Titles
Showing 15,241-15,260 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15241 | E000A207-8B8B-4596-8469-9086CEFE3842 | D511027 | Vivace from String Quartet, Op. 64 No. 5 | Violin, Piano | ||
| 15242 | E0012304-CF15-4457-9B5D-8890BC6C59F1 | EBM0610154 | Melancholy Mood | Marian McPartland has become famous for hosting her Piano Jazz radio program since 1978, but she was a well-respected pianist decades before the national exposure on NPR. MELANCHOLY MOOD: Marian's former husband, cornettist Jimmy McPartland, gets part of the credit for this tune. "I wrote it years ago. That first phrase came from something Jimmy used to play when he was practicing. So I consider him co-composer. After I played it on the piano, the rest of the tune just fell into place." (from composer's album liner notes: Personal Choice/ Concord Records, 1990) | 2222 4000 Timp Hp Pno Str | |
| 15243 | E007B6B3-1853-4938-BC9B-0E22BFEF0FAC | 10510185 | Variations on Annie Laurie for Trumpet and Piano | A trumpet solo feature that is challenging yet playable. Glenn P. Smith, Instructor of Trombone and Baritone at the University of Michigan School of Music has revised and arranged this melody by Alicia Anne (Lady John) Scott, that later became a famous solo and set of variations by Arthur Pryor. | Cornet/Trumpet Solo and Piano | |
| 15244 | E00A5BC6-10A9-469D-B00C-4929500020F7 | M902502 | Panorama U.S.A. | It's time to stand up and shout for America, and PANORAMA U.S.A. may just provide the necessary incentive. Some of the best known melodies representing many eras in our nation’s history have been combined in a musical potpourri that should spell "enjoyment" for every concert audience. From the vigorous strains of CHESTER, which was popular during the Revolutionary War, to the rousing version of George M. Cohan's YOU'RE A GRAND OLD FLAG, this medley of Americana truly says it all. So let's all cheer for America and set our sights on a musical PANORAMA U.S.A. | Concert Band | |
| 15245 | E013C360-FB11-42C1-B06D-DB734A7C3819 | R01265 | Concerto for Viola, Violoncello, and Orchestra | Viola, Cello Soli: 1+Picc.1.1.1: 2.0.0.0: Perc.Hp: Str | ||
| 15246 | E01AA8B9-194A-40BC-9F3B-83AAEA87F083 | R01568 | Hor che’l ciel e la terra | “Hor che’l ciel e la terra” for Twenty-Four-Voice Chorus and Four Percussionists is a “reimagining” of the second work in Claudio Monteverdi’s eighth book of madrigals, Madrigali guerrieri ed amorosi (Madrigals of War and Love), published in 1638. The original is a setting of a sonnet by Petrarch for six voices, two violins and continuo and is unquestionably one of Monteverdi’s greatest masterpieces. | 24 Voice Chorus and 3 percussion and Timpani | |
| 15247 | E01E4932-E3BD-4708-87EB-D2B35BD6F5CE | EBM4003586 | Four Winds, The | The Four Winds is an homage by the composer to some of the well-known band composers, such as Clifton Williams and John Barnes Chance, as well as earlier wind masters like Holst and Mahler. Evan Hause was a student of William Bolcom, and his more advanced band work, Tango Variations, has been performed and recorded by some of the top university ensembles. This fantasy-overture is appropriate for the intermediate high school band, contrasting brisk fanfare music with variations on a Romantic theme. (Grade 4) Dur: 6:00 | Concert band | |
| 15248 | E022AA6A-78DE-4A3A-8753-72B2D0680DD7 | 10620365 | First Arabesque | This classic work by Claude Debussy lends itself perfectly to keyboard percussion. The arpeggiated melodies lay comfortably under the mallets, capturing the spirit of the original work. | Vibraphone and Piano | |
| 15249 | E024596C-2B7B-4599-9F5B-28BD2C00EAB1 | A277302 | Carmen: Act III (No. 22), Micaela's Air: Je dis, que rien ne m'epouvante | While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet’s (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the Habanera and Toreador Song among the best known of all opera arias. "Micaela’s Air" (Je dis que rien ne m’épouvante) appears in Act III as the young village girl searches for Don José in the mountains. Alone and fearful of the smugglers who surround her, Micaela gathers her courage through prayer, asking God to give her strength to confront Carmen and rescue José from her influence. The aria contrasts Micaela’s purity and innocence with Carmen’s fiery sensuality, highlighting her steadfast devotion and quiet bravery. Lyrical, tender, and imbued with heartfelt sincerity, it provides one of the opera’s most poignant and touching moments, offering a glimpse of moral clarity amid the drama’s turbulence. Instrumentation: 2.1+EH.2.2: 4.0.1.0: Timp: Str (4.4.3.3.3 in set): Solo Sop. Reprint edition. | 2.1+EH.2.2: 4.0.1.0: Timp: Str (4.4.3.3.3 in set): Solo Sop | |
| 15250 | E0262179-6627-45A4-A6EA-83894DA4162D | A433902 | St Paul Oratorio: How Lovely Are the Messengers | (not set) | 2, 0, 2, 0 - 2, 0, 3, 0, org, str (2.2.1.1.1), mx chor | |
| 15251 | E02690EF-87E0-4A14-A848-460E98BBFC9D | SU270 | Black Key Etude | This arrangement of Chopin's "Black Key Etude" Op. 10, No. 5 by Linda Maxey for marimba and piano includes prepatory exercises for proper execution of the solo part. | Marimba and Piano | |
| 15252 | E0271ABC-0AAF-467B-8674-458B15CC5240 | R01430 | Tough Turkey in the Big City for Narrator and Six Players | A charming and funny Thanksgiving tale featuring the bass trombone as the protagonist, Tom the Turkey. | Narrator, Clarinet, Trumpet, Bass Trombone, Piano, Violin, Percussion | |
| 15253 | E02A1D33-D19A-430E-B208-30537765E9F2 | 38100004 | Ludwig Classic Sound Library v. 4 | (not set) | Concert Band | |
| 15254 | E02BCAD9-6010-4D59-89B5-A8F1C1AAB5F0 | EBM0610020 | Cohan Medley for Barbershop Quartet and Orchestra | (not set) | Barbershop Quartet, 2222 4331 Timp 2Pc Hp Str | |
| 15255 | E030E7A6-9C44-4CAD-BC48-70298F5EAA10 | A454302 | Symphony for Strings in E minor | The STRING QUARTET IN E MINOR by Guiseppe Verdi (1813-1901) was composed in 1873, one year before his REQUIEM MASS. It was written in his Naples hotel room while awaiting the continuation of rehearsals for the performance of AIDA. The integrity of phrasing and articulation of the Urtext edition has been respected in this setting. It is hoped that this string orchestra version focuses more attention on Verdi's single contribution to the chamber music literature. | String Orchestra (8-8-5-5-5 in set) | |
| 15256 | E0339418-0700-45BF-B7D6-03E6D22A1079 | X094009 | Three Madrigals, Op. 62 | These three madrigals are SATB a capella settings of anonymous Spanish and English texts. Each movement includes a piano accompaniment for rehearsal purposes. Madrigal titles: I. Pidiole a Naciso, II. Alamarilis, III. Moca Tan Fermosa. In addition to this larger work, each of the individual madrigals is available from the publisher. | SATB Chorus | |
| 15257 | E0343518-3A0B-4F0C-9C92-ED1B96354E5B | S5 | SWINGIN ON THE RANGE ( | |||
| 15258 | E0361F02-AA94-4CFB-A21D-8D26F7955A65 | M915202 | Variations on a Familiar Tune | From the pen of Ira Hearshen comes this fantastical and fabulous set of variations on an instantly recognizable American melody. The full forces of the concert band are called into play and everyone has a terrific part in the scheme. | Symphonic Band | |
| 15259 | E0370D72-A478-4D27-B2C1-0870DB513A39 | 10610127 | 2040's Sortie | Here's a classic! This popular rudimental snare drum solo is on just about every recommended music list there is, and for good reason! A true rite passage for all snare drummers! | Snare Drum Solo | |
| 15260 | E039B71D-0B14-40B5-85A5-0D265D40AD4F | X506006 | Vom Konig, vom Kater, und der Fiedel fur Streichquintett, Klavier und Erzahler | This story of a king's love of music, his wise cat, and a very large collection of accountants was written many years ago by Christopher Hope and Yehudi Menuhin. The extraordinary violinist and impresario Daniel Hope has commissioned this rendition for family audiences of his father's beautiful story for solo violin, string quintet (2 violins, viola, violoncello and contrabass), piano and narrator. Versioins with English and German text are available from the publisher. | String Quintet, Piano and Narrator |