Titles
Showing 15,301-15,320 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15301 | E0CA5496-3222-4C4B-AF4E-6D84BB281603 | R00794 | Three Tangos for Flute, Harp and Strings | Commissioned by the Glendale Chamber Orchestra and Recorded by Flutist Marisa Canales and Harpist Lidia Tamayo on Urtext Digital. Three Tangos builds on the legacies of Piazzolla, Borges and Gardel with Schifrin's own distinctive and cosmopolitan voice. | Flute, Harp Soli: String Orchestra | |
| 15302 | E0D0C33D-9CF5-49AA-9F4A-BA485D5AC2CE | M277591 | American Sketches | Written in 1996 at the request of Bruce Leek, the eminent recording engineer, American Sketches is a concerto in five movements for saxophone quartet. Symbolic of the vast diversity to be found in the United States, the first four movements are inspired by a musical style of a particular ethnic origin, with each featuring a different member of the quartet. The last movement brings the ensemble together and recapitulates all the material previously heard. Movements: 1. Ragas (Alto Saxophone), 2. Impressions (Tenor Saxophone), 3. Sueños (Soprano Saxophone), 4. Shamrocks (Baritone Saxophone), 5. Mosaics. | Saxophone Quartet (SATB) | |
| 15303 | E0D255F9-9524-4C5B-BF9A-4AB2D8BB2D4F | 10362101 | It Only Takes Two: 18 Duets for Mallet Percussion | IT ONLY TAKES TWO by James Moore is an easy / intermediate duet that can be played on any keyboard instrument. When only one instrument is available minor adjustments can be made allowing the performers to use one instrument. Enjoyable duets for recitals, contests, sight reading practice, and recreational playing. Included: 1. Aria (Couperin); 2. Duo (W.A. Mozart); 3. Joyful Rondo (Chedeville); 4. Allegro (W.A. Mozart); 5. Musette (Chedeville); 6. Gavotte (Chedeville); 7. Scotch Dance (Beethoven); 8. Bourree (Handel); 9. Lovers (Chedeville); 10. Andante (W.A. Mozart); 11. Fanfare from Concerto in D minor (Vivaldi); 12. Invention in F Major (J.S. Bach); 13. Romanze (Beethoven); 14. Turkish March from Sonata in A Major, K. 331 (W.A. Mozart); 15. Rondeau (Chedeville); 16. Andante from Sonata in C Major, K. 545 (W.A. Mozart); 17. Allegro from Sonata in F Major, K. 545 (W.A. Mozart); 18. Music from Carmen (Bizet). | One or two Mallets | |
| 15304 | E0D2E07D-3FA6-4139-B6BD-839F8AD8BE9B | R01128 | Timepiece for Orchestra | Commissioned by the Dallas Symphony Orchestra. | 2+Picc.2+EH.2+Eb Clar.2+Cbsn: 4.3.3.1: Timp.Perc(3).Pno: Str | |
| 15305 | E0D82D91-81C5-495C-9C1B-CF314CD1C1A7 | X622509 | Treetop Studio | Commission Andrew Imbrie Sacket- Fonteneau duo | Clarinet and Cello | |
| 15306 | E0D8FF35-6504-4538-89FA-AB9B4CD2A845 | A259202 | Seven Last Words of Christ, The (Les Sept Paroles du Christ) | “Les Sept Paroles du Christ” (“The Seven Last Words of Christ”), is one of Théodore Dubois's (1837-1924) two oratorios, and remains the composer's most frequently performed choral work. First performed on April 19, 1867 at Paris Église de la Madeleine, the work has seven inner movements, with two outer unnumbered movements: Introduction. O vos omnes qui trasitis per viam; 1. Pater, Dimitte illis; 2. Hodie mecum eris in paradiso; 3. Mulier, ecce filius tuus; 4. Deus meus, ut quid dereliquisti me?; 5. Sitio!; 6. Pater, in manus tuas commendo spiritum meum; 7. Et clamans Jesu, voce magna dixit. Consummatus est!; Prière. Adoramus te, Christe. Instrumentation: 2(1dPicc).2.2.2: 4.2.3.0: Timp:Perc(2): Hp: Org Oblgto: Str (4-4-3-3-3): Soli STB: Mix Chor or Pno Accomp. Vocal Score. | 2(1dPicc).2.2.2: 4.2.3.0: Timp:Perc(2): Hp: Org Oblgto: Str (4-4-3-3-3): Soli STB: Mix Chor or Pno Accomp. | |
| 15307 | e0df44d4-9e39-11f0-a418-0022482c9682 | A399102 | Rock, The (Fantasy for Orchestra), Op. 7 (Utyos) | THE ROCK (UTYOS), Op. 7 is a symphonic poem composed by Sergei Rachmaninoff (1873-1943) in 1893 when he was just 20 years old, and it premiered in Moscow in 1894 under the baton of Vasily Safonov. Inspired by a poetic image from Lermontov and the short story "Along the Way" by Anton Chekhov, the piece evokes a dramatic encounter between a weary traveler and a stern cliff during a snowstorm, symbolizing the contrast between fleeting human emotion and eternal nature. Richly orchestrated, it foreshadows the lush Romanticism of his later works, while also paying homage to Tchaikovsky, who praised it. Though not as frequently performed as his concertos or symphonies, THE ROCK has secured a modest place in the orchestral repertoire, appreciated today for its youthful intensity and atmospheric storytelling. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str (9.8.7.6.5 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str (9.8.7.6.5 in set) | |
| 15308 | E0E307A3-8D76-4C5B-BA03-1321313D9163 | 52250972 | Sue's Blues | A 3/4 jazz blues form with a twist, this piece is set in the Dorian mode and features unusual changes. It also includes rhythm parts and room for an improvised solo for violin, viola or cello. Suggested solos are provided as well as changes. | String Orchestra with Piano and Drums | |
| 15309 | E0E7C048-6C9A-4EC9-AC9D-C7F4C20D3E6B | X305001 | Flying Time | A dynamic and minimalist-steeped ensemble piece for both definite and indefinite-pitched instruments. Recorded by Tempus Fugit Percussion Ensemble, 2001. | 5 Percussion | |
| 15310 | E0EA8256-541E-446A-8707-7361B4C44CCB | M227091 | Piece en Forme de Habanera, M. 51 | Maurice Ravel (1875-1937), like many French composer of the time, tried his hand at writing the habanera in 1907, a Cuban dance which was very popular in Spain at the end of the 19th century. Originally written as a vocal etude titled Vocalise-étude en forme de Habanera, the work was quickly adapted for various solo instruments and retitled Pièce en Forme de Habanera. This transcription for soprano or tenor saxophone of Ravel's delightful work was completed by Jules Viard and is a great recital or contest selection. Reprint of the French edition. | Soprano Saxophone and Piano | |
| 15311 | E0ECA869-A8FE-4956-8B8C-9139DCD321E3 | 52701023 | Five Duets for Violin and Viola | Five clever mixed duos of varying styles and keys for intermediate players and above. A substitute cello part is included in the set for part 2. | Violin and Viola or Cello | |
| 15312 | E0F04B33-1E9A-4947-BD21-D835305DB931 | M341991 | L'Organiste Liturgiste, Op. 65, Bk. 8 | French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgique" is available from the publisher. | Organ | |
| 15313 | E0F3DD3C-B170-419A-9763-B8983286684B | SC374 | We Praise Thee, O God | (not set) | 2 Part | |
| 15314 | E0F552C6-4798-40CD-AE3C-960937779E84 | TC759 | Ah Love to You I'm Crying | (not set) | Five-Part Chorus of Mixed Voices a Cappella | |
| 15315 | E0F72891-C7A0-44AD-8372-C8D73F0722C9 | ST43 | Sonata for Flute and Piano | (not set) | Flute and Piano (or Harpsichord) | |
| 15316 | E0F7A2E4-FF5C-430F-95B8-85720DA35003 | X503026 | Trio for Piano, Violin, and Cello | Commissioned by Frostburg State University for The Chamberlain Trio | Violin, Cello, Piano | |
| 15317 | E10093C6-F864-4929-A422-8AAC6FC6A7C2 | SS284 | Normandie Suite | (not set) | Clarinet Quartet | |
| 15318 | E100F6CC-0E90-4735-9AC5-0BED610DAF83 | SU479 | Legacy | "Legacy" derives its title from the word referring to anything which is passed down from generation to generation. It was commissioned by the Univsity of Wisconsin, River Falls to celebrate its 125th anniversary and salutes through musical imagery the spirit of the proud, sensitive and courageous people who have, through the years, made this historic event possible. This octet can also be performed with band accompaniment, also available from the publisher. | 8P | |
| 15319 | E1022B98-66EE-4650-944C-899ED4C4649A | SU498 | Trio, Op. 87 (String trio) | (not set) | Two Violins & Viola (or Cello) | |
| 15320 | E103AC1C-6E0B-4D52-B0F6-A0CD25F50107 | 50100150 | Tribute Overture | Concert programming just became a little easier. This spirited overture fits just about any programming need and will go together with minimal rehearsal. It is a mature work for young musicians that will enhance your event with its bold, brilliant sounds. | Concert Band |