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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16081EBA19B26-5A21-4B54-9F64-D3CA89A624BAX625002Atomic Cocktail for C Trumpet and Violin(not set)C Trumpet, Violin
16082EBA4C400-2C42-4588-884C-72103F0DF0E450250104Not Enough CowbellThis work is all about learning bow control and the transition from arco to pizzicato...and just a little about counting. The title speaks for itself!String Orchestra and Percussion
16083EBA544EA-63D6-487C-A1BE-9272111D8F6DA677702Orient and Occident March, Op. 25 (composer's transcription)The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertook later in life, the piece has clearly-defined Western (Occidental) and Eastern (Oriental) sections. Beginning in the West with a rousing march melody and stirring, processional legato, the work leads into an homage to Turkish (then considered Eastern) janissary music, with melodies in the double reeds and jangling percussion. The work ends with a return to the West with a fugue on the original theme that leads to an exciting accelerating finale. This edition for orchestra was completed by the composer. Instrumentation in set: 2+Picc.2+EH.2+BCl.2+CtrBsn: 4.3.3.1: Timp.Perc(4-5): Str (9-8-7-6-5).2+Picc.2+EH.2+BCl.2+CtrBsn: 4.3.3.1: Timp.Perc(4-5): Str (9-8-7-6-5 in set)
16084EBA574FB-28E9-4A37-8F4E-5DF74B168DA310450466Happy SongOffering both clear dynamic, articulation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.Alto Saxophone and Piano
16085EBA76022-008A-4770-A65C-F39B7A5399AAS700CBLittle Suite for Band No. 1This flex-band composition was written to be equally effective for groups with full instrumentation or groups with limited instrumentation such as woodwind or brass classes. This flexibilty of instrumentation makes it very useful for elementary school bands and the lower level groups in middle schools and junior high schools. Movements: I. Of Sealing Wax and Kings, II. Swallows, III. Musette, IV. Spring Day. Duration: 10"Concert Band
16086EBA788AD-3518-44E7-B34F-B2B50D0BAC7FR85Trio Concertino for Saxophone Trio and BandDedicated to the Lexington Trio, Walter Hartley's Concertino is among the prolific composer's most performed works. Versions for trio accompanied by both piano and band are available from the publisher. Duration ca. 9'.ATB sax soli: Band
16087EBAF0EE9-5DC1-4149-82DE-2F19D712BC51SC720The Bells for SATB Chorus and PianoThis majestic setting of Edgar Allen Poe verses for advanced chorus has been performed by the Juilliard Pre-Colleg Chorus, Cantabile Singers, the University of Vermont, and others. Two arrangements are available: one with single piano accompaniment, and a second calling for an ensemble of two pianos and four percussion.SATB Chorus, Piano
16088EBAF38FD-572A-4A65-BB4D-4B98ED6F064BS946CBEagle Squadron MarchWhen the Second World War began, the British “March King” Kenneth J. Alford (pseudonym for Major F. J. Ricketts, R.M.) was increasingly in bad health and had composed relatively little music recently. As Hitler’s armies marched victoriously across Europe, Britain was soon alone facing the Nazi peril. Alford’s great contribution to the war effort was the composition of two of his great masterpieces - ARMY OF THE NILE, celebrating the first Allied victories over the Germans in North Africa and EAGLE SQUADRON. The latter of these marches celebrates American airmen who travelled to England during the early years of the war (before the entry of the United States into the conflict) to volunteer for service with the Royal Air Force, serving with great distinction during the Battle of Britain. Alford skillfully weaves a number of well-known tunes into the fabric of the music, including the “Royal Air Force March” and “The Star-Spangled Banner,” while also including a reference to the Siegfried motive from Wagner’s “Ring of the Nibelung.” Mark Rogers’ edition of this classic march includes a handsome full score and concert size set of parts.Concert Band
16089EBB6AACA-CECF-409C-9A93-3CF229CB0FC7M254991Mananica Era (The Goddess in the Garden), No. 2 from Canciones Amatorias, H. 24Mañanica era (The Goddess in the Garden) is the 2nd song in a collection of seven settings of Spanish folk love poems called Canciones amatorias, H. 24. While the songs are difficult to date (likely sometime in the first decade of the 1900s), they are true representation of Enrique Granados' (1867-1916) personal musical language. The text, which includes both the original 17th century Spanish and an English translation by James Weldon Johnson, describes St. Juan's Day, which takes place every June 24th, and is celebrated in Spain much like St. Valentine's Day in English-speaking countries. Young girls place bowls of flowers outside their houses the evening before the feast. To the flowers they pin folded papers containing the name of one of their admirers. Early the next morning they look for the flower which first opens, and which bears the name of their Fate.Soprano Voice and Piano
16090EBC14779-013E-4AB0-AA61-43D54F9BA452M202191String Quartet No. 4 in E minorThis new reprint brings back into print one of important string quartets of this eminent American composer, George Whitefield Chadwick (1854-1931). Both professional and amateur musicians will find a great deal of worth in performing what is among Chadwick's most popular chamber works. Reprint of the first publication.Two Violins, Viola and Violoncello
16091EBC4F5E5-06FC-4E3E-BDCB-9C08475565FAST616HomageThis clarinet sonata for B-flat clarinet and piano was selected for publication by Bernard Portnoy for the Indiana University Series of Clarinet Solos. Dedicated to Kathleen Jones, clarinet professor at the Conservatorio de Musica de Puerto Rico and principal clarinetist of the Orquesta Sinfonica de Puerto Rico from 1975-2021, the work was described by the composer as an Homage to Brahms. Movements: I.Fantasia II. Canzona III. Tarantella.Clarinet
16092EBC7DD3C-A4BB-4BD0-99FD-22A9F6649503A116702Sonate a Quattro: Sonata No. 1 in G2vns, vc, bass
16093EBC90EDB-158A-455F-885F-671BB2CC56C65272001810 Easy Hymns for Viola and PianoAll 1st position, compatible with Suzuki Book #1; viola plays melody with simple accompaniments. Includes optional descant for violin in addition to descant part for viola. Hymns included: Jesus Loves Me; I Sing the Mighty Power of God; Take My Life, and Let it Be; Come Thou Long-Expected Jesus; Joyful, Joyful, We Adore Thee; Amazing Grace; For the Beauty of the Earth; Holy, Holy, Holy; Be Thou My Vision; Fairest Lord Jesus.Viola and Piano
16094EBCA06BC-B428-40DA-B30D-9CA3EE0A8CE9X670501Enchanted Pathways: Concerto for Horn and Ensemble, Op. 474Commissioned by the Broeker Fund for New Music.Horn Solo, Flute, B-flat Clarinet, Percussion, Piano, Violin, Cello
16095EBCA6587-C47E-4D65-AC58-7148447076D9R01301Ballet for Band2+Piccolo.3.3+E-flat Clarinet+Bass Clarinet+ContraBass Clarinet(optional).2+ContraBassoon.SATB Saxophone Ensemble: 4.3.3.Euphonium.1: Timpani.Percussion(4+1optional).Piano.Harp(optional): db
16096EBCB1EE9-8DE0-4557-B0C0-6E18C8390BD0MP531004Capriccio for Cello and Piano
16097EBD3EE08-A689-4464-9409-EF54AECABC26S659CBHeroic Legend(not set)Concert Band
16098EBD53D3E-AA63-4034-A348-D411C3980F81X509010Magnolia Park OvertureA festive spirit of refreshment reigns in this delightful musical depiction of Magnolia Park, a wayside of spectacular shade trees and water springs that offer relief from the oppressive heat of southern states. The joyful, buoyant spirit of picnics, children playing and carefree dancing are captured in this delightful five-minute overture. Its uncomplicated nature, spunky syncopated rhythms and tuneful melodies make it a perfect beginning to any concert. Playable by young orchestras too.String Orchestra
16099EBDB96A6-27C5-4E99-BEE7-2953464529F650250230American FrontierAMERICAN FRONTIER for string orchestra was written utilizing various ensemble configurations from within the string orchestra. Solo lines, quartet, quintet, and sectional soli all help to make up the overall design and orchestral colors of the piece. As a juxtaposition to this, large divisi string writing is utilized to help balance the smaller ensemble writing within the score. The work is inspired by images of a western frontier…one filled with large fields, mountains and sunsets, as well as subtle character-filled details that would have a forward and fast-moving feel.String Orchestra
16100EBDE68A8-AD58-45B0-B2A7-417ECFD23759EBM0610176Symphony No. 6: Adagio lirico (excerpt; formerly Molto adagio)Commissioned by the Lancaster Symphony Orchestra for its 50th anniversary and dedicated to the Orchestra, its patrons, and the music Director, Stephen C. Gunzenhauser. This MOLTO ADAGIO was later included as the third movement (Adagio lirico) of the composer's SIXTH SYMPHONY, with some orchestration changes. Those orchestration changes are present in this edition of MOLTO ADAGIO.3(3rd dPicc).2+1(EH).3.2+1(Cbsn): 4.3.3.1: Timp.Perc(1): Hp Str