Titles
Showing 16,121-16,140 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 16121 | EC0D985F-6D65-4F2A-9F33-5E6B55AC2D1C | X620001 | Close Encounters for Trumpet and Bassoon | Four movement suite also available as "Encounters," adapted for woodwind quintet. Includes trumpet parts in C or B-flat. Movements: 1. First Encounter, 2. Leisurely Encounter, 3. Synchronized Encounter, 4. Familiar Encounter | Trumpet in C or B-flat, Bassoon | |
| 16122 | EC0E92F4-BACB-4BB6-9F28-2071E709AAF3 | 52710603 | Developing Virtuosity bk. 3 - Violin | The third volume moves students toward more advanced playing techniques and literature. This text continues to develop playing skills found in Book 2 and advances the student through more rigorous and lengthy literature. Instrument-specific selections promote performance, reinforcing shifting skills, more advanced bowing techniques, and complex and multiple-meter pieces. The book contains solo literature that: enables the student to use higher positions with suggested fingerings; features accidentals that challenge left-hand intonation; utilizes more complex time signatures, multiple-meters, and challenging rhythmic patterns; and develops the bow stroke to perform more expressive dynamics and musicianship. Digital audio available. | Violin with Bonus Online Media Bundle | |
| 16123 | EC10F235-8D5D-4DB9-8272-8D61C03D1FDE | M800890 | Peer Gynt: Incidental Music Suite, Set 2 for String Orchestra | This set of Grieg's masterpieces includes Morning Mood, Peer Gynt's Serenade, Äse's Death, and Dance of the Mountain King's Daughter. The StringMasters Series, based on the success of the Concertmasters Series, is a collection of full orchestra music carefully transcribed for string orchestras. This great literature has been arranged by master orchestrators and tested on string orchestras for years before its release! | String Orchestra | |
| 16124 | EC111C86-5092-42E3-9C41-97C2E33B2EA4 | SU429 | Triparta for Bassoon | Bassoon | ||
| 16125 | EC13CBA3-D452-4684-8444-F75F115BC685 | S491CB | Capriccio Concertant | This work was commissioned by the South Dakota Band Masters Association with a grant obtained from the State Bicentennial Commission, Les Helgeland, Chairman. This piece was written so that a shorter version may be performed, encompassing the just the two final sections. | Concert Band | |
| 16126 | EC17362D-08F6-48EA-9ED2-4CD46416B42A | ST932 | Adagio | From Gabrielsky's Quartet 3, Op. 3, this edition for four flutes is part of the Voxman Ensemble Series edited by Himie Voxman and R.P. Block. | Flute Quartet | |
| 16127 | EC1BA309-03C1-4678-8CFF-ED674A74F5EE | SU400 | Long, Long Ago Op 12 | "Long, Long Ago: Fantasie" (Lang, lang, ist's her") is a wonderful selection for the advancing player looking for a contest or recital piece that offers four progressive variations with distinctly contrasting styles. Versions for the standard Bb clarinet, Eb clarinet, Eb alto/contra alto clarinet, and Bb Bass/ Contrabass clarinet are available from the publisher. | Bass Clarinet | |
| 16128 | EC1D3621-EB7D-42AF-A3A5-CEEDB7210B40 | R00882 | Fanfares for String Orchestra | String Orchestra | ||
| 16129 | ec1dc304-9e39-11f0-a418-0022482c9682 | A563202 | Madama Butterfly: Act II, Sc. 1, Finale: Flower Duet & Humming Chorus | MADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (Cio-Cio San), who marry while Pinkerton is stationed in Nagasaki. Pinkerton intends to divorce Butterfly when he returns to the United States, but she believes that the marriage will last forever. When Pinkerton returns to Japan with his new wife Kate, Butterfly commits seppuku with her father’s knife after placing an American flag in the hand of her son. The original premiere of a version in two acts on February 17, 1904 at La Scala in Milan was a disaster, resulting in Puccini withdrawing that version and substantially rewriting the opera. The second version was in three acts, and it premiered on May 28, 1904 in Brescia to much greater success. In 1906 and 1907, Puccini created a third and fourth version for the Metropolitan Opera in New York and for Paris respectively. Finally, again in 1907, Puccini made the final revisions to the opera for a fifth version, and this is the one most often performed today, referred to as the "Standard Version." In Act 2, Butterfly and Suzuki sing the FLOWER DUET as they decorate the house in anticipation of Pinkerton’s return. The act concludes with the celebrated HUMMING CHORUS. Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(3): Hp: Str (4.4.3.3.3 in set): Va-offstage: Soli S.MS: Women's Chor. | 3(3rd d. Picc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(3): Hp: Str (4.4.3.3.3 in set): Va-offstage: Soli S.MS: Women's Chor | |
| 16130 | EC1FDCDC-6B4B-4337-865A-A3D640D3E7CF | X111023 | Duo for Flute and Piano | Notable performance with Matthew Dufour, principal flute, Berlin Philharmonic, Orchard Circle, DiMenna Center New York. 2017. | Flute and Piano | |
| 16131 | EC20202A-D6F8-47B5-9AB3-912205CF5784 | SS199 | Concertpiece No. 2 for Two Clarinets and Piano | Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is composed in three sections, fast-slow-fast, resembling a concertino form, but somewhat shorter. The finale is lighthearted, full of obvious enjoyment in which the technical resources of the solo instruments are exploited to the limit, concluding with a brilliant duo cadenza. Versions with band and piano accompaniment are available from the publisher. | Clarinet Duo with Piano | |
| 16132 | EC208723-0761-411D-9697-75EB290FA7D6 | ST283 | Ballad and Waltz | This piece for saxophone quartet (AATB) opens with the ballad, moves to the waltz section, and closes with a return to the ballad theme. The harmonic language for both sections is rooted in common jazz idioms. | Sax Quartet (AATB) | |
| 16133 | EC218984-970A-4D66-991E-10FEA7A2E282 | X156001 | Mlange | Grade V. | Soprano Saxophone Solo | |
| 16134 | EC282299-86FF-4FBA-845E-0DDA981DFC5A | 52731096 | Various Cats: 5 Duos for Cello | Cello Duet | ||
| 16135 | EC29ADEC-D20C-4463-A5CF-5BE257734063 | B526 | Violoncello Theory for Beginners - Bk 1 | Cello | ||
| 16136 | EC2C64B5-7A57-48C7-8D45-67FECAF37328 | 10410227 | Zigany | Flute, Piano | ||
| 16137 | EC32371D-DA27-44B9-8469-2175AA94F65E | 10411139 | Two Marionettes | (not set) | Flute Duo and Piano | |
| 16138 | EC3E3FD4-2D2B-4630-AC1E-C4230B40E12A | SU469 | Footsteps | Clarinet Unaccompanied | ||
| 16139 | EC3E7ED5-A6E9-4457-B5A9-3E55C08E7153 | SC416 | There Is a Ladye | (not set) | Tbb | |
| 16140 | EC4C1BC3-C620-4240-AEB5-5662C4A2E0EB | M249691 | Arabesque No. 1 (from Two Arabesques, CD 74/ L66) | Deux Arabesques, L. 66 was originally written for piano by Claude Debussy (1862-1918) in 1891 and sold over 100,00 copies in his lifetime, still remaining popular today. This woodwind quintet arrangement by Tom Kennedy of the first arabesque, one of Claude Debussy's earliest impressionistic works, contains hints of the composer's developing musical style. | Flute, Oboe, Clarinet, Horn and Bassoon |