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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15281E084763C-6C68-4578-97BA-FAFECEDC83F4SS815Tympercussionist, The2 Timpanis
15282e0851fb2-9e39-11f0-a418-0022482c9682A393602Musical Joke, A, K. 522 (Ein Musikalischer Spass)Wolfgang Amadeus Mozart’s (1756-1791) EIN MUSIKALISCHER SPAß (A MUSICAL JOKE), K. 522, premiered in Vienna on June 14, 1787. Written for two violins, viola, bass, and two horns, this humorous divertimento parodies the blunders of less-skilled composers, featuring clumsy counterpoint, awkward modulations, out-of-tune horn passages, and a famously chaotic ending rife with harmonic missteps. While lighthearted on the surface, the piece also serves as a sly commentary on musical conventions and mediocrity in late 18th-century music. Today, A MUSICAL JOKE occupies a unique niche in Mozart’s oeuvre—it is often programmed as a comic interlude in chamber concerts or educational settings, appreciated both for its wit and its insight into Classical-era musical norms. Instrumentation: 0.0.0.0: 2.0.0.0: Str (4.4.3.3.3 in set). Reprint edition.0.0.0.0: 2.0.0.0: Str (4.4.3.3.3 in set)
15283E088E908-5ABE-4119-9B9E-68B29D03204DSS694Woodwind Quartet (out-of-print)Woodwind Quartet
15284E089256E-52BA-4E7B-901C-A185E45A8681SO19CRondoAlexander Von Kreisler's light and playful "Rondo" allows each section of the string orchestra to shine as the melody is passed around. A special cello part is included to reinforce the violas if necessary.String Orchestra
15285E08F4322-3BA4-4514-BC14-5B91F784DFFFA302302Die Fledermaus: No. 8 (Act II), Laughing Song: Mein Herr Marquis (soprano)The comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered yet for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes, masked identities, the test of true love, and other shenanigans, the original source is a play by German playwright Julius Roderich Benedix (Das Gefängnis), which was translated into a French vaudeville play, "Le réveillon" by Henri Meilhac and Ludovic Halévy, which was then translated back to German by Karl Haffner, whose translation was finally used as the source for the libretto by Richard Genèe. Written following a couple of less successful efforts to enter the opera world, this light opera premiered at the Theater an der Wien in Vienna on April 5th, 1874, and remains one of the most popular in the contemporary repertoire. The aria "Mein Herr Marquis," commonly called the "Laughing Song," is probably the best known song from the opera, and great deal of fun for soprano and chorus. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc: Str (4-4-3-3-3 in set): Solo Sop: Mix Chor.2.2.2.2: 4.2.3.0: Timp.Perc: Str (4-4-3-3-3 in set): Solo Sop: Mix Chor
15286E08F834B-A95B-4B6D-A19C-6D1089E5AFD4S775CBSpringtime Heralds(not set)Concert Band
15287E0906A8A-6A6C-459D-8802-523EB7EED14610730285Serenade for Cello Solo(not set)Cello Solo
15288E093FFFE-4C33-4694-BA72-36EAF52D6132EBM0630008To Manitou! for Soprano and Chamber OrchestraManitou is the spiritual and fundamental life force, omnipresent and manifesting everywhere, among Algonquian groups in the Native American mythology. This setting of the story for soprano is accompanied by a chamber orchestra.Soprano, 1100 1000 Str
15289E0944EFB-4594-49D0-8D2F-0B5C78AAEA2CA168090Endecha, ZortzicoFrancisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. ENDECHA, ZORTZICO (ZORTZIKO) is a two-part work for full orchestra. Expressive markings describe its linked sections, Lento doloroso and Tempo de Zortziko. Instrumentation: 2+Picc.2+EH.2.2+CBsn: 4.3.3.1: Timp.Perc(4-5): Hp.Clst: Str (9-8-7-6-5 in set).2+Picc.2+EH.2.2+CBsn: 4.3.3.1: Timp.Perc(4-5): Hp.Clst: Str (9-8-7-6-5 in set)
15290E094D33F-E5EA-4FCA-A8F9-626EDAACD76450510001Valencian OdysseyA unique and interesting original trumpet solo from Mike Lewis, this work is in a light, paso doble style. Also available for trumpet with full orchestra accompaniment (#50260014).Trumpet, Piano
15291E09FD75F-04DE-4712-924B-D21F3F5B4D97SC354Words Of Jesus (out-of-print)Satb
15292E0A56066-870C-4436-A065-FB42A4297FD6SU394Toccata for Trumpet Choir(not set)Trumpet Choir
15293E0AABD54-8461-4998-A84D-F7788EEC122310510428Mirror LakeMirror Lake is a place of serenity and great beauty on the Ohio State University campus. A recording is available featuring the Ohio State University Concert Band and euphonium soloist Dr. Paul Droste. Piano reductions for euphonium and trumpet are available from the publisher along with the band accompaniment set.Trumpet/Cornet/Euphonium Treble Clef Solo and Piano
15294E0AC7259-6EF1-45AE-9718-10F20D1FF2D8ST220Prelude and Fanfare from the Fairy QueenThis arrangement of the prelude and fanfare for brass choir from "The Fairy-Queen" (1692; Purcell catalogue number Z.629) is a masque or semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's wedding comedy "A Midsummer Night's Dream".Brass Choir: 3 Bb Trumpets, 3 F Horns, 3 Trombone, Timpani
15295E0B11257-1DCF-4C3B-9FB7-CB3A13549D77M261691Flight of the Bumblebee for Woodwind QuintetThis very well-known work by Nicolai Rimsky-Korsakov (1844-1908) comes from his opera THE TALE OF TSAR SALTAN. Where THE FLIGHT OF THE BUMBLEBEE customarily showcases the virtuosic technical abilities of any soloist, it is here arranged for woodwind quintet by Steven Rosenhaus. While more dominant in the upper woodwind parts, all players are given the opportunity to play through the melody as it is passed around in this arrangement.Woodwind Quintet (Flute, Oboe, Bb Clarinet, Horn, Bassoon)
15296E0B287B1-C10E-4F3B-BA02-295F474B957BSU86Suite(not set)Violin
15297E0BD5562-EBC5-4DD2-90D4-B4363801F080X504107Lo (Reality Music No. 2) for Singing String Quartet (optional Choir)This work for singing string quartet is written in the memory of all brave women and men who have lost their lives during the recent events in Iran. Written for singing string quartet, a choir may also be employed. The choral score is available separately.Singing String Quartet (optional Chorus)
15298E0BF2E4D-AEB9-44AB-AF57-55EF0892654C51100202Chorale And FantasyConcert Band
15299E0BFDD63-C282-4380-B5FD-A0C5B4AE2666SC209Instruments Of Thy PeaceTb
15300E0C4A7B5-6B7A-4A3F-A15D-2C1A502B7DEAM187291Ten SongsThis collection of TEN (10) SONGS by composer Frank Bridge (1879-1941 include the following: 1. Blow, blow thou winter wind, H. 33; 2. E'en as a lovely flower (No. 2 from Two Songs after Heine, H. 27); 3. Go not, happy day, H. 34; 4. The Devon maid, H. 25; 5. Dawn and Evening, H. 26; 6. So Perverse, H. 61; 7. The Violets Blue, H. 69; 8. All things that we clasp, H. 77; 9. Where she lies asleep, H. 113; 10. Love Went a-Riding, H. 114. Reprint edition.Voice and Piano