concert Band
16206ED7620BD-3AD5-45E5-A343-DF5411340AC8B466The Guitarron BookThe Guitarron Book, Vol. 1, is all you'll need to get started playing the guitarron, which is a large, six-string, Mexican, acoustic bass guitar common in the mariachi music tradition. This method by Mariachi Unlimited CEO and head of Texas Association of Mariachi Educators (TAME) John Vela has been carefully designed and progressively arranged for the beginning student.Guitarron
16207ED7DFE19-FE66-491B-AFF0-A0B2EE43DA50R00075Three Pieces: for 5 Timpani, 5 Roto-toms and Orchestra(not set)Timpani Solo (d 5 Roto-Toms) 3(2d Piccolos).3.2+Bass Clarinet.3: 4.3.3.1: Timpani.Percussion(3).Piano.Harp: Strings
16208ED7E1B51-2851-4055-A3B3-EFE639AF37F8ST766Samba MacabreBased on the original "Danse Macabre" by Camille Saint-Saens, Harry Breuer borrowed this famous melody for marimba in the style of an early 20th century samba. This arrangement for mallet sextet and four optional percussionists used Harry Breuer's version. Instrumentation: 1. Xylophone/Piccolo Wood Block, 2. Marimba 1/Vibraslap, 3. Vibes/Siren/Break Drums, 4. Marimba 2/Slide Whistle/Bones or Castanets, 5. Marimba 3/Wooden Agogos, 6. Bass Marimba/Wolf Howl, 7. 4 Optional Percusion (Timbales, Claves, 2 Low Toms, Light Shaker, Lion's Roar). Written for the Penn State Pecussion Ensemble by Dan Armstrong and premiered on Halloween, 1988.Mallet Sextet with 4 optional Percussionists
16209ED7EC39B-B4CE-4F90-AB63-E19AC38A20B2A934190Somerset Rhapsody, A, Op. 21Part of the British folk revival of the early 20th century, Gustav Holst’s (1874-1934) A SOMERSET RHAPSODY consists of his interpretations of three English folk tunes from the Somerset region: "The Sheep-Shearing Song," "High Germany," and "True Love’s Farewell." Holst dedicated this piece, his first major critical success, to Cecil Sharp, a chronicler of English folk music who collected the songs that Holst adapted. Holst intended the cycle to tell a story of a young couple whose relationship is interrupted by war. A SOMERSET RHAPSODY premiered in London in April 1910. Instrumentation: 2(2dPicc).2(1dObd'mr).2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.2(2dPicc).2(1dObd'mr).2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set)
16210ED7F309C-F789-4DCB-AD17-421969F34085R26Moto Perpetuo (violin section soli)Features the violin section.Violin Section Soli: Full Orchestra
16211ed8ca2a0-9e38-11f0-a418-0022482c968210530468The RoosterThis work for the beginning instrumentalist, available for numerous different solo instruments with piano, includes a piano accompaniment that can be performed by a one or two year private study middle-school level piano student. The variety of solo instrument parts makes it possible for one student to accompany many different students. A preparatory "warm-up" exercise for young accompanists is printed on the last page of the piano part. This solo can also be found in all instrument versions of the Competition Solos series, Book 1.Trombone and Piano
16212ED8D9052-D408-415B-A6B4-CB21D215E5F2A394302Rheingold, Das: Scene IV, Erda's Warning: Weiche, Wotan, Weiche (contralto)Das Rheingold, WWV 86A, is the first of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen,. It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus, on 13 August 1876. This excerpt, intended for concert performance with contralto voice and orchestra, is from Scene 4 where the goddess of the earth, Erda, warns Wotan to give up the cursed ring he seized from Alberich.3+1, 3+1, 3+1, 3 - 4, 0, 4, 1, timp, str, solo A
16213ED8E9C6E-29B2-4068-AC08-E73CA0CE3967SC345O Mistress MineTbb
16214ED8F9B57-28AA-4DA4-ABFA-66031B7242ABSS127PavaneThe Pavane for Oboe (or Flute) and Piano by Paris Conservatory professor and composer Charles-Marie Widor has become a favorite for recitals as well as auditions over the decades.Flute and Piano
16215ed95f89b-9e38-11f0-a418-0022482c968210531146Two Little Stars for 2 Trombones and PianoThis work for developing brass players is a wonderful edition to the teaching repertoire. Versions exist for trumpet/cornet, trombone, and baritone B.C. solos with piano, and also trumpets/cornets, trombones, and trumpet/cornet and trombone duets, also with piano accompaniment.Trombone Duet and Piano
16216ED96B105-31EB-4A7B-9279-44B605706EB7S511012Wieniawski Scherzo-Tarantelle with Sevcik Op. 16 Analytical ExercisesThis edition is based upon years of study with Editor Stephen Shipps’ teacher, Josef Gingold. Gingold studied the Scherzo?Tarantelle with Eugène Ysaye, who in turn studied it directly with the composer, Henryk Wieniawski. Practical suggestions from Wieniawski are marked ossia in the violin part. The original manuscript and first edition published by Freidrich Kistner of Leipzig were consulted in making this the first ever edition to combine a modern version of the violin part with the historic and timeless exercises by Sevcik.Violin, Piano with Analytical Exercises
16217ED989841-D17E-4CB2-BC07-10C8065778F0EBM0630160Come to Me My Love for Chorus and OrchestraText is based on the poem "Echo" by Christina Rossetti. Duration 3:30. This title appears on the following state lists: NC Mixed Chorus Senior High Grade 6 GA GA Choral Mixed Class A OH 154 - CHAMBER ENSEMBLE A VA Mixed Chorus Grade 6 TX Mixed Chorus Grade 5 NY 830 06 MIXED CHORUS LEVEL 6 FL FVA MUSIC LIST GRADE 5 IN ISSMA SENIOR MIXED CHOIR GROUP I MD Grade 6 Chorus - SATB MN Vocal Choir Category 2 SATB NC MIXED CHORUS JUNIOR HIGH GRADE5 IA IA HSMA SATB LEVEL 4 KS KS HSAA MIXED VOICES LEVEL 4 This item appears on the following festival lists: UNA HONOR CHOIR-HIGH SCHOOL SATB SCVA High School Festival Music List SATBSATB Chorus, 2122 1000 Timp Pc Str
16218ED9B5487-281C-4793-893E-C3A9A7222C27A219802Concert Fantasia in G, Op. 56 (Fantasie de Concert)Captivated by the playing of famed Franz Liszt pupil Eugen d’Albert during the 1883-1884 concert season, Peter Ilyitch Tchaikovsky (1840-1893) began work on Concert Fantasia. After an arduous composition process, on which the composer himself remarked, “I stopped playing around and came up with something... but it still sounded too poor and unoriginal...” Tchaikovsky laid aside Concert Fantasia and began sketching out his Third Orchestral Suite. He eventually returned to and finished Concert Fantasia in June of 1884, with the surprising addition of the second movement Contrastes. Originally composed as the first movement of his Third Orchestral Suite but ultimately rejected, Tchaikovsky reservedly added it as a second movement to Concert Fantasia. While recognizing and wishing to use the movement for its own merits, he still harbored doubts and added an alternative solo cadenza to the end of the first movement in case Contrastes was to be omitted. The Russian Musical Society under the direction of Max Erdmannsdörfer premiered the work in 1855. In the two decades after its debut, Concert Fantasia received many performances but disappeared from the repertoire until it underwent a revival in the latter part of the 20th century. Instrumentation: 3.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): [Solo Piano].3.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): [Solo Piano]
16219ED9C0A43-F84B-40F4-8BD7-52F0ECCAF1B4R00180Concerto for Piano and Wind Ensemble(not set)Piano Solo 3(1d Piccolo).3(1d English Horn).3(1d Bass Clarinet).3(1d ContraBassoon): 4.3.3.1: Percussion(4: includes 2 Marimba Solo, 2 sectional players): Double Bass
16220ED9C16E7-F55C-4B98-BD96-E5804A18DF5510446258Allegro from Concerto in F minorOne of Handel's most famous melodies has been transcribed for intermediate and advancing clarinet players by Robert Barr. Versions for alto clarinet, bass clarinet, bassoon, alto saxophone, tenor saxophone, baritone saxophone, trumpet/cornet, baritone B.C., and tuba are available from the publisher.Alto Clarinet and Piano