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15301E0CA5496-3222-4C4B-AF4E-6D84BB281603R00794Three Tangos for Flute, Harp and StringsCommissioned by the Glendale Chamber Orchestra and Recorded by Flutist Marisa Canales and Harpist Lidia Tamayo on Urtext Digital. Three Tangos builds on the legacies of Piazzolla, Borges and Gardel with Schifrin's own distinctive and cosmopolitan voice.Flute, Harp Soli: String Orchestra
15302E0D0C33D-9CF5-49AA-9F4A-BA485D5AC2CEM277591American SketchesWritten in 1996 at the request of Bruce Leek, the eminent recording engineer, American Sketches is a concerto in five movements for saxophone quartet. Symbolic of the vast diversity to be found in the United States, the first four movements are inspired by a musical style of a particular ethnic origin, with each featuring a different member of the quartet. The last movement brings the ensemble together and recapitulates all the material previously heard. Movements: 1. Ragas (Alto Saxophone), 2. Impressions (Tenor Saxophone), 3. Sueños (Soprano Saxophone), 4. Shamrocks (Baritone Saxophone), 5. Mosaics.Saxophone Quartet (SATB)
15303E0D255F9-9524-4C5B-BF9A-4AB2D8BB2D4F10362101It Only Takes Two: 18 Duets for Mallet PercussionIT ONLY TAKES TWO by James Moore is an easy / intermediate duet that can be played on any keyboard instrument. When only one instrument is available minor adjustments can be made allowing the performers to use one instrument. Enjoyable duets for recitals, contests, sight reading practice, and recreational playing. Included: 1. Aria (Couperin); 2. Duo (W.A. Mozart); 3. Joyful Rondo (Chedeville); 4. Allegro (W.A. Mozart); 5. Musette (Chedeville); 6. Gavotte (Chedeville); 7. Scotch Dance (Beethoven); 8. Bourree (Handel); 9. Lovers (Chedeville); 10. Andante (W.A. Mozart); 11. Fanfare from Concerto in D minor (Vivaldi); 12. Invention in F Major (J.S. Bach); 13. Romanze (Beethoven); 14. Turkish March from Sonata in A Major, K. 331 (W.A. Mozart); 15. Rondeau (Chedeville); 16. Andante from Sonata in C Major, K. 545 (W.A. Mozart); 17. Allegro from Sonata in F Major, K. 545 (W.A. Mozart); 18. Music from Carmen (Bizet).One or two Mallets
15304E0D2E07D-3FA6-4139-B6BD-839F8AD8BE9BR01128Timepiece for OrchestraCommissioned by the Dallas Symphony Orchestra.2+Picc.2+EH.2+Eb Clar.2+Cbsn: 4.3.3.1: Timp.Perc(3).Pno: Str
15305E0D82D91-81C5-495C-9C1B-CF314CD1C1A7X622509Treetop StudioCommission Andrew Imbrie Sacket- Fonteneau duoClarinet and Cello
15306E0D8FF35-6504-4538-89FA-AB9B4CD2A845A259202Seven Last Words of Christ, The (Les Sept Paroles du Christ)“Les Sept Paroles du Christ” (“The Seven Last Words of Christ”), is one of Théodore Dubois's (1837-1924) two oratorios, and remains the composer's most frequently performed choral work. First performed on April 19, 1867 at Paris Église de la Madeleine, the work has seven inner movements, with two outer unnumbered movements: Introduction. O vos omnes qui trasitis per viam; 1. Pater, Dimitte illis; 2. Hodie mecum eris in paradiso; 3. Mulier, ecce filius tuus; 4. Deus meus, ut quid dereliquisti me?; 5. Sitio!; 6. Pater, in manus tuas commendo spiritum meum; 7. Et clamans Jesu, voce magna dixit. Consummatus est!; Prière. Adoramus te, Christe. Instrumentation: 2(1dPicc).2.2.2: 4.2.3.0: Timp:Perc(2): Hp: Org Oblgto: Str (4-4-3-3-3): Soli STB: Mix Chor or Pno Accomp. Vocal Score.2(1dPicc).2.2.2: 4.2.3.0: Timp:Perc(2): Hp: Org Oblgto: Str (4-4-3-3-3): Soli STB: Mix Chor or Pno Accomp.
15307e0df44d4-9e39-11f0-a418-0022482c9682A399102Rock, The (Fantasy for Orchestra), Op. 7 (Utyos)THE ROCK (UTYOS), Op. 7 is a symphonic poem composed by Sergei Rachmaninoff (1873-1943) in 1893 when he was just 20 years old, and it premiered in Moscow in 1894 under the baton of Vasily Safonov. Inspired by a poetic image from Lermontov and the short story "Along the Way" by Anton Chekhov, the piece evokes a dramatic encounter between a weary traveler and a stern cliff during a snowstorm, symbolizing the contrast between fleeting human emotion and eternal nature. Richly orchestrated, it foreshadows the lush Romanticism of his later works, while also paying homage to Tchaikovsky, who praised it. Though not as frequently performed as his concertos or symphonies, THE ROCK has secured a modest place in the orchestral repertoire, appreciated today for its youthful intensity and atmospheric storytelling. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str (9.8.7.6.5 in set).2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str (9.8.7.6.5 in set)
15308E0E307A3-8D76-4C5B-BA03-1321313D916352250972Sue's BluesA 3/4 jazz blues form with a twist, this piece is set in the Dorian mode and features unusual changes. It also includes rhythm parts and room for an improvised solo for violin, viola or cello. Suggested solos are provided as well as changes.String Orchestra with Piano and Drums
15309E0E7C048-6C9A-4EC9-AC9D-C7F4C20D3E6BX305001Flying TimeA dynamic and minimalist-steeped ensemble piece for both definite and indefinite-pitched instruments. Recorded by Tempus Fugit Percussion Ensemble, 2001.5 Percussion
15310E0EA8256-541E-446A-8707-7361B4C44CCBM227091Piece en Forme de Habanera, M. 51Maurice Ravel (1875-1937), like many French composer of the time, tried his hand at writing the habanera in 1907, a Cuban dance which was very popular in Spain at the end of the 19th century. Originally written as a vocal etude titled Vocalise-étude en forme de Habanera, the work was quickly adapted for various solo instruments and retitled Pièce en Forme de Habanera. This transcription for soprano or tenor saxophone of Ravel's delightful work was completed by Jules Viard and is a great recital or contest selection. Reprint of the French edition.Soprano Saxophone and Piano
15311E0ECA869-A8FE-4956-8B8C-9139DCD321E352701023Five Duets for Violin and ViolaFive clever mixed duos of varying styles and keys for intermediate players and above. A substitute cello part is included in the set for part 2.Violin and Viola or Cello
15312E0F04B33-1E9A-4947-BD21-D835305DB931M341991L'Organiste Liturgiste, Op. 65, Bk. 8French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgique" is available from the publisher.Organ
15313E0F3DD3C-B170-419A-9763-B8983286684BSC374We Praise Thee, O God(not set)2 Part
15314E0F552C6-4798-40CD-AE3C-960937779E84TC759Ah Love to You I'm Crying(not set)Five-Part Chorus of Mixed Voices a Cappella
15315E0F72891-C7A0-44AD-8372-C8D73F0722C9ST43Sonata for Flute and Piano(not set)Flute and Piano (or Harpsichord)
15316E0F7A2E4-FF5C-430F-95B8-85720DA35003X503026Trio for Piano, Violin, and CelloCommissioned by Frostburg State University for The Chamberlain TrioViolin, Cello, Piano
15317E10093C6-F864-4929-A422-8AAC6FC6A7C2SS284Normandie Suite(not set)Clarinet Quartet
15318E100F6CC-0E90-4735-9AC5-0BED610DAF83SU479Legacy"Legacy" derives its title from the word referring to anything which is passed down from generation to generation. It was commissioned by the Univsity of Wisconsin, River Falls to celebrate its 125th anniversary and salutes through musical imagery the spirit of the proud, sensitive and courageous people who have, through the years, made this historic event possible. This octet can also be performed with band accompaniment, also available from the publisher.8P
15319E1022B98-66EE-4650-944C-899ED4C4649ASU498Trio, Op. 87 (String trio)(not set)Two Violins & Viola (or Cello)
15320E103AC1C-6E0B-4D52-B0F6-A0CD25F5010750100150Tribute OvertureConcert programming just became a little easier. This spirited overture fits just about any programming need and will go together with minimal rehearsal. It is a mature work for young musicians that will enhance your event with its bold, brilliant sounds.Concert Band