Titles
Showing 16,281-16,300 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 16281 | EE637989-2B27-4B60-94FA-0D268EB81DC4 | S412002 | Sonata for Two Pianos | Includes 2 playing scores. "This terse sonata was notable for its inventive fantasy and magical piano writing...Here is a most effective addition to the piano repertory which should be heard again and often. Terrific piece!" --The San Francisco Chronicle | Two Pianos | |
| 16282 | EE6402ED-F8CD-4E4D-9210-A641E72736CB | S826CB | Carillon Celebration | (not set) | Concert Band | |
| 16283 | EE68B969-1442-4B08-B9A6-E8589EBC47A7 | S154008 | Spinning Song | (not set) | Saxophone Quartet | |
| 16284 | EE69F77C-C17E-4BD7-81DA-2A0E0F74CD3D | B399702 | The Silver Cornets | As suggested by the title, The Silver Cornets is a feature for the trumpet/ cornet section with band accompaniment. Grade 4, Duration ca. 3'. | Concert band | |
| 16285 | ee6a1537-9e38-11f0-a418-0022482c9682 | 10540259 | Sarabande from Oboe Concerto, HWV 287 | The SARABANDE is the third movement of George Frideric Handel's (1685-1759) OBOE CONCERTO in G minor, HWV 287, composed around 1704-1705. Robert M. Barr has transposed this movement to the key of F minor. Versions for bassoon, clarinet, alto clarinet, alto saxophone, tenor saxophone, baritone saxophone, cornet/trumpet, trombone, baritone (B.C./T.C.), tuba, and double string bass, all with piano accompaniment, are available from the publisher. | Baritone B.C. and T.C. Solo and Piano | |
| 16286 | EE6DF833-2777-4B4D-B0CC-0AE654AD39A4 | R00689 | Symphony Street | Story and music introduce woodwinds, brass, percussion and string sections of the orchestra as families living in a multicultural community learning the benefits of living and working together. | Narrator 1.1.1.1: 1.1.1.1: Percussion(2).Synthesizer: Strings | |
| 16287 | EE731676-BA59-4C9E-A191-6E631DE883F3 | 50394002 | Renaissance and Baroque Suites, vol. 1 - Bass Clef | This collection of three suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers include: William Byrd, Jean M. Hotteterre, Carlo Verardi, Pierre Attaignant, Claude Gervaise, John Playford, Juan del Encina, Francesco Geminiani, and Emmanuel Adriaenssen. Books for all instrument keys and clefs are available from the publisher. This is the first of three volumes of progressive flexible quartets, with ten total suites included across all three volumes. | Flexible Quartet, BC | |
| 16288 | EE74E8D5-15FA-4910-97D2-C4D84F08652B | M264091 | Concerto Breve | (not set) | Bass Trombone and Piano | |
| 16289 | EE78AE9C-D789-4BCD-8121-1DC75003EA02 | X510001 | Naumburg Cadenza | Composed for Eric Grossman for the Naumburg Competition. | Violin Solo | |
| 16290 | EE79C79A-9E67-4F4F-98F5-87CD7A1D7058 | 50250090 | Oh! Susanna | The lush harmonies and chromaticism bring an amazing depth and beauty to this wonderful folk song. | String Orchestra | |
| 16291 | EE863967-2F4A-4997-AECB-5F7A663818F9 | B187 | International Wind Band Instrumentation | Text | ||
| 16292 | EE891467-67FA-4415-AA3E-550B2F1C98A9 | MS1895 | Lime Jello Marshmallow Cottage Cheese Surprise | "Lime Jello Marshmallow Cottage Cheese Surprise" is a satirical novelty song by the American composer William Bolcom. It is written for voice with piano or orchestra accompaniment (arranged by Michael Borowitz), and Bolcom frequently performs it with his mezzo-soprano wife, Joan Morris, accompanying her on the piano. Composed in 1980, It is based on his experiences, in his youth, of playing the piano for women's clubs, and being fed absurd and unappetizing cuisine, including foods resembling Jello salad. | Mezzo-soprano and Piano | |
| 16293 | EE8B9634-77A7-464F-856E-674D024FF90E | 10250078 | Concertino No. 3 | A sophisticated, original three-movement work for string orchestra, this is a terrific addition to the repertoire. Opening with great energy and moving sixteenth notes in the first movement, the second begins quietly and builds large chords with brief melodic passages. The final movement is dance-like, winding to an exciting conclusion. All parts get equal time in the spotlight and independence is vital. A great work. | String Orchestra | |
| 16294 | EE8D1771-9B7B-4FB0-ABB0-031C4976677D | 52733067 | Concerto for Cello Quartet | Range limited to 4th position, all parts equal, all bass clef. | Cello Quartet | |
| 16295 | EE8F42E2-5270-41AE-B3DF-DDEF211053F1 | SC366 | My True Love Hath My Heart | U.I.L Sight reading selection for 2c Junior High and 3c Middle School Treble (SA) | SA | |
| 16296 | EE8F51C0-DA8A-436E-AEA5-D7CB77E9735D | SS188 | Space Probe (only-in-b226/17+1) | Snare Drum Unaccompanied | ||
| 16297 | EE963B13-C0B3-4AC5-AA63-C3E58EA583AC | B384402 | Evening Breeze for Solo Trumpet and Band | Kenneth Whitcomb (1926-1997) was the staff arranger for the United States Military Academy Band at West Point. He later became the conductor of the 30th United States Army Band. Evening Breeze for Trumpet or Cornet and band accompaniment was written during his time as staff arranger. Whitcomb uses a jazz style that gives a sense of an evening breeze. | Solo Trumpet/Cornet and Concert Band | |
| 16298 | EE968908-FC86-4A3E-918B-1AB2F48CB99D | MP794003 | Lauda Jerusalem | LAUDA JERUSALEM is one of three settings of the 147th Psalm made by Porpora for the girls at the Conservatorio dell' Ospedaletto at Venice. It was composed in 1745 duing one of his various sojourns in Venice as director of the "Ospedali della Pieta" and "Conservatorio degli Incurabili," where he wrote specifically for the girl inmates of these famous Venetian orphanages. This edition by Ralph Hunter is for SSAA chorus and either string orchestra or organ/piano accompaniment. The choral octavo is available from Hal Leonard. | SSAA Chorus, String Orchestra or Organ/Piano | |
| 16299 | EE97DA7F-A3DB-4208-8A30-3767F79B32A1 | S611CB | Requiem | The Requiem Mass serves as the basis for this Fisher Tull composition for band. The piece utilizes references from the early Gregorian chant to 20th century composition techniques, including aleatoric writing, special sound effects, and scoring for expanded percussion section. The Requiem was composed in memory of four students of the Clear Creek High School Band who died in a tragic accident. The work seeks to reflect both the sorrow of the event and the celebration of their brief by productive lives. Movements: I. Litany II. Spiritus | Concert Band | |
| 16300 | EE9D4472-F312-408D-9991-19EFAAAD6BF9 | R01113 | Tangents for Chamber Orchestra | This work was commissioned by the Pro Musica Chamber Orchestra of Columbus, Ohio to commemorate the new Millennium. | 2.2.2 (1d BCl).2.: 2.2.1.0: Timp.Perc(2).Pno(d Clsta).Harp: Str |