Titles
Showing 13,401-13,420 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13401 | C40A33E6-9D07-47B8-B118-AF7FBAFD6E94 | SS77 | Introduction and Rondo | Clarinet | ||
| 13402 | C4146B13-6404-496A-8CD3-35F6C047315B | R01371 | Cut Me Loose From This World | A Funeral and Ascension In New Orleans, dedicated to the victims of Hurricane Katrina, September 2005. | 2+Picc.2+EH.3.2: Asax: 4.3.3.1: Perc(3): Str | |
| 13403 | c4155615-9e39-11f0-a418-0022482c9682 | A219402 | Tempest, The (Burya), Op. 18/TH 44 | Composed in 1873, THE TEMPEST (BURYA), Op. 18/TH 44 is a symphonic fantasy based on Shakespeare’s play of the same name by Peter Ilyitch Tchaikovsky (1840-1893). Upon a suggestion from the critic and mentor Vladimir Stasov, he sketched the entire work in ten days. It premiered at a Russian Musical Society concert in Moscow on December 7, Nikolai Rubinstein conducting. The preface to the score is a paraphrase of the original program as written by Stasov himself: “The Sea. The magician Prospero commands his spirit Ariel to create a storm, of which a victim is the fortunate Ferdinand. The enchanted island. The first timid stirrings of love between Ferdinand and Miranda. Ariel. Caliban. The lovers are overwhelmed by their passion. Prospero renounces his magical powers and leaves the island. The Sea.” Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1-2): Str([3.3.3]-[3.3.2]-7-[2.2.2]-5 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1-2): Str([3.3.3]-[3.3.2]-7-[2.2.2]-5 in set) | |
| 13404 | C4183439-A608-447C-92F3-76E38C018535 | R00361 | The Ascent of the Equestrian in a Balloon | (not set) | 2+Picc.2+EH.2(1d BCl)+Eb Cl.2+Cbsn: 4.4.3.1: Timp(2).Pno (4 hands):Str | |
| 13405 | C41A923C-9D75-47B3-AA85-56BBE23E8E28 | R00192 | Vox in Rama | Commissioned by the Pasadena Chamber Orchestra. First performance: October 23, 1983 — Pasadena Chamber Orchestra and Chorus, Robert Duerr, conductor, Los Angeles. Orchestra performance materials available on rental. | Double SATB Chorus:2(2 dPicc).2(2d EH).2(2d BCl).2: 2.2.0.0: Perc(2): Str (minimum 6.6.4.4.2) | |
| 13406 | C41CC424-35DD-47CA-BC3F-D5F226DF29AE | 20250474 | Jesu, Joy of Man's Desiring | One of Bach's most famous melodies (actually written as a chorale by Johann Schop and embellished by J.S. Bach), this is a timeless classic with value on any program. The chorale melody is placed an octave lower than in the original choral work, providing the cellos with a delightful, melodic part. Even the second violins get their chance at the interweaving eighth-note obbligato melody in this well-balanced work. True to the original, 3/4 and 9/8 meters are sometimes used simultaneously in the ensemble. | String Orchestra | |
| 13407 | C4221E52-D401-4A1C-AD63-6757F08E3ECB | R00975 | Cello Concerto | (not set) | Cello Solo 2(1d Piccolo).2.2.2: 2.2.3.0: Timpani.Percussion(1).Piano.Harp: Strings | |
| 13408 | C42BF833-576B-42FC-AB28-C3E677553957 | M316591 | Five Melodies (Cinq Melodies), Op.58 | (not set) | Voice and Piano | |
| 13409 | C43455A8-3D47-4531-9E07-D376B249B2D0 | R00553 | Salus...Esto | 3(1d Piccolo).2.2.1: 4.4.3.1: Timpani.Percussion(3).Piano.Harp: Strings | ||
| 13410 | C4398BE8-FF26-466B-940B-924892487114 | MP800018 | Maria la O: Zarzuela Cubana | This Marks orchestration of Ernesto Lecuona's (1892-1934) zarzuela is, at once, the first-ever critical (to the extent that this is possible), and, more importantly, the first-ever performing edition. It utilizes all extant notated and aural materials for Maria la O for its creation. It was edited 2001-2011 by Dr. Evan Hause. The orchestration in this edition is fully computer-engraved. The percussion parts, mostly unnotated in the original materials, were transcribed and edited for this edition, yet they still allow for the freedom to take a traditional, improvisatory approach to the music as per the original. | Sop.Tenor.Bar.SATB Chorus and Piano | |
| 13411 | C43F57FA-057F-44E1-961A-238516B9957D | ST650 | Chrysoprase IV | Chrysoprase IV is a virtuosic showpiece for drum set featuring tuned tom-toms, turn-on-a-dime meter changes, and driving accented passages that require precision stick technique. Advanced players will enjoy the thrill and challenge this piece has to offer! | Drum Set Unaccompanied | |
| 13412 | C44599F4-162C-43D7-88E7-460D32CACA40 | B249 | Tymp Tunes | This collection includes solos which are on contest lists throughout the world. It also contains six works written specifically for this collection. A variey of difficulty levels and music of differing styles are included, and it incorporates many technical issues found in modern tympani repertoire. Movement titles for 2 Drums: 1. Pauken Parade, 2. The Copper Bowls, 3. Kettle Kaper, 4. Tall Tale for Tympani, 5. Tympanic, 6. Swingsation, 7. Jazz a Little Waltz, 8. Tympani Bossa Nova, 9. Academic Episode, 10. Topical Tymps. Movement titles for 3 Drums: 1. Tymptation, 2. A Scary Scherzo, 3. Experience in Six, 4. Dresen Dance. Movement titles for 4 Drums: 1. Slightly Latin, 2. Cake Walk for Kettles, 3. Fanfare for Four Tympani. Snare Drum and Tympani Duet title: Dubious Debate. Multiple Percussion Solo title: The Tympercussionist | Timpani Unaccompanied | |
| 13413 | C449B674-542D-4682-9106-A0677B7B9744 | 50100264 | Revelry | A whimsical march that involves students with chromatic and trill fingerings, Revelry will also challenge students with glissandi. You'll want to work intonation and correct slide position carefully in the trombone section but the march will be worth the effort. | Developing Band | |
| 13414 | C4542079-3F4E-4F77-866E-E0BA1553F7AF | R00780 | Stomp: Re-Lit | (not set) | 1(d.Picc).1(Eb).0.0: AT Saxes: 1.1.1.1: Xylophone.Drset: Str | |
| 13415 | C45711FC-2AD3-47AE-BC4D-C0646B34DB8D | R207FO | Songs to the Banks of Ayr for Percussion Solo and Orchestra | Written especially for percussionist Evelyn Glennie, Songs to the Banks of Ayr is a Romantic, richly-orchestrated work, consisting of four movements, each set to a poem by Robert Burns. Movement titles: 1. Verses to Clarinda (Sent with a Pair of Wine Glasses) 2. Rattlin Roarin Willie 3. Farewell Song to the Banks of Ayr 4. Address to Edinburgh (2010) Ca. 20' | Percussion Solo, Orchestra | |
| 13416 | C45BBE0E-C4E6-4C0D-8495-88F628D179D5 | R00313 | Radical Light from Poem Symphonies Set I | Inspired by the poetry of A.R. Ammons . | 2+Piccolo.2.2+Bass Clarinet.2: 4.2.3.1: Percussion(4).Piano: Strings | |
| 13417 | C45C3FD4-0BAD-48B4-B8DE-1685B71F811C | M212291 | Violin Sonata No. 2 in G, Op. 13 | SONATA NO. 2 in G Major, Op. 13 is the second of three sonatas for violin by Norwegian composer Edvard Grieg (1843-1907). Composed in 1867, soon after his marriage to Nina Hagerup, the work is dedicated to Johan S. Svendsen. It bears the unmistakable influence of Norwegian folk music. This Masters reprint edition is edited by Maxim Jacobsen. | Violin and Piano | |
| 13418 | C463AE89-F870-40E9-BD5A-16A48A2CD1CD | 52250904 | Storm at Rock Creek | (not set) | String Orchestra | |
| 13419 | C465259C-6DBD-4F45-866A-2F7459D27478 | SS735 | Prelude and Allegretto | The Prelude is derived from Telemann's Sonata in G Minor and the Allegretto from his Sonata 1 in Bb Major. | Tuba | |
| 13420 | C466A44F-84EC-47BA-854C-5FC177C9522B | R56 | Mazatlan | (not set) | Concert Band |